Soren Andersen

All in all, this “Buster” is something else.

Zombies. Nazis. Clichés. Insane violence. Overlord delivers a whole lot of much too much.

The “Dragon Tattoo” series continues with “Spider’s Web,” but it seems as though the franchise is running out of gas and fresh ideas.

There is grace in Sarandon’s performance. And heartbreaking power.

Hunter Killer grabs the audience by the throat and speeds ahead while disbelief wallows helplessly in its bubbly wake.

In this, his feature directorial debut, Möller makes a whole lot out of very little: a whole lot of dramatic forcefulness out of the most simple and basic of elements, a solitary man struggling to do the right thing.

These filmmakers have made arguably the best Halloween since that first one.

Gosling, who previously worked with Chazelle on “La La Land,” is perfectly cast.

The mood of the picture is relaxed. The vibe given off by Redford and his principal co-stars Casey Affleck and Sissy Spacek is one of accomplished professionals feeling supremely comfortable inhabiting their roles.

Adapting a prizewinning novel by Canadian writer Patrick deWitt, Audiard has made an atmospheric Western in which the four lead actors portray their characters with remarkable subtlety.

A picture in the running for the dubious distinction of being perhaps the worst Marvel-derived origin story ever.

Director Malcolm D. Lee, whose previous movie, 2017’s raucous “Girls Trip,” gave Haddish her star-making breakout role, does her no favors here. In this mess of a movie, her performance is merely adequate. She, and the audience, deserve better.

You get a sense [Eli Roth]'s struggling to rein in his penchant for gory frights, and for that reason “Clock” feels like a movie at war with itself.

The teenage, first-time actor certainly holds his own with the experienced likes of Matthew McConaughey and Jennifer Jason Leigh. But at the same time, he gives the impression of being just slightly disengaged from the part, almost as though he’s spectator at the kid’s life.

Similar to the scenario of the original picture, it’s a band of grizzled soldier types who battle the alien menaces. Missing, however, is a formidable leading-man presence in the Schwarzenegger mold.

Director Corin Hardy lards on the frights so relentlessly that the moments don’t build to any sort of sustained narrative momentum.

It is the scenes in a Buenos Aires safe house between Eichmann (Ben Kingsley) and Mossad agent Peter Malkin (Oscar Isaac), the leader of the abduction team, where “Operation Finale” departs from usual espionage-movie scenarios.

A joyless experience.

Mile 22 is one nasty piece of work. It’s an action picture that’s hard-core to the core, populated entirely by killers with nary a truly sympathetic figure among them. But it does deliver.

Hughes’ handling of the material is unfailingly serious but the picture’s tendency to stray into the ridiculous robs it of the majesty the director so clearly hoped to achieve.

Thanks to McKinnon, “Spy” is a fun summer picture that is truly, weirdly special.

It’s an absorbing character study of a most intriguing man.

There’s the old cliché that says, “so-and-so is such a great actor he could read the phone book (whatever that is; as I said, it’s an old cliché) and make it interesting.” That’s pretty much what Washington pulls off in EQ2.

There’s a lot going on here, which leads to a whole lot of gassy exposition to explain it all.... Think of it as torture by blah-blah.

There is advocacy. And then there is propaganda. The Trolley, with its overcooked rhetoric, falls into the latter category.

There are a lot of moving parts here, and Pearce fits them together with admirable skill. Originality isn’t his strong suit, but “Artemis” has enough snaky twists and turns and moody energy to make it a fun ride.

At more than two hours, it’s simply too long. However, thanks to Collette’s work, “Hereditary” is a horror movie that really sinks its claws into you.

Woodley and Claflin make an attractive pair, but they’re not particularly convincing playing people deeply, deeply in love. There’s something lacking in the conviction department there.