Scott Campbell

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We Got This Covered
For 105 reviews, this critic has graded:
  • 63% higher than the average critic
  • 4% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 5.4 points lower than other critics. (0-100 point scale)

Scott Campbell's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Cha Cha Real Smooth
Lowest review score: 30 Morbius
Score distribution:
  1. Positive: 36 out of 105
  2. Mixed: 67 out of 105
  3. Negative: 2 out of 105
105 movie reviews
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    • 50 Metascore
    • 50 Scott Campbell
    Jungle Cruise
    Dwayne Johnson and Emily Blunt elevate Jungle Cruise, but you've seen this movie before, and you've seen it done a lot better.
    • tbd Metascore
    • 50 Scott Campbell
    Dangerous Waters
    Dangerous Waters' starts off as one thing, but barrels directly into an absurdly entertaining third act when it decides to throw the shackles off and become something else entirely.
    • 30 Metascore
    • 40 Scott Campbell
    Expend4bles
    The Expendables is far from high art, but it’s safe to say the saga has never hit a lower point than it has here, a crushing disappointment for anyone genuinely hoping for the return to form that was promised and demanded.
    • 25 Metascore
    • 40 Scott Campbell
    Me Time
    Me Time has plenty of talent and a potentially interesting hook, but it's quickly drowned in a sea of comic mediocrity.
    • 45 Metascore
    • 40 Scott Campbell
    Samaritan
    Samaritan had the potential to stand out among a crowded pack with Sylvester Stallone as a veteran superhero drawn out of retirement, but it doesn't bring anything new or noteworthy to the table.
    • 34 Metascore
    • 40 Scott Campbell
    The Man from Toronto
    Hart is capable of better, and Harrelson deserves better, so we can only hope the duo had fun during shooting, because there isn’t a great deal else to recommend outside of the pair’s best attempts at trying to wring some modicum of entertainment value from the scraps they’ve been given to feed on.
    • 40 Metascore
    • 40 Scott Campbell
    Meg 2: The Trench
    Ben Wheatley's blockbuster debut reduces him to an anonymous bystander in a sequel that's inexplicably weaker than its predecessor. If we get 'Meg 3,' then somebody needs to remember these things are supposed to be fun.
    • 28 Metascore
    • 40 Scott Campbell
    Infinite
    Paramount+ has finally released its first major in-house exclusive movie, but it's an understatement to say that Infinite could be better.
    • 42 Metascore
    • 40 Scott Campbell
    Night Teeth
    Night Teeth is a disappointing vampire thriller that's all style and no substance, leaving plenty of interesting world-building and unique mythology behind in favor of a formulaic story audiences will see coming from a mile away.
    • 44 Metascore
    • 40 Scott Campbell
    Resident Evil: Welcome to Raccoon City
    Add on another star, or perhaps even two, if you're a fan of the games, but Resident Evil: Welcome to Raccoon City will struggle to win over those who aren't familiar with the franchise.
    • 34 Metascore
    • 40 Scott Campbell
    The Bubble
    Less is almost always more, but the creative freedom afforded by Netflix must have meant that the director, co-writer, and producer didn’t feel obligated to leave much on the cutting room floor. As a result, The Bubble throws everything and the kitchen sink into the mix, but very little of it manages to stick.
    • 41 Metascore
    • 40 Scott Campbell
    Moonfall
    Moonfall is every bit as big, loud and stupid as you'd expect, but Roland Emmerich's latest disaster epic is also an unforgivably dull slog.
    • 35 Metascore
    • 30 Scott Campbell
    Morbius
    Morbius is a huge step backwards for Sony's Spider-Man Universe, and the worst Marvel-branded movie to come along in a long time.
    • 24 Metascore
    • 30 Scott Campbell
    Midnight in the Switchgrass
    There isn’t a shred of originality or inventiveness to be found anywhere in the DNA of Midnight in the Switchgrass, but the performances from Fox, Hirsch and Lukas Haas as the unnervingly creepy and very murderous Peter are deserving of much better material. That being said, it’s exactly what you’d expect from a modern era Bruce Willis effort, even if he’s barely in it at all.
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