Bill W. tells the story of William G. Wilson, co-founder of Alcoholics Anonymous, a man included in TIME Magazine's "100 Persons of the 20th Century." Interviews, recreations, and rare archival material reveal how Bill Wilson, a hopeless drunk near death from his alcoholism, found a way out of his own addiction and then forged a path for countless others to follow. With Bill as its driving force, A.A. grew from a handful of men to a worldwide fellowship of over 2 million men and women – a success that made him an icon within A.A., but also an alcoholic unable to be a member of the very society he had created. A reluctant hero, Bill Wilson lived a life of sacrifice and service, and left a legacy that continues every day, all around the world. (Page 124 Productions)

"Portrait of Wally”, Egon Schiele’s tender picture of his mistress, Walburga (“Wally”) Neuzil, is the pride of the Leopold Museum in Vienna. But for 13 years the painting was locked up in New York, caught in a legal battle between the Austrian museum and the Jewish family from whom the Nazis seized the painting in 1939. Portrait of Wally traces the history of this iconic image – from Schiele’s gesture of affection toward his young lover, to the theft of the painting from Lea Bondi, a Jewish art dealer fleeing Vienna for her life, to the post-war confusion and subterfuge that evoke "The Third Man", to the surprise resurfacing of “Wally” on loan to the Museum of Modern Art in Manhattan in 1997. (7th Art Releasing)

Paul Simon’s Grammy-winning album Graceland – an irresistible and groundbreaking fusion of American and South African pop music — was an immediate hit when it was released in 1986. It also proved to be a lightning rod for controversy, after South African leaders protested that Simon had broken the cultural boycott of the nation’s oppressively racist apartheid regime. In the documentary Under African Skies, premiering at the 2012 Sundance Film Festival, Simon returns to South Africa, which formally ended apartheid in 1994 — 25 years after Graceland‘s release. Director Joe Berlinger (Paradise Lost 3: Purgatory) follows Simon as he reunites with his South African collaborators, and revisits the controversy the album caused, while luminaries like Oprah Winfrey, Quincy Jones, Lorne Michaels, David Bryne and Sir Paul McCartney share their thoughts on what the album meant to them. (Radical Media)

The Observers is based on the actual work of the crew of the Mount Washington Weather Observatory -- one of the oldest weather stations in the world where staff members have taken hourly readings of the wind speed and temperature since 1932. In 1934, the staff recorded a wind speed of 231 mph --the highest wind speed ever recorded by a human being. (Jacqueline Gross Films)

During the Japanese rule of Taiwan, the Seediq were forced to lose their own culture and give up their faith. Men were subject to harsh labor and kept from traditional hunting; whereas women had to serve the Japanese policemen and their families by doing the household work and giving up their traditional weaving work. Above all, they were forbidden to tattoo their faces. And these tattoos were seen as the Seediq's traditional belief to transform themselves into Seediq Bale.. Mona Rudao, the protagonist, witnessed the repression by the Japanese over a period of 30 years. Sometime between autumn and winter 1930, when the slave labor is at its harshest, a young Seediq couple are married and a joyful party is thrown. At the same time, a newly appointed Japanese policeman goes on his inspection tour to this tribe. Mona Rudao's first son, Tado Mona, offers wine to the policeman with gusto, but is in return beaten up because his hands were considered not clean enough. With anger, Tado Mona and his brother Baso Mona attack the policeman. And from that day onward, their tribe is living in the shadow of being the object of revenge by the Japanese. In a few days, a group of youth surround Mona Rudao. They strongly request him to lead the retaliation against the Japanese. Mona Rudao struggles for a long time between extending his fellow's lives and fighting back for dignity, until he sees these youngster's faces - clear without Seediq's tattoos - that he made up his mind. He tells the youngsters, "Japanese troops out-number the stones in Dakusui River, more intensive than the leaves in the forest, but my determination fighting them is ever stronger than Mt. Kire." "Children! On the tip of the Rainbow Bridge led to home of our ancestor's spirits, there is another beautiful hunting range. Our ancestors are all there! Remember, only brave spirits can enter this place, and we can never lose it. My fellows, let us hunt the heads of our enemies, and we wash our spirits with blood so that we walk the Rainbow Bridge to be always with our ancestors." The film Seediq Bale depicts the Wushe Incident, which occurred in central Taiwan during the Japanese rule. When the Seediq Bale, believing in the Rainbow, and the Japanese, believing in the Sun, met one another, they fought. The leader of Seediq Bale, Mona Rudao, led 300 warriors fighting against 3000 Japanese troopers. The only thing they forgot was whether it was the Rainbow or the Sun they believed in; they actually believed in the same sky.