For 706 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 7.1 points lower than other critics. (0-100 point scale)

Connie Ogle's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 The King's Speech
Lowest review score: 0 Rollerball
Score distribution:
706 movie reviews
    • 41 Metascore
    • 25 Connie Ogle
    Like its eponymous subject, it succeeds only in being shallow and crass and not very much fun to be around.
    • 48 Metascore
    • 50 Connie Ogle
    You can tell they're desperate when they unashamedly resort to showcasing cutesy sea-creature behavior. Sandler is a funny guy. Let him work for his own laughs. He doesn't need a puking walrus to prop him up.
    • 32 Metascore
    • 38 Connie Ogle
    An apocalyptic Bob Dylan song made cinematic, with all the vision and poetry dissipating in the transfer. It's as if the filmmakers listened to "Desolation Row" just one time too many.
    • 44 Metascore
    • 63 Connie Ogle
    A large part of the movie's appeal can be attributed to Wilson, more dour than he's been in ages and yet more interesting, too.
    • 22 Metascore
    • 25 Connie Ogle
    Yes, it's every bit as brainless as the trailers suggest.
    • 60 Metascore
    • 75 Connie Ogle
    The film's appeal is universal, not just female, and, best of all, it's based on a true story.
    • 65 Metascore
    • 63 Connie Ogle
    Dan in Real Life is basically a slightly less-sappy version of "TheFamily Stone."
    • 38 Metascore
    • 75 Connie Ogle
    Brosnan and Moore may not be substitutes for Tracy and Hepburn, but they're more than capable of making you smile for now.
    • 52 Metascore
    • 75 Connie Ogle
    Better than its trailers indicate. Forget the seemingly silly Chapstick moment: Any film that sends a cold shock to your system is doing something right.
    • Miami Herald
    • 29 Metascore
    • 50 Connie Ogle
    Fool's Gold isn't so much a film as an opportunity to pay homage to Matthew McConaughey's impressive physique.
    • 46 Metascore
    • 50 Connie Ogle
    May be dumb, but it must be noted that the screenwriters of this slight, silly comedy have borrowed from the best.
    • 33 Metascore
    • 25 Connie Ogle
    Rich in cliché and brimming with the sort of potent idiocy that can only be found in January-release romantic comedies, Leap Year manages to do every possible thing wrong.
    • 60 Metascore
    • 63 Connie Ogle
    9
    The film isn't particularly original, but its dark mood, end-of-times landscape and unique characters will seem fresher to the young audience for which it's aiming than to jaded sci-fi veterans.
    • 46 Metascore
    • 50 Connie Ogle
    A film based on this information is potentially interesting, but Conspiracy of Silence, set in modern-day Ireland, is incoherent and often hard to follow.
    • 48 Metascore
    • 38 Connie Ogle
    Amateurishness -- the camera angles sometimes chop off the top of Reiser's head -- aside, The Thing About My Folks is also weirdly dated, especially with regard to technology.
    • 62 Metascore
    • 50 Connie Ogle
    Ends up as colorless as Reeves' first Superman suit.
    • 84 Metascore
    • 75 Connie Ogle
    Vibrant and intriguing, a fine adaptation despite the slight departures from its source, with warm cinematography that captures the feel of '50s Saigon and two performances worthy of Oscar attention.
    • 64 Metascore
    • 63 Connie Ogle
    This new Brideshead Revisted, though imperfectly revised, is not entirely regrettable.
    • 66 Metascore
    • 75 Connie Ogle
    Despite its subject matter, Transamerica is a surprisingly funny movie, because Tucker never lets the pathos overwhelm his sense of humor.
    • 43 Metascore
    • 75 Connie Ogle
    A film that's funny and entertaining for kids and adults.
    • 38 Metascore
    • 50 Connie Ogle
    It's not only the mythical, mind-reading creature at the story's center that prevents the film from taking flight. A worn-out plot and a novice actor also contribute to the disappointment.
    • 46 Metascore
    • 25 Connie Ogle
    The film does provide some nice shots of Venice and offers one solid reason to display a little patriotic fervor: We do have the freedom to avoid such rote, shallow dullness.
    • 56 Metascore
    • 50 Connie Ogle
    Shockingly, it's an understated but amusing Ferrell who keeps Winter Passing from growing unbearable.
    • 66 Metascore
    • 63 Connie Ogle
    Unapologetically appalling, more disgusting than anything you've ever seen and moronic enough to make you wonder about that theory on the depletion of the gene pool. It is also so funny it will make you choke.
    • 42 Metascore
    • 63 Connie Ogle
    Trade's wake-up call needs to be heeded, but its missteps detract from its devastating message.
    • 60 Metascore
    • 50 Connie Ogle
    What's missing most in the film, though, is a palpable sense of tension.
    • 52 Metascore
    • 50 Connie Ogle
    Guggenheim managed to turn a Power Point presentation into a crowd-pleasing Academy Award winner, but he can't do much to free Gracie from its constraints and clichés.
    • 13 Metascore
    • 38 Connie Ogle
    A tired and unnecessary sequel.
    • 49 Metascore
    • 75 Connie Ogle
    The real hit of the movie is the hilarious Bateman. His low-key humor makes you wish Hancock could have saved Bateman's short-lived sitcom "Arrested Development." Now that would have been heroic.
    • 54 Metascore
    • 25 Connie Ogle
    Much like the play within it, Hamlet 2 is lousy. The main difference is that the play is SUPPOSED to be awful. The movie about the play is supposed to be funny.

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