Clarisse Loughrey

The Bad Guys 2 has just enough wit and spirit that you can take your kids to see it without feeling like you’re doing a disservice to their intellectual development.

By framing Elvis’s story through Parker’s, Luhrmann’s film is cannily able to take a step back from the intimate details of the musician’s life. Instead it views him as a nuclear warhead of sensuality and cool, someone stood at the very crossroads of a fierce culture war.

The Guardians films have always been about the fact that many of us are like putty – shaped not by where we’ve come from but where we are and could end up. Vol 3 should make audiences thrilled about what comes next for Gunn in his new position as co-head of DC Studios. As for Marvel – well, it’ll be their loss.

Gladiator II, in short, shows us how to make cinema with a capital “C”.

The Apprentice’s most effective takedown of Donald Trump is how unremarkable it makes him seem. This may render Ali Abbasi’s portrait of the early days of the former president and current presidential candidate a little monotonous, but it makes its point succinctly.

Edwards presents himself as an ideas-on-his-sleeve kind of guy, who’s invested in readdressing the meaning behind some of the most commonplace sci-fi imagery.

It was Gyllenhaal, here in a producer role, who initially bought the rights to Gustav Möller’s Danish film. You could call this a vanity project, but at least his presence adds a dose of originality to this carbon copy remake.