Lisa Alspector
Select another critic »For 550 reviews, this critic has graded:
-
44% higher than the average critic
-
2% same as the average critic
-
54% lower than the average critic
On average, this critic grades 13.3 points lower than other critics.
(0-100 point scale)
Lisa Alspector's Scores
- Movies
- TV
| Average review score: | 52 | |
|---|---|---|
| Highest review score: | Tarzan | |
| Lowest review score: | Bless the Child | |
Score distribution:
-
Positive: 178 out of 550
-
Mixed: 239 out of 550
-
Negative: 133 out of 550
550
movie
reviews
- By Date
- By Critic Score
-
- Lisa Alspector
The fundamental problems with David Cronenberg's disastrous 1993 adaptation, written by Hwang himself, are twofold: the unsuitability of such a premise for film, where the actors and audience no longer share the same space, and the miscasting of Jeremy Irons as the accountant and John Lone as the diva.- Chicago Reader
- Read full review
-
- Lisa Alspector
This is a sensitive and at times gently humorous love-and-war story; the flight scenes are exciting and exquisitely crafted, the characters lovingly drawn.- Chicago Reader
- Read full review
-
- Lisa Alspector
Because so many female characters spend so much time trying to seduce Harrelson (usually successfully), the notion that multiplicity enhances intrigue is pretty worn out by the time any duplicity is revealed.- Chicago Reader
- Read full review
-
- Chicago Reader
- Read full review
-
- Lisa Alspector
The connection between his boasting about killing and killing so he can boast about it -- is made beautifully insidious.- Chicago Reader
- Read full review
-
- Chicago Reader
- Read full review
-
- Lisa Alspector
The plot is largely a series of excuses for one-liners expertly delivered by Maguire, making all the hatred, maiming, and killing seem like digressions.- Chicago Reader
- Read full review
-
- Lisa Alspector
The treatment of this touchy material is impressive, neither gratuitous nor mincing, but this satirical comedy doesn't really go anywhere.- Chicago Reader
- Read full review
-
- Lisa Alspector
A narrative that tries to juggle thriller elements, tons of pop culture imagery, and way too much philosophical baggage.- Chicago Reader
- Read full review
-
- Lisa Alspector
Its ponderous explanations about why there are vampires in Arizona in the new millennium (blah, blah, blah).- Chicago Reader
- Read full review
-
- Lisa Alspector
I never thought I'd see a slapstick animal action movie about the beauty of interracial relationships and nonmarital sex, but that's what this is, and kids seem to love it.- Chicago Reader
- Read full review
-
- Lisa Alspector
All the macho men who let down their guard for Blaustein can be proud of the loving deconstruction of violence-as-entertainment that resulted.- Chicago Reader
- Read full review
-
- Lisa Alspector
The music's great, but frequent tight shots of actors ostensibly blowing their horns look phony enough to be distracting.- Chicago Reader
- Read full review
-
- Lisa Alspector
It goes beyond sympathy and authenticity to insight as it examines the plight of a man who loves a man but feels he must love a woman.- Chicago Reader
- Read full review
-
- Lisa Alspector
Though hypocritical in the way it sensationalizes sexuality, this serious and funny 1998 movie about a 15-year-old coming to terms with her body and her family in 1976 is, refreshingly, never coy or ironic.- Chicago Reader
- Read full review
-
- Lisa Alspector
Some delicately interwoven and unresolved subplots help make the young character's rite of passage wholly, disturbingly compelling.- Chicago Reader
- Read full review
-
- Lisa Alspector
An admirable if frequently soporific 1992 adaptation of Norman Maclean's account of life in Missoula, Montana.- Chicago Reader
- Read full review
-
- Lisa Alspector
Olympia Dukakis and Illeana Douglas come off poorly in silly supporting roles that make Aniston seem to have screen presence by default. Her character's habit of compulsively adjusting her bodice ensures our attention has the proper focus.- Chicago Reader
- Read full review
-
- Chicago Reader
- Read full review
-
- Chicago Reader
- Read full review
-
- Lisa Alspector
The buildup to social criticism in what at first appears to be pointless and partly misogynist exploitation is subtly impressive.- Chicago Reader
- Read full review
-
- Lisa Alspector
A wonderfully complex examination of sexual and material politics that's full of bravely provocative, gently funny, and warmly human encounters.- Chicago Reader
- Read full review
-
- Lisa Alspector
A consistently light yet derisive tone, modest production values, and masterful comic timing allow writer-director-star Trey Parker to expose cultural hypocrisies with precision. His performance--in both the movie and the movie within the movie--is dramatic and poker-faced, seamless and hilarious.- Chicago Reader
- Read full review
-
- Lisa Alspector
Writer Barry McEvoy and director Barry Levinson might want to brush up on the use of metaphor.- Chicago Reader
- Read full review
-
- Chicago Reader
- Read full review
-
- Lisa Alspector
The majesty of the landscape and the sweetness of a plot strand about the horse learning survival skills from a 12-year-old girl might have been more intriguing without the cloying voice-over.- Chicago Reader
- Read full review
-
- Chicago Reader
- Read full review
-
- Lisa Alspector
Isn't terribly frightening or gory, and at times it's even atmospheric. It also has a sense of humor, and the digs at the prequels hit pay dirt.- Chicago Reader
- Read full review
-
- Lisa Alspector
Partly because the seducer's technique is methodical--as a former conquest explains to the naive heroine--the movie's answers are too easy.- Chicago Reader
- Read full review
-
- Chicago Reader
- Read full review