Abu Jandal is a taxi driver in Sana’a, Yemen; his brother-in-law Salim Hamdan is a Guantanamo prisoner and the first man to face the controversial military tribunals. Jandal and Hamdan’s intertwined personal trajectories—how they became bin Laden’s bodyguard and driver respectively—act as prisms that serve to explore and contextualize a world which has confounded Western media. As Hamdan’s trial progresses, his military lawyers challenge fundamental flaws in the court system. The charismatic Jandal dialogues with his young son, Muslim students and journalists, and chillingly unveils the complex evolution of his belief system post-9/11. Winner of Best Documentary Cinematography at the 2010 Sundance Film Festival, The Oath offers a rare window into a hidden realm—and the international impact of the U.S. War on Terror. (Zeitgeist Films)

The adventure of a lifetime begins... Directed by award-winning filmmaker Thomas Balmès, from an original idea by producer Alain Chabat, this film simultaneously follows four babies around the world – from birth to first steps. The children are, respectively, in order of on-screen introduction: Ponijao, who lives with her family near Opuwo, Namibia; Bayarjargal, who resides with his family in Mongolia, near Bayanchandmani; Mari, who lives with her family in Tokyo, Japan; and Hattie, who resides with her family in the United States, in San Francisco. Re-defining the nonfiction art form, "Babies" joyfully captures on film the earliest stages of the journey of humanity that are at once unique and universal to us all. (Focus Features)

The ivory-billed woodpecker has long been considered the Holy Grail by diehard birders who refused to believe it went extinct over sixty years ago. When scientists announced that the bird had been found in the swamps of Eastern Arkansas, the nation’s 70 million birders celebrated the woodpecker’s second coming. As did the citizens of nearby Brinkley who welcomed the flood of tourists to their down-and-out Delta town. Following the largest recovery effort ever undertaken for a lost species, and despite millions of dollars in funding, ivory-bills remain as elusive as ever. With the current rate of species extinction estimated at over 100 times the planet’s evolutionary average, salvation may be too late for more than just the ivory-billed woodpecker. Ghost Bird brings the ivory-bill’s blurry rediscovery into focus, revealing our uneasy relationship with nature and the increasing uncertainty of our place within it. (Anthology Film Archives)

Burlesque and vaudeville acts were America's most popular form of live entertainment in the first half of the 20th century - until cinema drove them from the mainstream. To add insult to injury, the art of burlesque became vilified and misunderstood, and was largely left out of our cultural history. By telling the intimate and surprising stories from its golden age through the women (and men!) who lived it, Behind the Burly Q reveals the true story of burlesque, even as it experiences a new renaissance. (First Run Features)

Best Worst Movie is the acclaimed feature length documentary that takes us on an off-beat journey into the undisputed worst movie in cinematic history: Troll 2. (Area32a)

BREATH MADE VISIBLE is the first feature documentary about the life and career of Anna Halprin. The film takes its audience from Halprin’s initial explorations of dance in her childhood to the experimental performances conducted on a dance deck under Californian redwood trees, through her spectacular tours in Europe, her withdrawal from the stage due to illness, and, finally, her triumphant return. (Argot Films)

Disneynature, the studio that presented the record-breaking film Earth, brings Oceans to the big screen on Earth Day, 2010. Nearly three-quarters of the Earth's surface is covered by water and Oceans boldly chronicles the mysteries that lie beneath. Directors Jacques Perrin and Jacques Cluzaud dive deep into the very waters that sustain all of mankind—exploring the playful splendor and the harsh reality of the weird and wonderful creatures that live within. Featuring spectacular never-before-seen imagery captured by the latest underwater technologies, Oceans offers an unprecedented look beneath the sea in a powerful yet enchanting motion picture. (Disneynature)

Kenny Chesney, the biggest ticket-seller of this century in any musical genre, has wrapped his latest concert tour, the Sun City Carnival. This spring, Sony Pictures Releasing's special programming division, The Hot Ticket, will take audiences for another ride. For a limited engagement beginning in April 2010 in movie theaters nationwide, Kenny Chesney: Summer in 3D, will give fans the chance to live the fun, the friends, the songs and the moments that make Kenny Chesney the must-see concert experience to kickoff the summer season. (Sony Pictures)

The Cartel shows us our educational system like we've never seen it before. Behind every dropout factory, we discover, lurks a powerful, entrenched, and self-serving cartel. But The Cartel doesn't just describe the problem. Balancing local storylines against interviews with education experts such as Clint Bolick (former president of Alliance for School Choice), Gerard Robinson (president of Black Alliance for Educational Options), and Chester Finn (president of the Thomas B. Fordham Institute), The Cartel explores what dedicated parents, committed teachers, clear-eyed officials, and tireless reformers are doing to make our schools better for our kids. (Moving Picture Institute)

