In the span of only a few months, 4-year-old Marla Olmstead rocketed from total obscurity into international renown – and sold over $300,000 dollars worth of paintings. She was compared to Kandinsky and Pollock, and called “a budding Picasso.” But not all of the attention was positive. From the beginning, many faulted her parents for exposing Marla to the glare of the media and accused the couple of exploiting their daughter for financial gain. Others felt her work was, in fact, comparable to the great Abstract Expressionists – but saw this as emblematic of the meaninglessness of Modern Art. And then, five months into Marla’s new life as a celebrity and just short of her fifth birthday, a bombshell dropped. CBS’ 60 Minutes aired an exposé suggesting strongly that the paintings were painted by her father, himself an amateur painter. As quickly as the public built Marla up, they tore her down. The Olmsteads were barraged with hate mail, ostracized around town, sales of the paintings dried up, and Marla’s art dealer considered moving out of Binghamton. Embattled, the Olmsteads turned to the filmmaker to clear their name. Torn between his own responsibility as a journalist and the family’s desire to see their integrity restored, the director finds himself drawn deeper and deeper into a situation that can’t possibly end well for him and them, and could easily end badly for both. (Sony Classics)

The mysterious and charismatic Russian-born Nikolai Luzhin is a driver for one of London's most notorious organized crime families of Eastern European origin. The family is part of the Vory V Zakone criminal brotherhood. Headed by Semyon--whose courtly charm as the welcoming proprietor of the plush Trans-Siberian restaurant impeccably masks a cold, brutal core--the family is tested by Semyon's volatile son and enforcer, Kirill, who is more tightly bound to Nikolai than to his own father. But Nikolai's carefully maintained existence is jarred once he crosses paths at Christmastime with Anna Khitrova, a midwife at a North London hospital. Anna is deeply affected by the desperate situation of a young teenager who dies while giving birth to a baby. Anna resolves to try to trace the baby's lineage and relatives. The girl's personal diary also survives her, which is written in Russian; thus, Anna seeks answers in it. Anna's mother, Helen, does not discourage her, but Anna's irascible Russian-born uncle Stepan urges caution. He is right to do so: By delving into the diary, Anna has accidentally unleashed the full fury of the Vory. [Focus Features]

In the Valley of Elah tells the story of a war veteran, his wife and the search for their son, a soldier who recently returned from Iraq but has mysteriously gone missing, as well as the police detective who helps in the investigation. (Warner Independent Pictures)

The Nines consists of three short films, each featuring the same actors in different--and sometimes overlapping--roles. Together, the three stories form a single narrative that explores the relationships between author and character, actor and role, creator and creation. Alternately funny and unsettling, The Nines is like a riddle where the answer is the question: "How does it all add up?" (Newmarket Films)

Lucas and Clementine live in an isolated house in the suburbs of Bucharest. She is a French Professor, he is a novelist and together they live a peaceful existence. Then one night, all goes wrong. The rain rages against there house. The phone keeps ringing, the voices on the other end of the line are unintelligible. The couple are no longer alone...the nightmare begins...it is them. (Mars Distribution)