For 706 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 7.1 points lower than other critics. (0-100 point scale)

Connie Ogle's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 The King's Speech
Lowest review score: 0 Rollerball
Score distribution:
706 movie reviews
    • 66 Metascore
    • 63 Connie Ogle
    The cast brings its by-the-numbers characters alive.
    • 46 Metascore
    • 38 Connie Ogle
    A loud, dumb movie, but its male, car-obsessed audience will probably enjoy it anyway.
    • 35 Metascore
    • 25 Connie Ogle
    If only someone had recognized the inherent vileness of the premise, we might not have been subjected to this hideous Rumor at all.
    • 46 Metascore
    • 63 Connie Ogle
    Listening to people bicker for almost two hours wears thin, especially when the comedy is never quite so funny as you had hoped it would be.
    • 65 Metascore
    • 75 Connie Ogle
    Mostly, though, Ondine deftly demonstrates just how far we'll reach for any promise of relief from life's hardships, in whatever form -- magic or plain dumb luck -- it arrives.
    • 64 Metascore
    • 75 Connie Ogle
    Coppola and her crew were allowed to shoot at Versailles -- family pedigree does pay dividends, apparently -- which gives the film a needed whiff of reality.
    • 51 Metascore
    • 0 Connie Ogle
    There are not enough synonyms for ''bad'' to describe the pretension and utter banality of the masturbatory The Brown Bunny, a film so exhaustively awful even its creator Vincent Gallo once disavowed it.
    • 64 Metascore
    • 75 Connie Ogle
    Has a weird, compelling energy, fueled by a deliciously dynamic cast, a cheerfully bawdy and odd story line and a refreshing, impossible romance.
    • 63 Metascore
    • 75 Connie Ogle
    Dear Frankie is a small movie with a big soul and no easy formula for the happiness of its big-hearted characters.
    • 75 Metascore
    • 88 Connie Ogle
    A film of this sort demands superb, seemingly effortless acting, and Holofcener gets it at every turn.
    • 36 Metascore
    • 38 Connie Ogle
    Viewing the new Martin Lawrence kiddie movie is more enjoyable than watching my dog eat a desiccated toad carcass he pried off the road, but only marginally so.
    • 84 Metascore
    • 75 Connie Ogle
    It's a powerful argument for optimism.
    • 51 Metascore
    • 50 Connie Ogle
    The sins of the inspirational Saint Ralph are venial, but they undeniably prevent the small Canadian film from stretching beyond the boundaries of an After School Special.
    • 77 Metascore
    • 75 Connie Ogle
    A sweet reminder of their lost and lively world.
    • 63 Metascore
    • 25 Connie Ogle
    This noisy, formulaic film turns out to be immediately forgettable, except for the parts that are so ridiculous they leave you shaking your head in wonder hours later.
    • 49 Metascore
    • 50 Connie Ogle
    Despite all the flying bullets, which are admittedly entertaining at times, Shoot 'Em Up doesn't offer enough bang for your bucks.
    • 47 Metascore
    • 38 Connie Ogle
    The film is more of an exercise in pandering and propaganda -- give your baby up for adoption, you selfish pig! -- than the heartfelt drama it aims to be.
    • 28 Metascore
    • 50 Connie Ogle
    Nobel Son is not good. Nor is it bad. It exists, instead, somewhere in the middle ground of interesting enough to hold one's attention without actually providing any fresh, sensible or nonderivative developments.
    • 62 Metascore
    • 50 Connie Ogle
    The only positive thing about the aimless film The Yellow Handkerchief is the idea that William Hurt may be ready for his Jeff Bridges moment.
    • 63 Metascore
    • 50 Connie Ogle
    Chéri never fulfills its emotional promise.
    • 44 Metascore
    • 50 Connie Ogle
    An uninspired, sporadically funny adaptation that falls short of the book's winsome, frisky chaos.
    • 51 Metascore
    • 63 Connie Ogle
    Won't make you forget Kidman's better work, but it's not a film you long to excise from your memory.
    • Miami Herald
    • 55 Metascore
    • 63 Connie Ogle
    It's López de Ayala's show, and she's relentless in her energy and passion.
    • 32 Metascore
    • 38 Connie Ogle
    It's an hour longer than the average sitcom, but The Wedding Date isn't much different from what you see crammed into any TV comedy lineup, minus the laugh track.
    • 25 Metascore
    • 25 Connie Ogle
    Could there be a more inappropriate time to release a cheesy horror movie about evildoing in Louisiana.
    • 76 Metascore
    • 50 Connie Ogle
    For most U.S. audiences, Sophie Scholl: The Final Days, an Academy Award nominee for best foreign language film, is going to feel more like a history lesson than a movie.
    • 47 Metascore
    • 63 Connie Ogle
    An important and interesting story, but the reform school itself never seems terribly harsh.
    • 40 Metascore
    • 50 Connie Ogle
    Rapidly devolves into a pedestrian thriller in which almost nobody behaves in a recognizably human way.
    • 50 Metascore
    • 63 Connie Ogle
    It's a lot more entertaining than box office success "Scooby-Doo" and more honest, too. When Irwin plays out a scene with a reptilian, you can be sure the croc is not computer-generated.
    • 90 Metascore
    • 88 Connie Ogle
    So deliciously absorbing and well done.

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