Exit Through the Gift Shop, the first film by renowned graffiti artist Banksy, became the hottest ticket at the 2010 Sundance Film Festival where it made its world debut. Banksy is a graffiti artist with a global reputation whose work can be seen on walls from post—hurricane New Orleans to the separation barrier on the Palestinian West Bank. Fiercely guarding his anonymity to avoid prosecution, Banksy has so far resisted all attempts to be captured on film. Exit Through the Gift Shop tells the incredible true story of how an eccentric French shop keeper turned documentary maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner – with spectacular results. The film contains exclusive footage of Banksy, Shepard Fairey, Invader and many of the world's most infamous graffiti artists at work, on walls and in interview. As Banksy describes it, "It's basically the story of how one man set out to film the un—filmable. And failed." [Paranoid Pictures]

This fourth of six stories traces the complex and fascinating story of the anti-apartheid movement in one of South Africa's most important superpower allies, the United States. (Clarity Films)

One of the thousands of Germans born with deformities caused by the drug Thalidomide, filmmaker Niko van Glasow confronts his disability head-on in this extraordinary documentary, which follows his search for eleven other “Thalidomiders” willing to pose naked for a book of photos. With a darkly humorous touch, and no deference to political correctness, the film explores the sensitivities and feelings of the disabled in a way rarely seen on film. (Lorber Films)

Narrated by Johnny Depp, award-winning writer-director Tom DiCillo’s riveting film uncovers historic, previously unseen footage of The Doors and provides new insight into the revolutionary impact of their music and legacy. “When You’re Strange” is the first feature documentary to tell their story. (Rhino Records)

In the early 1960’s, alongside Andy Warhol, the Kuchar brothers shaped the New York underground film scene. Known as the “8mm Mozarts”, their films were noticeably different than other underground films of the time. They were wildly funny, but also human and vulnerable. Their films have inspired many filmmakers, but despite having high profile fans, the Kuchars remain largely unknown because they are only ambitious to make movies, not to be famous. It Came From Kuchar interweaves the brothers’ lives, their admirers, a history of underground film and a “greatest hits” of Kuchar clips into a mesmerizing stream of consciousness tale. [Tigerlily Pictures LLC]

This inspirational and heartfelt documentary follows four well-known entertainers in the deaf community: a comic, a drummer, an actor and a singer as they attempt to cross over to mainstream audiences. These uniquely talented deaf entertainers overcome great challenges on their way to personal triumphs and professional success. (Wordplay)

The Thorn in the Heart is a personal look at the life of Gondry family matriarch, Michel's aunt Suzette Gondry, and her relationship with her son, Jean-Yves. Michel examines Suzette's years as a school teacher and her life in rural France. During the course of filming the documentary, Michel unearths new family stories and uses his camera to explore them in a subtle and sensitive way. (Oscilloscope Laboratories)

In The Sun Behind the Clouds, Tibetan filmmaker, Tenzing Sonam, and his partner, Ritu Sarin, take a uniquely Tibetan perspective on the trials and tribulations of the Dalai Lama and his people as they continue their struggle for freedom in the face of determined suppression by one of the world’s biggest and most powerful nations. The filmmakers had intimate access to the Dalai Lama and followed him over the course of an eventful year, which included the 2008 protests in Tibet, the international response to it, the Beijing Olympics, and the breakdown in talks between the Dalai Lama and the Chinese government. (White Crane Films)

Dancing Across Borders is the intimate and triumphant story of Sokvannara "Sy" Sar, who as a young man in Cambodia was dancing with a small troupe in Angkor Wat when Anne Bass, a longtime patron of dance in America, saw him perform. Bass was so taken with Sy's talent and potential that she arranged for him to come to New York and audition for the prestigious School of the American Ballet. (First Run Features)

Waking Sleeping Beauty is no fairytale. It is a story of clashing egos, out of control budgets, escalating tensions... and one of the most extraordinary creative periods in animation history. Director Don Hahn and producer Peter Schneider, key players at Walt Disney Studios Feature Animation department during the mid-1980s, offer a behind-the-magic glimpse of the turbulent times the Animation Studio was going through and the staggering output of hits that followed over the next ten years. Artists polarized between the hungry young innovators and the old guard who refused to relinquish control, mounting tensions due to a string of box office flops, and warring studio heads create the backdrop for this fascinating story told with a unique and candid perspective from those that were there. Through interviews, internal memos, home movies, and a cast of characters, Waking Sleeping Beauty shines a light on Disney Animation's darkest hours, greatest joys and its improbable renaissance. (Walt Disney Pictures)

N.C. Heikin's unblinking indictment of life in North Korea under the dictatorship of Kim Jong Il. This searing examination of the communist dictatorship established by Kim Il-sung and continued today by his son Kim Jong-il dispels the illusion of a Worker's Paradise peddled by the North Korean government and exposes the injustice, tragedy and famine that has prevailed over the past forty years. (Lorber Films)

