Richard Trenholm

The Uncharted movie may pilfer from assorted better films, but it's a victimless crime.

A case of diminishing returns as more fan-pleasing references and Easter eggs are hurled at the screen like a speed run through a prop museum.

Trashy, deliberately and provocatively fun, The King's Man does for spy movies what The Suicide Squad did for superheroes.

All the slow-burning cinematography in the world can't disguise that Without Remorse is assembled almost entirely from creaky spy/action movie cliches.

Moonfall could be some kind of arch meta-comment on the excesses and artifice of the Hollywood zeitgeist. Or maybe it's just the dumbest movie ever.

A brand new remake of the classic Disney animation sanitizes the aging cartoon's more dubious elements, but still manages to be bizarre as all get out -- and in fact, this awkward mash-mash of digital effects and live action adds new levels of weird.

Jurassic World: Dominion splices nostalgic eras and movie genres and just about any other DNA it can lay its hands on. The result is a primordial soup of a few entertaining scares, but it's sixty-five million years away from making any sense.

Home Sweet Home Alone exists, you already paid for Disney Plus, who cares.