Soren Andersen

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For 373 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 2.1 points lower than other critics. (0-100 point scale)

Soren Andersen's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Spider-Man: Across the Spider-Verse
Lowest review score: 12 Norm of the North
Score distribution:
  1. Negative: 74 out of 373
373 movie reviews
    • 37 Metascore
    • 75 Soren Andersen
    The prime attraction of this movie, and its predecessor, is that it envelopes the audience in the Mario world. Every square inch of the screen, from top to bottom, corner to corner, is packed with images derived from the game. Easter eggs abound. Watching it is akin being inside the 2007 Super Mario Galaxy game itself. Which is why it needs to be seen on the big screen. Seeing it on a phone or a laptop wouldn’t do it justice.
    • 34 Metascore
    • 50 Soren Andersen
    Shouting and struggling, poor Pratt vainly tries to give his character dimension and some sense of sympathy. So genial and engaging in the Guardians of the Galaxy series, Pratt flails grouchily and ineffectively in Mercy.
    • 65 Metascore
    • 75 Soren Andersen
    Everybody involved seems to be having a blast making this latest “SpongeBob” a funny, fast-paced pleasure.
    • 73 Metascore
    • 63 Soren Andersen
    The sweetness in the original is absent in the sequel. The players, including Judy and Nick, have an edge to them. Maybe that’s to be expected in that the main characters are now more settled in their parts, but there’s a sharpness in tone that makes them hard to warm up to.
    • 65 Metascore
    • 75 Soren Andersen
    The picture itself is more workmanlike than transcendent. It marches along but doesn’t soar.
    • 74 Metascore
    • 100 Soren Andersen
    Both star and director are at the top of their game here, and that’s as good as movies get.
    • 75 Metascore
    • 50 Soren Andersen
    This “Naked Gun” tries hard, but the magic simply isn’t there.
    • 65 Metascore
    • 75 Soren Andersen
    There are no safe places in his pictures. And Eddington is dense with multiple levels that stoke the ever-present unease.
    • 61 Metascore
    • 100 Soren Andersen
    There are plot levels here that are deeper than the original, which is quite complex and moving in its own right.
    • 59 Metascore
    • 38 Soren Andersen
    You expect lots of fight scenes in a Wick movie, and Ballerina certainly delivers on that score. Overdelivers, in fact. It’s one damn dust-up after another.
    • 53 Metascore
    • 75 Soren Andersen
    Lively, fast-paced and ever so familiar, the picture is a happy addition to the holiday. It’s worth leaving the house to see.
    • 45 Metascore
    • 63 Soren Andersen
    Kids will likely be diverted by the colorful excess of A Minecraft Movie, but fans of the game may feel it misses the mark. More creativity, please.
    • 72 Metascore
    • 75 Soren Andersen
    Bong covered many of the same aspects of “Mickey” in his 2013 sci-fi epic “Snowpiercer,” a more streamlined and hard-bitten work of social commentary with the have-nots battling the heedless rich. ”Mickey 17” is less focused and not quite as satisfying a production as that earlier movie.
    • 78 Metascore
    • 75 Soren Andersen
    It’s not the best Dracula movie of all time, though it aspires to that. Murnau’s original still leads the pack. But it certainly is the most stylish. Eggers is a filmmaker with astonishing visual flair.
    • 56 Metascore
    • 88 Soren Andersen
    After having been made and remade for the screen and converted into a long-running hit Broadway show, it might have seemed like “The Lion King” was a played-out property. “Mufasa,” under Jenkins’ poised and creative direction, proves there is still plenty of life left in the long-reining “King.”
    • 54 Metascore
    • 50 Soren Andersen
    Betrayals, narrow escapes and much battle action ensue in the course of the picture’s paint-by-numbers plotting.
    • 58 Metascore
    • 63 Soren Andersen
    Part 2 is undeniably lively and very obviously pitched to young kids. It’s colorful but not especially distinctive.
    • 64 Metascore
    • 88 Soren Andersen
    Big, bold and bordering on the unbelievable, Gladiator II delivers, big time.
    • 41 Metascore
    • 38 Soren Andersen
    “The Last Dance” brings nothing new to the series. In fact, it brings less than the previous two movies
    • 85 Metascore
    • 88 Soren Andersen
    Complex and lively, The Wild Robot is thoroughly delightful on every level. It’s a rare treat, not just for kids but for adults as well.
    • 65 Metascore
    • 50 Soren Andersen
    In the midst of all the mayhem it’s sometimes hard to stay awake.
    • 64 Metascore
    • 38 Soren Andersen
    The movie’s unrelenting sensory onslaught is exhausting. It’s torture to sit through.
    • 52 Metascore
    • 50 Soren Andersen
    None of this is especially promising or, frankly, funny. In fact, for much of its length, “Despicable Me” is painfully unfunny.
    • 66 Metascore
    • 63 Soren Andersen
    Ball takes his time presenting Noa’s world in detail. Too much time, frankly. There is no real sense of urgency here. Everything is carefully worked out. The visuals are handsome but unremarkable. Consequently, the picture feels dutiful and oddly bloodless.
    • 55 Metascore
    • 63 Soren Andersen
    It’s an undeniably fun picture but rather too self-impressed. It’s Ritchie at his limited best.
    • 47 Metascore
    • 75 Soren Andersen
    The CGI is off the leash. The manufactured chaos is unrelenting. Monsters punching monsters. The pyramids are peril. Awesome deconstruction there.
    • 54 Metascore
    • 100 Soren Andersen
    The fourth time is truly the charm in this long-running franchise.
    • 79 Metascore
    • 75 Soren Andersen
    A knowledge of the novel is helpful as well.
    • 26 Metascore
    • 38 Soren Andersen
    By the end, it’s made glaringly obvious that the people who made Madame Web intended it to be the prelude to sequels featuring the three proto Spider-Women. Spare us.
    • 39 Metascore
    • 63 Soren Andersen
    So there’s not a single surprise along the way. But there is the comfort of familiarity operating in the movie’s favor. And it’s fun.

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