Trunk Show: a traveling display of unique goods, packed and unpacked along the way. Neil Young Trunk Show: Jonathan Demme's display of Neil Young's musical and spiritual soul. Young on a stage full of personal icons; alone in the center of a circle of his beloved acoustic guitars; in the midst of stellar musicians Ben Keith, Ralph Molina, Rick Rosas, Pegi Young and Anthony "Sweet Pea" Crawford, plus an onstage painter portrayed by Eric Johnson. There are delicately offered acoustic numbers like "Sad Movies" and "Mexico"; mesmerizing electric travelogues into the artist's psyche ("No Hidden Path"); searing, chaotic anthems including "Like a Hurricane" and "Cinammon Girl"; and rarely performed pieces like "Kansas" and "Ambulance Blues" that provide glimpses of Young's less public persona. Shot with a mix of video and film cameras, mostly handheld, NYTS presents the kinetic reality of a Neil Young performance in breathtakingly intimate fashion. Young and his band are captured with great immediacy, often in dramatically long takes that let the viewer experience Young opening up his heart song by song, and then blowing it all away in heated, uninhibited displays of rock and roll power. (Fortissimo Films)

Through the power of IMAX® 3D, Hubble 3D will enable moviegoers to journey through distant galaxies to explore the grandeur and mysteries of our celestial surroundings, and accompany space-walking astronauts as they attempt the most difficult and important tasks in NASA's history. The seventh film from the award-winning IMAX® Space Team, "Hubble 3D" will offer an inspiring and unique look into the Hubble Space Telescope's legacy and highlight its profound impact on the way we view the universe and ourselves. (Warner Bros. Pictures)

Severe Clear is based on the memoir by First Lieutenant Mike Scotti as well as video footage shot by him and other members of 1st Battalion, 4th Marines on the outset of the 2003 invasion of Iraq. (Sirk Productions)

Though almost forgotten today, Veit Harlan was one of Nazi Germany’s most notorious filmmakers. Millions all across occupied Europe saw his films, the most perfidious of which was the treacherous anti-Semitic propaganda film Jew Süss—required viewing for all SS members. An unrepentant and blindly obsessive craftsman, no figure—save for Leni Riefenstahl—is as closely associated with the cinema of the Holocaust years as that of Joseph Goebbels’ top director. (Harlan’s 1945 epic Kolberg was the basis for Inglourious Basterds’ pivotal film-within-a-film Stolz Der Nation.) Harlan was also the only artist from the Nazi era to be charged with war crimes. (Zeigeist Films)

In 1922, Dr. Albert C. Barnes created The Barnes Foundation in Lower Merion Pennsylvania, five miles outside of Philadelphia. He formed this remarkable collection of Post-Impressionist and early Modern art to serve as an educational institution. Dr. Barnes built his Foundation away from the city and cultural elite who scorned his collection as “horrible, debased art,” and set it on the grounds of his own home, an arboretum in the leafy suburbs. Tastes changed, and soon the very people who belittled Barnes wanted access to his collection. When Dr. Barnes died in a car accident in 1951, he left control of his collection to Lincoln University, a small African-American college. His will contained strict instructions, stating the Foundation shall always be an educational institution, and the paintings may never be removed. Such strict limitations made the collection safe from commercial exploitation. But was it really safe? More than fifty years later, a powerful group of moneyed interests have gone to court to take the art – recently valued at more than $25 billion – and bring it to a new museum in Philadelphia. Standing in their way is a group of former students who are trying to block the move. Will the students succeed, or will a man’s will be broken and one of America’s greatest cultural monuments be destroyed? (Sundance Selects)

Returning home to a small town in Montana for her high school reunion, filmmaker Kimberly Reed hopes for reconciliation with her long-estranged adopted brother, Marc. But along the way she uncovers stunning revelations, including his blood relationship with Orson Welles and Rita Hayworth, intense sibling rivalries and unforeseeable twists of plot and gender that forces them to face challenges no one could imagine. (First Run Features)

Phyllis and Harold is an astoundingly frank journey through a disastrous 59-year marriage. Drawing on a lifetime of her family's home movies and interviews made over 12 years, filmmaker Cindy Kleine mixes reportage, cinema verite and animation to uncover family secrets and tell a story that could not be shown publicly as long as her father was alive. Phyllis and Harold delves into the mystery of time passing, the nature of living a life, and the challenges of losing those we love. But it is also a loving, funny expose on the sins of suburbia. Imagine Bergman's Scenes from a Marriage seen through the prism of I Love Lucy. (Rainbow Releasing)

Celine Dion, the international superstar and best-selling female artist of all time, has toured around the world and back again, and now, Sony Pictures Releasing's special programming division, The Hot Ticket, will let audiences follow her everywhere. For a limited engagement beginning early next year in wide release, Celine: Through the Eyes of the World will bring Celine Dion's 2008-2009 Taking Chances World Tour to theaters. This special motion picture event gives Dion fans who attended the extremely popular tour – which placed Dion second only to Madonna in ticket sales in 2008 – another chance to experience the magical event, this time from a vantage point unparalleled by any ticket. (Sony Pictures)

