Lisa Alspector

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For 550 reviews, this critic has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 13.3 points lower than other critics. (0-100 point scale)

Lisa Alspector's Scores

  • Movies
  • TV
Average review score: 52
Highest review score: 100 Tarzan
Lowest review score: 0 Bless the Child
Score distribution:
550 movie reviews
    • 55 Metascore
    • 80 Lisa Alspector
    This moving story is full of breathtaking compositions, gorgeous spectacle, and inspiring philosophies articulated by sympathetic figures.
    • 80 Metascore
    • 80 Lisa Alspector
    A hopeless romantic meets a hapless realist in this gritty, elegant drama brimming with spontaneous-seeming close-ups.
    • 54 Metascore
    • 50 Lisa Alspector
    Self-congratulatory feature, which artificially exalts the character--a classic saint with clay feet--by casting a grande dame and by reducing her motives to facile psychodrama
    • 61 Metascore
    • 50 Lisa Alspector
    The gangster-movie plot, themes, and allusions aren't nearly as intriguing as the earnestly kitschy black-and-white wide-screen images or the mesmerizing, minimalist sound effects.
    • 52 Metascore
    • 50 Lisa Alspector
    Has an adolescent energy and a tempered sexuality.
    • 59 Metascore
    • 50 Lisa Alspector
    Elmo's obsessive reaction is never examined, compromising the ability of this rambling minor spectacle to put across its obvious lesson about sharing.
    • 56 Metascore
    • 60 Lisa Alspector
    Would be sweeter if the fair maiden weren't such a pill and more exciting if the villain weren't quite so nasty.
    • 52 Metascore
    • 90 Lisa Alspector
    Inspired, elaborately plotted, and unusually satisfying variable-speed chase comedy.
    • 71 Metascore
    • 30 Lisa Alspector
    A blandly twisting plot with no meaningful revelations or substantial themes.
    • 55 Metascore
    • 60 Lisa Alspector
    Images about imagery can be diverting, even insightful, but this painterly 1999 feature piles up studies in elaborately choreographed motion that are their own reason for being.
    • 45 Metascore
    • 40 Lisa Alspector
    Better than slick, though it feels pointless -- another homage to a kind of filmmaking that's had more than its share.
    • 62 Metascore
    • 70 Lisa Alspector
    Favreau, who also plays the long-suffering Bobby, mixes elements of drama into this appropriately annoying comedy.
    • 48 Metascore
    • 50 Lisa Alspector
    The filmmakers realize that playing baseball isn't nearly enough to fix what's wrong in these kids' lives, which might have made a more provocative ending than what follows.
    • 53 Metascore
    • 60 Lisa Alspector
    Cher generates much of the movie's limited interest with her powerful screen presence, and Maggie Smith's skill as a diplomat's widow who believes she has a special relationship with Mussolini is undeniable. Yet the story, structured by the fragmented perspectives of too many characters, is more often lightweight than funny.

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