Soren Andersen

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For 373 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 2.1 points lower than other critics. (0-100 point scale)

Soren Andersen's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Spider-Man: Across the Spider-Verse
Lowest review score: 12 Norm of the North
Score distribution:
  1. Negative: 74 out of 373
373 movie reviews
    • 52 Metascore
    • 50 Soren Andersen
    [Hillcoat’s] an expert in creating and sustaining gut-twisting tension. Good qualities all, but used here in the service of a story that is truly unappetizing.
    • 52 Metascore
    • 63 Soren Andersen
    Snowtime! is by turns ribald (there’s a flatulent dog), boisterous (there’s charging through the snow with wooden swords wildly waved), tender (there’s a boy grieving quietly for a father killed in a real war) and, yes, tragic.
    • 51 Metascore
    • 88 Soren Andersen
    With intelligence and great moviemaking skill, [Reynolds] has created a classic variation on a venerated ancient theme.
    • 84 Metascore
    • 88 Soren Andersen
    Eggers’ depiction of the family’s psychological decay and his relentless piling up of deeply disturbing imagery make The Witch an unnerving and fresh-feeling horror masterwork.
    • 56 Metascore
    • 75 Soren Andersen
    What the picture lacks is a certain spark. It’s a workmanlike effort that diligently covers a lot of bases...but never achieves a transcendence that befits a figure like Owens.
    • 64 Metascore
    • 75 Soren Andersen
    As with any Michael Moore movie, attention must be paid.
    • 80 Metascore
    • 75 Soren Andersen
    The eye is enchanted by the richness of the picture’s spectacle.
    • 58 Metascore
    • 75 Soren Andersen
    The segments, though short, are nastily effective.
    • 66 Metascore
    • 88 Soren Andersen
    Martial-arts action, excitingly mounted, is all part of the package as Po battles a glowering, green-eyed bull (J.K. Simmons) and tries to whip peaceable pandakind into a fighting force to defeat the villain. One-liners fly as fast as kung-fu fisticuffs in this sweet and satisfying picture.
    • 65 Metascore
    • 75 Soren Andersen
    Maximally cheeky. Perversely potty-mouthed. Riotously funny. Insanely violent. Uneven as all get out. And fun, fun, fun.
    • 58 Metascore
    • 63 Soren Andersen
    The storm effects are first-rate, immersive all the way. The tale-telling ability of director Craig Gillespie is frustratingly inconsistent.
    • 57 Metascore
    • 63 Soren Andersen
    [Ip Man] is the calm at the center of a storm of kung-fu combat sequences, and Yen plays him with grace and serenity.
    • 53 Metascore
    • 63 Soren Andersen
    Director Raman Hui mixes martial-arts fights and slapstick comedy (lots of mugging by Jing) into a whimsical, fast-paced monster mash.
    • 33 Metascore
    • 38 Soren Andersen
    This picture stands as the best argument yet that the YA dystopia cycle has passed its sell-by date.
    • 88 Metascore
    • 88 Soren Andersen
    Thewlis voices Michael with weariness and despair until the character encounters Lisa. Leigh mixes eagerness...and an abashed vocal quality that emphasizes her character’s vulnerability.
    • 21 Metascore
    • 12 Soren Andersen
    No child should be exposed to this.
    • 48 Metascore
    • 75 Soren Andersen
    The movie’s main drawback is that its main characters are surprisingly ill-defined.... It’s a frustrating flaw in an otherwise engrossing picture.
    • 63 Metascore
    • 75 Soren Andersen
    The flowers in Flowers are touchstones, reminders of a person, but more significantly of the conflicted feelings shared by the three main women in the picture.
    • 34 Metascore
    • 38 Soren Andersen
    The fact that Bracey is the equivalent of a charisma black hole (at the movie’s center, there is no there there) and the further fact that the movie runs out of plot long before it runs out of stunts to showcase, make Point Break a remake that ought not to have been made.
    • 47 Metascore
    • 75 Soren Andersen
    Deschamps’ camera captures the emotional roller coaster Redzepi rode during that tumultuous time and shows his conflicted relationship with fame. He dismisses its importance but also clearly craves it. The end result is a revealing portrait of an artist wholly dedicated to his art.
    • 33 Metascore
    • 25 Soren Andersen
    Exposure to Alvin and the Chipmunks: The Road Chip may result in the dislocation of eyeballs in viewers over the age of 7 due to uncontrollable rolling of the eyes at the sight of the idiotic antics committed on screen. To avoid eye strain, which is to say, eye sprain, avoid this movie at all costs.
    • 68 Metascore
    • 50 Soren Andersen
    Yep, we’re in Tarantino territory for sure: way too self-indulgently long, and way, way overboard with that N-word.
    • 42 Metascore
    • 50 Soren Andersen
    Daddy’s Home is a movie with a one-joke premise: Will Ferrell, he’s a pincushion of punishment. Make him screech. Watch him squirm.
    • 81 Metascore
    • 88 Soren Andersen
    See the movie. It’s a treat. And educational, too.
    • 64 Metascore
    • 50 Soren Andersen
    Freighted with symbolism and beautifully mounted, Youth is dreamlike and at the same time stultifying.
    • 72 Metascore
    • 75 Soren Andersen
    Gore and guffaws attend this very dark horror comedy in roughly equal measure.
    • 82 Metascore
    • 75 Soren Andersen
    The visuals relegate the acting to secondary importance. They overwhelm the story. And they make The Assassin unforgettable.
    • 80 Metascore
    • 75 Soren Andersen
    Ridley is the picture’s real find. Her Rey is fearless, forceful, resourceful, and with a hidden side to her personality that slowly manifests itself and will surely be more deeply explored in the sequels.
    • 47 Metascore
    • 63 Soren Andersen
    The whale special effects, computer-generated of course, are genuinely spectacular.
    • 68 Metascore
    • 63 Soren Andersen
    The camera is fixated on the face of Alice, the lead character in The Girl in the Book. And no wonder. There’s a lot going on there.

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