How can you explain what has happened to Italy in the age of its current prime minister, Silvio Berlusconi? Videocracy is director Erik Gandini’s critically-acclaimed inquiry into the mercenary underbelly of the high-glitz, low-politics, skin-baring media culture promulgated by Berlusconi’s ownership of the majority of the country’s television stations — a powerful tool in shaping public opinion to his financial and political benefit. Approaching the material as both insider and outsider, Gandini gains remarkable access to the opulent world of Berlusconi’s associates and the armies of willing wannabes that swarm around them, examining the key players (and their conflicted interests) and unveiling a modern Italy as both comedy and tragedy. (Lorber Films)

Every family has its ghosts. The Mosher family has more than most. Shot over a year from one Halloween to the next, the film creates a stunning cinematic portrait of a family who are unique but also sadly representative of the struggles of America's working class. The film was created to be both a universal story of family struggle and a socially conscious portrait of compelling, articulate individuals grappling with the forces that tear at their homes and relationships. (Wishbone Films)

American Radical is the probing documentary portrait of American academic and activist Norman Finkelstein. A devoted son of holocaust survivors, ardent critic of Israeli and US Mid-East policies and author of six provocative books–including The Holocaust Industry, Beyond Chutzpah and the soon-to-be-released A Farewell to Israel: The Coming Break-Up of American Zionism, Finkelstein has been at the center of many intractable controversies. Called a lunatic and a self-hating Jew by some and an inspirational, street-fighting revolutionary by others, Finkelstein is a deeply polarizing figure whose struggles arise from core questions about freedom, identity and nationhood. Following him as he presents his message to audiences around the globe, American Radical provides an intimate portrait of the man behind the controversy, giving voice to Finkelstein’s critics as well as his supporters. (Typecast Releasing)

With white Jewish lesbians for parents and two adopted brothers - one mixed-race and one Korean - Brooklyn teen Avery grew up in a unique and loving household. But when her curiosity about her African-American roots grows, she decides to contact her birth mother. This choice propels Avery into her own complicated exploration of race, identity, and family that threatens to distance her from the parents she’s always known. She begins staying away from home, starts skipping school, and risks losing her shot at the college track career she had always dreamed of. But when Avery decides to pick up the pieces of her life and make sense of her identity, the results are inspiring. Off and Running follows Avery to the brink of adulthood, exploring the strength of family bonds and the lengths people must go to become themselves. (First Run Features)

Still Bill is an intimate portrait of soul legend Bill Withers. With his soulful delivery and warm, heartfelt sincerity, Withers has written the songs that have – and always will – resonate deeply within the fabric of our times. Filmmakers Damani Baker and Alex Vlack follow Withers and offer a unique and rare look inside the world of this fascinating man. Through concert footage, journeys to his birthplace, interviews with music legends, his family and closest friends, Still Bill presents the story of an artist who has written some of the most beloved songs in our time and who truly understands the heart and soul of a man. (B-Side Entertainment)

POP STAR ON ICE is an unprecedented behind-the-scenes portrait of outspoken Olympian and three-time US Figure Skating National Champion Johnny Weir. When Johnny fails to win a medal at the 2006 Winter Olympics, the media turns on him and he feels the backlash. Love him or hate him, Johnny is one of the most talented skaters of all time, but talent alone does not make a champion. Johnny’s complicated relationship with his longtime coach Priscilla Hill and his struggle to reach the top of the sport takes us from small town Delaware – his training home – to competitions, shopping sprees, fashion shows and personal appearances around the world. The inspiration for Jon Heder’s character in the box office smash BLADES OF GLORY, Johnny seeks to balance his larger-than-life persona with the constraints of his sport. POP STAR ON ICE uncovers the graceful, athletic, cut-throat and melodramatic sport of figure skating through the prism of its most controversial athlete as he tries to fulfill his potential on the world stage. (Retribution Films)

Soundtrack for a Revolution tells the story of the American civil rights movement through its powerful music -the freedom songs protesters sang on picket lines, in mass meetings, in paddy wagons, and in jail cells as they fought for justice and equality. (Louverture Films)

In Search of Memory is a compelling blend of autobiography and history that recounts the life of one of the most important neuroscientists of the 20th century and illuminates scientific developments in our understanding of the brain's role in recording and preserving memory. In addition to archival footage and dramatic re-creations of Kandel's childhood experiences in Nazi-occupied Vienna and his formative years as an emigrant in New York, the film features discussions with Kandel, friends and family, as well as his public lectures in Vienna and New York, which explore both his professional and personal life, especially his emotional ties to Judaism. (Icarus Films)

