For 2,489 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 9.4 points lower than other critics. (0-100 point scale)

Lou Lumenick's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 The Band Wagon
Lowest review score: 0 Dirty Cop No Donut
Score distribution:
2489 movie reviews
    • 68 Metascore
    • 75 Lou Lumenick
    Arguably the darkest episode in the entire series (and the first to carry a PG-13 rating) the visually stunning "Sith" is also the fastest-paced and most accessible.
    • 57 Metascore
    • 50 Lou Lumenick
    While Amen works as a history lesson, it's less effective as a thriller, since the outcome is sadly all too well-known.
    • 83 Metascore
    • 100 Lou Lumenick
    Miyazaki offers a vivid, at times fantastical view of Japan between the wars, wracked by the Great Depression, a fearsome earthquake that leveled Tokyo in 1923, a tuberculosis epidemic and the rise of fascism.
    • 83 Metascore
    • 88 Lou Lumenick
    A gorgeous and witty piece of stop-motion animation.
    • 83 Metascore
    • 88 Lou Lumenick
    In the Loop is certainly the smartest and funniest movie inspired by the Iraq war.
    • 83 Metascore
    • 75 Lou Lumenick
    Bahrani's unsentimental film is perhaps most interesting as a look at a colorful, little-known world that has recently been targeted for urban renewal.
    • 57 Metascore
    • 75 Lou Lumenick
    Slight but utterly charming.
    • 83 Metascore
    • 88 Lou Lumenick
    Sequels don't get much better - or smarter - than the action-, drama-, romance- and comedy-packed Spider-Man 2, which miraculously improves on the webslinger's hugely popular first screen adventure in every imaginable department.
    • 83 Metascore
    • 88 Lou Lumenick
    Rarely less than absorbing and never boring over its nearly three-hour length.
    • 83 Metascore
    • 88 Lou Lumenick
    Like some of Hitchcock's films, the story - adapted from a novel by Charlotte Armstrong, an American mystery writer of the '40s and '50s - can be accused of stretching credibility and coincidence almost to the breaking point.
    • 83 Metascore
    • 100 Lou Lumenick
    One of the year's best films and so tapped into the zeitgeist that it's positively scary.
    • 83 Metascore
    • 100 Lou Lumenick
    Smiling more than in all of his movies since "Fast Times at Ridgemont High" combined, Penn goes way deep and soulful in a highly ingratiating performance that's the one to beat for the Best Actor Oscar.
    • 31 Metascore
    • 25 Lou Lumenick
    You'd be better off renting "Eddie and the Cruisers" (1983) than slogging through this latest, far more dire recycling of the same rock clichés.
    • 83 Metascore
    • 88 Lou Lumenick
    Vol. 2 isn't anywhere near as self-indulgent as its predecessor, but it still plays like the work of a man too in love with his creations to decide which of his darlings to kill - so he ended up with merely a very good movie.
    • 83 Metascore
    • 88 Lou Lumenick
    Confirms Leigh's reputation as one of the world's master filmmakers - and showcases Staunton as one of its great actresses.
    • 83 Metascore
    • 25 Lou Lumenick
    Tedious and pretentious.
    • 41 Metascore
    • 63 Lou Lumenick
    Heck, it's great to have the big guy back.
    • New York Post
    • 83 Metascore
    • 88 Lou Lumenick
    Even with his clothes on, this is Mortensen's best and richest performance, worthy of serious awards consideration. He lends a moral complexity to Eastern Promises that makes it much more than just a very accomplished action thriller.
    • 83 Metascore
    • 88 Lou Lumenick
    Slowly builds power to devastating effect.
    • 83 Metascore
    • 88 Lou Lumenick
    This demanding puzzle is not for the "Chocolat" crowd, but those who stay with it will experience perhaps the most dazzling film released so far this year - even though a second viewing is virtually mandatory.
    • New York Post
    • 82 Metascore
    • 88 Lou Lumenick
    One of the year’s warmest and most crowd-pleasing surprises.
    • 82 Metascore
    • 100 Lou Lumenick
    Like all great movies, 127 Hours takes us on a memorable journey. Which is not easy when 90 percent of the movie takes place with a virtually immobile hero in a very cramped setting.
    • 53 Metascore
    • 75 Lou Lumenick
    An entertaining, well-made plea for tolerance told from the point of view of a 12-year-old.
    • 82 Metascore
    • 75 Lou Lumenick
    The image that sticks with you here is a smoky pub where the patrons are singing "You Belong to Me.''
    • 82 Metascore
    • 75 Lou Lumenick
    Larson shines as an adult staffer assigned to keep these self-destructive kids safe while they work with therapists.
    • 26 Metascore
    • 25 Lou Lumenick
    A collection of product plugs masquerading as a movie en route to home video.
    • 82 Metascore
    • 75 Lou Lumenick
    Solid entertainment value for the money, but those who think it's saying anything new or profound are kidding themselves.
    • 82 Metascore
    • 75 Lou Lumenick
    One of the year's most consistently entertaining and ingratiating movies, building to an inspirational climax that's as rousing as it is predictable.
    • 82 Metascore
    • 88 Lou Lumenick
    Vigorously played as a young man by Chris Pine, Kirk is a brilliant, sports-car driving, bar-brawling rebel who is finally shamed into joining Starfleet Academy.
    • 82 Metascore
    • 88 Lou Lumenick
    Overall, this gorgeously designed and photographed movie artfully depicts the immigrant experience in ways that transcend its setting, melding Hollywood and Bollywood storytelling techniques to weave a tale a large audience will relate to.

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