The tape-recorded words “erase it” take on new weight in the context of history and war. When the State of Israel was established in 1948, war broke out and hundreds of Palestinian villages were depopulated in its aftermath. Israelis know this as the War of Independence. Palestinians call it “Al Nakba” (the Catastrophe). In the late 1990s, graduate student Teddy Katz conducted research into a large-scale massacre that had allegedly occurred in the village of Tantura in 1948. His work later came under attack and his reputation was ruined, but 140 hours of audio testimonies remain. Director Alon Schwarz revisits former Israeli soldiers of the Alexandroni Brigade as well as Palestinian residents in an effort to re-examine what happened in Tantura and explore why the Nakba is taboo in Israeli society. The ex-soldiers, now in their 90s, recall unsettling acts of war while disquietly pausing at points they either don’t remember or won’t speak of. Audio from Katz’s 20-year-old interviews cuts through the silence of self-preservation and exposes the ways in which power, silencing, and protected narratives can sculpt history.

Tap World follows the most cutting-edge tap dancers from across the globe who are shaping the community around them. Their personal stories of inspiration, struggle, and triumph are keeping the art form alive and thriving internationally.

Jonathan Caouette's film reimagines the whole idea of what a documentary can be. He weaves a psychedelic whirlwind of snapshots, Super-8 home movies, answering machine messages, video diaries, early short films, snippets of 80s pop culture and dramatic reenactments to create an epic portrait of an American family torn apart by dysfunction and reunited through the power of love. (Wellspring Media)

Taxi to the Darkside, the latest prize-winning documentary from Oscar-nominee Alex Gibney, confirms his standing as one of the foremost non-fiction filmmakers working today. A stunning inquiry into the suspicious death of an Afghani taxi driver at Bagram air base in 2002, the film is a fastidiously assembled, uncommonly well-researched examination of how an innocent civilian was apprehended, imprisoned, tortured, and ultimately murdered by the greatest democracy on earth. Intermingling documents and records of the incident with candid testimony from eyewitnesses and participants, the film uncovers an inescapable link between the tragic incidents that unfolded in Bagram and the policies made at the very highest level of the United States government in Washington, D.C. Combining the cool detachment of a forensic expert with the heated indignation of a proud American who holds his country to a high standard, Gibney’s film reveals how the Bush administration has systematically betrayed the very ideals it professes to uphold. (THINKFilm)

In 2016, Taylor Mac performed a one-time-only, 24-hour immersive theatrical experience in front of a live audience at St. Ann’s Warehouse in Brooklyn. The concert offered an alternative take on U.S. history, narrated through music that was popular from the nation’s founding to the present, with Mac transforming hourly by changing into elaborate, decade-specific costumes by Mac’s longtime collaborator Machine Dazzle. The documentary captures Mac’s marathon performance in New York, alongside footage from other shows on the tour, which played throughout the world. In the show, Mac and 24 musicians interpret 24 songs, from “Yankee Doodle” to “Gimme Shelter,” “Born to Run,” and “Gloria,” with one performer leaving the stage each hour, until Mac is on stage alone in the final 24th hour. Rich with stunning musical performances, surprising and revelatory historical interpretation, comedic banter, and audience interaction, the performance is intercut with intimate off-stage interviews with Mac and his closest collaborators. In the interview, Mac, who uses the gender pronoun “judy,” outlines judy’s personal story and artistic aim “to dream the culture forward.” The film also offers a behind-the-scenes window into the work of costume designer Machine Dazzle, who incorporates elaborate, humorous references to American life in each of the 24 decades depicted in Mac’s wildly extravagant outfits.