America's 50-million strong Evangelical community is convinced that the world's future is foretold in Biblical prophecy - from the Rapture to the Battle of Armageddon. This astonishing documentary explores their world - in their homes, at conferences, and on a wide-ranging tour of Israel. By interweaving Christian, Zionist, Jewish and critical perspectives along with telling archival materials, the filmmakers probe the politically powerful - and potentially explosive - alliance between Evangelical Christians and Israel...an alliance that may set the stage for what one prominent Evangelical leader calls "World War III." (First Run Features)

In the summer of 2003, a group of shepherds took a herd of sheep one final time through the Beartooth Mountains of Montana, in the extreme northwest of the United States. It was a journey of almost 300 kilometers through expansive green valleys, by fields of snow, and across hazardous, narrow ridges. The aging shepherds do their very best to keep the hundreds of sheep together while the high mountains are teeming with hungry wolves and grizzly bears.

Garbage Dreams follows three teenage boys born into the trash trade and growing up in the world's largest garbage village, on the outskirts of Cairo. It is the home to 60,000 Zaballeen Arabic for "garbage people." Far ahead of any modern "Green" initiatives, the Zaballeen survive by recycling 80 percent of the garbage they collect. When their community is suddenly faced with the globalization of its trade, each of the teenage boys is forced to make choices that will impact his future and the survival of his community. (Wynne Films)

BIG RIVER MAN is the story of Martin Strel, the world record holding endurance swimmer, and his attempt to be the first person to swim the mighty Amazon River. (Earthworks Films Inc.)

During WWII, Darrel was stationed in Europe. Andrew was fighting in the Philippines. In the chaos of combat, each stole valuable treasures and hid them overseas before returning to civilian life in America. Sixty years later, back in America, neither man seems remorseful about their war crimes. Both want to recover the treasures they perceive as their own. They don't know each other but they both happen to know Lance, an inventor, used-car salesman, and amateur treasure-hunter, who, against all odds and better judgment, attempts to help them find their lost looted goods. (A.D.D. Studio)

Until The Light Takes Us tells the story of black metal. Part music scene and part cultural uprising, black metal rose to worldwide notoriety in the mid-nineties when a rash of suicides, murders, and church burnings accompanied the explosive artistic growth and output of a music scene that would forever redefine what heavy metal is and what it stands for to other musicians, artists and music fans worldwide. Until The Light Takes Us goes behind the highly sensationalized media reports of "Satanists running amok in Europe" to examine the complex and largely misunderstood principles and beliefs that led to this rebellion against both Christianity and modern culture. To capture this on film, directors Aaron Aites and Audrey Ewell moved to Norway and lived with the musicians for several years, building relationships that allowed them to create a surprisingly intimate portrait of this violent, but ultimately misunderstood, movement. The result is a poignant, moving story that’s as much about the idea that reality is composed of whatever the most people believe, regardless of what’s actually true, as it is about a music scene that blazed a path of murder and arson across the northern sky. (Variance Film)

The War on Kids is a documentary on the oppression of children in America and how attitudes in society and media, as well as the punitive actions that follow are getting intensely more abusive. (Spectacle Films)

Intent on shaking up the ultimate ‘sacred cow’ for Jews, Israeli director Yoav Shamir embarks on a provocative - and at times irreverent - quest to answer the question, “What is anti-Semitism today?” Does it remain a dangerous and immediate threat? Or is it a scare tactic used by right-wing Zionists to discredit their critics? (First Run Features)

In William Kunstler: Disturbing the Universe, filmmakers Emily Kunstler and Sarah Kunstler explore the life of their father, the late radical civil rights lawyer. In the 1960s and 70s, William Kunstler fought for civil rights with Martin Luther King Jr. and represented the famed "Chicago 8" activists who protested the Vietnam War. When the inmates took over Attica prison, or when the American Indian Movement stood up to the federal government at Wounded Knee, they asked Kunstler to be their lawyer. (Arthouse Films)

In every corner of the world, there’s one question that can never be definitively answered, yet stirs up equal parts passion, curiosity, self-reflection and often wild imagination: “What is God?” Filmmaker Peter Rodger explores this profound, age-old query in the provocative non-fiction feature “Oh My God.” (Mitropoulos Films)

This is the compelling question behind award-winning filmmaker Mary Mazzio's newest project TEN9EIGHT, a thought provoking film which tells the inspirational stories of several inner city teens (of differing race, religion, and ethnicity) from Harlem to Compton and all points in between, as they compete in an annual business plan competition run by the Network for Teaching Entrepreneurship (NFTE). (50 Eggs Films)

Meet Michael Ruppert, a different kind of American. A former Los Angeles police officer turned independent reporter, he predicted the current financial crisis in his self-published newsletter, From the Wilderness, at a time when most of Wall Street and Washington analysts were still in denial. Director Chris Smith has shown an affinity for outsiders in films like American Movie and The Yes Men. In Collapse, he departs stylistically form his past documentaries by interviewing Ruppert in a format that recalls that work of Errol Morris and Spalding Gray. (Vitagraph Films)

