Lisa Alspector
Select another critic »For 550 reviews, this critic has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this critic grades 13.3 points lower than other critics.
(0-100 point scale)
Lisa Alspector's Scores
- Movies
- TV
| Average review score: | 52 | |
|---|---|---|
| Highest review score: | Tarzan | |
| Lowest review score: | Bless the Child | |
Score distribution:
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Positive: 178 out of 550
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Mixed: 239 out of 550
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Negative: 133 out of 550
550
movie
reviews
- By Date
- By Critic Score
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- Lisa Alspector
This moving story is full of breathtaking compositions, gorgeous spectacle, and inspiring philosophies articulated by sympathetic figures.- Chicago Reader
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- Lisa Alspector
A hopeless romantic meets a hapless realist in this gritty, elegant drama brimming with spontaneous-seeming close-ups.- Chicago Reader
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- Lisa Alspector
Self-congratulatory feature, which artificially exalts the character--a classic saint with clay feet--by casting a grande dame and by reducing her motives to facile psychodrama- Chicago Reader
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- Lisa Alspector
The gangster-movie plot, themes, and allusions aren't nearly as intriguing as the earnestly kitschy black-and-white wide-screen images or the mesmerizing, minimalist sound effects.- Chicago Reader
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- Chicago Reader
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- Lisa Alspector
Elmo's obsessive reaction is never examined, compromising the ability of this rambling minor spectacle to put across its obvious lesson about sharing.- Chicago Reader
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- Lisa Alspector
Would be sweeter if the fair maiden weren't such a pill and more exciting if the villain weren't quite so nasty.- Chicago Reader
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- Lisa Alspector
Inspired, elaborately plotted, and unusually satisfying variable-speed chase comedy.- Chicago Reader
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- Lisa Alspector
A blandly twisting plot with no meaningful revelations or substantial themes.- Chicago Reader
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- Lisa Alspector
Images about imagery can be diverting, even insightful, but this painterly 1999 feature piles up studies in elaborately choreographed motion that are their own reason for being.- Chicago Reader
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- Lisa Alspector
Better than slick, though it feels pointless -- another homage to a kind of filmmaking that's had more than its share.- Chicago Reader
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- Lisa Alspector
Favreau, who also plays the long-suffering Bobby, mixes elements of drama into this appropriately annoying comedy.- Chicago Reader
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- Lisa Alspector
The filmmakers realize that playing baseball isn't nearly enough to fix what's wrong in these kids' lives, which might have made a more provocative ending than what follows.- Chicago Reader
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- Lisa Alspector
Cher generates much of the movie's limited interest with her powerful screen presence, and Maggie Smith's skill as a diplomat's widow who believes she has a special relationship with Mussolini is undeniable. Yet the story, structured by the fragmented perspectives of too many characters, is more often lightweight than funny.- Chicago Reader
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