| Focus Features | Release Date: December 7, 2007 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
33
Mixed:
3
Negative:
0
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Critic Reviews
Nothing in Joe Wright's screen version of Ian McEwan's dense, internalized 2001 novel of secrets and lies should really work, but damn near everything does. It's some kind of miracle. Written, directed and acted to perfection, Atonement sweeps you up on waves of humor, heartbreak and ravishing romance.
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Nothing comes easily in Atonement, especially its ending, which, both happy and tragic, is as wrenching as it is genuinely satisfying. How fitting, somehow, that a novel so devoted to the precision and passionate love of language be captured in a film that is simply too exquisite for words.
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With compelling and charismatic performances by Keira Knightley and James McAvoy as the lovers, and a stunning contribution from Romola Garai as their remorseful nemesis, the film goes directly to "The English Patient" territory and might also expect rapturous audiences and major awards.
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Wright wouldn't recognize unobtrusive if it tapped him on the nose--he's cross- pollinated the first half of Atonement into an Oscar-buzzy brew of Masterpiece Theatre and "Upstairs, Downstairs," with the wild English countryside tamed into an artfully lit fairy glade, and into just enough of a bodice-ripper to reel in the youth market. And not a bad one at that.
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