The 2008 Presidential Campaign was an extraordinary moment in U.S. history—not only because of the race and gender of the candidates, but also because of the passions they inspired. Millions of Americans and hundreds of organizations became actively engaged in the democratic process of choosing the next president. Labor Day, a new feature documentary directed by two-time Oscar Nominee, Glenn Silber, tells the inspiring, largely unknown story of one of them, the Service Employees International Union (SEIU), the nation’s fastest-growing labor union with more than two million members. Labor Day is a chronicle of this union’s mobilization to ensure a Democratic victory in 2008. For Labor, the Presidential campaign was mission critical. After eight years of Republican policies, the SEIU felt an incredible sense of urgency to change the direction of the economy and the country. [River Lights Pictures]

Michael Jackson's This Is It will offer Jackson fans and music lovers worldwide a rare, behind-the-scenes look at the performer as he developed, created and rehearsed for his sold-out concerts that would have taken place beginning this summer in London's O2 Arena. Chronicling the months from April through June, 2009, the film is produced with the full support of the Estate of Michael Jackson and drawn from more than one hundred hours of behind-the-scenes footage, featuring Jackson rehearsing a number of his songs for the show. Audiences will be given a privileged and private look at Jackson as he has never been seen before. In raw and candid detail, "Michael Jackson's This Is It" captures the singer, dancer, filmmaker, architect, creative genius and great artist at work as he creates and perfects his final show. (Sony Pictures)

Israel Kasztner. A Hungarian Jew who negotiated for lives with Adolf Eichman. A trial and verdict that forever stamped him as the "man who sold his soul to the devil." Murdered by Israeli assassins who gunned him down in front of his doorstep. Now fifty years later, his daughter's desperate efforts to restore her father's place as the greatest Jewish hero of the Holocaust, and to uncover the mystery that still clouds his death. (GR Films)

There is a conspiracy depicted in Rembrandt’s “The Night Watch”. Greenaway’s new documentary film explains it all – the event, the motive, the conspirators, the murderers, the numerous clues and the outcome. And all the evidence is in the painting “The Night Watch”, Rembrandt’s indictment. (ContentFilm International)

Food Beware begins with a visit to a small village in France, where the town's mayor has decided to make the school lunch menu organic and locally grown. It then talks to a wide variety of people with differing perspectives to find common ground - children, parents, teachers, health care workers, farmers, elected officials, scientists, researchers and the victims of illnesses themselves. Revealed in these moving and often surprising conversations are the abuses of the food industry, the competing interests of agribusiness and public health, the challenges and rewards of safe food production, and the practical, sustainable solutions that we can all take part in. Food Beware is food for thought - and a blueprint for a growing revolution. (First Run Features)

An exposé of comic proportions that only Chris Rock could pull off, Good Hair visits beauty salons and hairstyling battles, scientific laboratories and Indian temples to explore how hairstyles impact the activities, pocketbooks and self-esteem of the black community. (Roadside Attractions)

Narrated by Dustin Hoffman, Visual Acoustics celebrates the life and career of Julius Shulman, the world’s greatest architectural photographer, whose images brought modern architecture to the American mainstream. Shulman, who passed away this year, captured the work of nearly every modern and progressive architect since the 1930s including Frank Lloyd Wright, Richard Neutra, John Lautner and Frank Gehry. His images epitomized the singular beauty of Southern California’s modernist movement and brought its iconic structures to the attention of the general public. This unique film is both a testament to the evolution of modern architecture and a joyful portrait of the magnetic, whip-smart gentleman who chronicled it with his unforgettable images. (Arthouse Films)

The Yes Men are anti-corporate pranksters who create phony Web sites to get themselves invited to high-level corporate conferences and media events - where they give hilarious, Swiftian analyses that unmask global injustice and satirize human rights abuses. They are the 21st century's answer to Timothy Leary's proselytizing for acid and Ken Kesey's busload of hipsters. The big difference is that they care less about changing minds than changing policy. But announcing, as spokespeople for Dow Chemical, that they will at last take full financial responsibility for the victims of Bhopal, they create a media sensation that embarrasses the real powers that be. And, outfitted in their wacky "SurvivaBall" getups, the Yes Men address a room full of straight-laced suits who don't think there's anything funny about going to insane lengths to assure one's personal safety in the event of any and all calamities. The Yes Men don't exactly speak truth to power. But their hearts are in the right place -- right next to their funny bones. (Shadow Distribution)

Araya lacks a conventional narrative. It is not a documentary. It is not a fictional film. It is a poetic suite that the director sculpts into a love story for a place, a culture and a time that has since been forever lost. (Milestone Films)

After the Storm is a feature-length documentary film that follows the production of the musical Once on an island from auditions through performances and also includes the story of each young actor’s life in the wake of Katrina. The focus is not on rescues, evacuations and losses, but on survival, hopes and dreams. Filmmaker Hilla Medalia gently explores the young actors’ daily lives, how they are coping with a struggling school system, limited job opportunities and the loss of family members and friends. Through their eyes, the film’s audiences can view the recent history of New Orleans and Hurricane Katrina’s impact through the lens of a group of talented young people. (Priddy Brothers)

Five talented young basketball players from Akron, Ohio star in this remarkable true-life coming of age story about uncommon friendship in the face all too common adversities. Coached by a charismatic but inexperienced player’s father, and led by future NBA superstar LeBron James, the “Fab Five’s” improbable seven-year journey leads them from a decrepit inner-city gym to the doorstep of a national high school championship. Along the way, the close-knit team is repeatedly tested—both on and off the court—as James’ exploding worldwide celebrity threatens to destroy everything they’ve set out to achieve together. More Than a Game combines a series of unforgettable one-on-one interviews with rare news footage, never-before-seen home videos and personal family photographs to bring this heart-warming and wholly American story to life. (Lionsgate)

As Maya Angelou narrates this powerful documentary, she reveals the story of a brave group of people who fought Hitler with the only weapons they had: charcoal, pencil stubs, shreds of paper and memories etched in their minds. These artists took their fate into their own hands to make a compelling statement about the human spirit, enduring against unimaginable odds. (Menemsha Films)

The 12-storey, 250 room Chelsea Hotel - originally built in 1883 as Manhattan’s first cooperative apartment, and the tallest building in New York until 1902 - was converted into a hotel and residence in 1905. Once considered an untouchable, impenetrable tower for writers, artists, musicians and mavericks, it has recently been claimed as a boutique hotel venture for a management company who shows blatant disregard for its formidable history. (Wild Bunch Films)

How far would you travel to heal someone you love? An intensely personal yet epic spiritual journey, The Horse Boy follows one Texas couple and their autistic son as they trek on horseback through Outer Mongolia in a desperate attempt to treat his condition with shamanic healing. (Zeitgeist Films)

Paul J. Adams III landed a job as guidance counselor at Providence St. Mel, an all-black parochial school on Chicago’s notorious drug-ridden, gang-ruled West Side. A year after his arrival, Adams became principal and set an important goal: To turn Providence St. Mel into a first rank college preparatory school, and its African-American student body into a corps of driven, disciplined, high achieving students. That was over 30 years ago. Since then, 100% of Providence St. Mel graduates have been accepted to college, half of them to first tier and Ivy League colleges and universities. The road from failing inner city school to a pre-K-through-12 educational system that produces graduates who attend Ivy League colleges and universities was not a smooth one. The Providence Effect traces the school’s development from a struggling shoe-string budget dream into a school and a method of teaching that produces not only inspired students, but parents, teachers and administrators dedicated to settling for nothing less than the highest expectations. (Slowhand Cinema Releasing)

Capitalism: A Love Story explores the root causes of the global economic meltdown and takes a comical look at the corporate and political shenanigans that culminated in what Moore has described as the biggest robbery in the history of this country--the massive transfer of U.S. taxpayer money to private financial institutions. (Overture Films)

In Search of Beethoven addresses the romantic myth that Beethoven was a heroic, tormented figure battling to overcome his tragic fate, struck down by deafness, who searched for his 'immortal beloved' but remained unmarried. It delves beyond the image of the tortured, cantankerous, unhinged personality, to reveal someone quite different and far more interesting. (Seventh Art Productions)

Fuel is an insightful portrait of America's addiction to oil and an uplifting testament to the immediacy of new energy solutions. Director, Josh Tickell, a young activist, shuttles us on a whirlwind journey to track the rising domination of the petrochemical industry - from Rockefeller's strategy to halt Ford's first ethanol cars to Vice President Cheney's petrochemical company sponsored energy legislation - and reveals a gamut of available solutions to "repower America" - from vertical farms that occupy skyscrapers to algae facilities that turn wastewater into fuel. Tickell and a surprising array of environmentalists, policy makers, and entertainment notables take us through America's complicated, often ignominious energy past and illuminate a hopeful, achievable future, where decentralized, sustainable living is not only possible, it's imperative. (Intention Media)

Heiko Kalmbach follows famed photographer, Wolfgang Tillsmans on the three year journey as he flits around the world making gallery appointments, taking on new projects and dealing with his public.

During the Vietnam War, an unassuming man named Daniel Ellsberg made a judgment call that would ignite a political controversy. He leaked top secret documents known as "The Pentagon Papers" in hopes of exposing the American public to the truth about the war.

Author Colin Beavan, in research for his next book, began the No Impact Project in November 2006. A newly self-proclaimed environmentalist who could no long avoid pointing the finger at himself, Colin leaves behind his liberal complacency for a vow to make as little environmental impact as possible for one year. No more automated transportation, no more electricity, no more non-local food, no more material consumption…no problem. That is, until his espressoguzzling, retail-worshipping wife Michelle and their two year-old daughter are dragged into the fray. Laura Gabbert and Justin Schein!s film provides a front row seat into the experiment that became a national fascination and media sensation as well as an intriguing inside look at the familial strains and strengthened bonds that result from Colin's and Michelle!s struggle with their radical lifestyle change. (Oscilloscope Laboratories)

From the birth of a New York City downtown Ruso-disco phenomena, known as the Bulgarian Bar, to a non-stop touring marathon, with his band Gogol Bordello, Eugene Hütz takes us deep into his artistic foundation. The story unfolds from 2001 to 2006, following Gogol's steps from underground legends to international attention. (Guespa Films)

Three years in the making, this riveting new documentary from acclaimed filmmaker Joe Berlinger (Brother's Keeper, Paradise Lost, Metallica: Some Kind of Monster) tells the epic story of one of the largest and most controversial legal cases on the planet. An inside look at the infamous $27 billion "Amazon Chernobyl" case, Crude is a real-life, high stakes legal drama involving global politics, the environmental movement, celebrity activism, human rights advocacy, multinational corporate power, and the fate of disappearing indigenous cultures. (First Run Features)

For ten weeks in 1941, Walt Disney, his wife Lilly, and sixteen colleagues from his studio visited nations in Latin America to gather story material for a series of films with South American themes. The feature documentary film Walt & El Grupo uses this framing device to explore inter-American relations, provide a rare glimpse into the artists who were part of the magic of Disney’s “golden age”, and give an unprecedented look at the 39 year-old Walt Disney during one of the most challenging times of his entire life. Just as the film tackles multiple and interconnected topics, this website will be changing and growing with time. Please plan to check in periodically to see what’s new! [Walt Disney Pictures]

This film finally explains how and why over $12 trillion of our money vanished into the American Casino. As the global financial system crumbles and outraged but impotent lawmakers fume at Wall Street titans, we see the casino’s endgame: Riverside, California a foreclosure wasteland given over to colonies of rats and methamphetamine labs, where disease-bearing mosquitoes breed in their millions on the stagnant swimming pools of yesterday’s dreams. Filmed over twelve months in 2008, American Casino takes you inside a game that our grandchildren never wanted to play. (Arogot Pictures)

The September 2007 issue of Vogue magazine weighed nearly five pounds, and was the single largest issue of a magazine ever published. With unprecedented access, 'The September Issue,' directed and produced by R.J. Cutler, tells the story of legendary Vogue editor in chief Anna Wintour and her larger-than-life team of editors creating the issue and ruling the world of fashion. (Roadside Attractions)

Ten years in the making and culled from 5000 hours of footage, We Live In Public reveals the effect the web is having on our society, as seen through the eyes of “the greatest Internet pioneer you’ve never heard of”, artist, futurist and visionary Josh Harris. Award-winning director Ondi Timoner documented his tumultuous life for more than a decade to create a riveting, cautionary tale of what to expect as the virtual world inevitably takes control of our lives. (Interloper Films)

The 3rd Antarctic Campaign undertaken by the controversial Sea Shepherd Conservation Society was arguably "the perfect combination of imperfections" and the actions taken to stop a Japanese whaling fleet were astonishingly reckless and admirable. The international volunteer crew, though under-trained and poorly equipped, has developed a combination of bizarre and brilliant tactics with which to stop the whalers. (Wealth Effects Media)

X Games 3D: The Movie captures the drama and spectacle that play out every year at the X Games events, highlighting the behind-the-scenes stories of the featured athletes and the sacrifices they make in pursuit of glory and the advancement of their sports on the industry’s biggest stage. (Walt Disney Studios)

Art & Copy is a powerful new film about advertising and inspiration. It reveals the work and wisdom of some of the most influential advertising creatives of our time -- people who've profoundly impacted our culture, yet are virtually unknown outside their industry. Exploding forth from advertising's "creative revolution" of the 1960s, these artists and writers all brought a surprisingly rebellious spirit to their work in a business more often associated with mediocrity or manipulation: George Lois, Mary Wells, Dan Wieden, Lee Clow, Hal Riney and others featured in ART & COPY were responsible for "Just Do It," "I Love NY," "Where's the Beef?," "Got Milk," "Think Different," and brilliant campaigns for everything from cars to presidents. They managed to grab the attention of millions and truly move them. Visually interwoven with their stories, TV satellites are launched, billboards are erected, and the social and cultural impact of their ads are brought to light in this dynamic exploration of art, commerce, and human emotion. (Seventh Art Releasing)

Rarely can a film penetrate the glamorous surface of rock legends. It Might Get Loud tells the personal stories, in their own words, of three generations of electric guitar virtuosos – The Edge (U2), Jimmy Page (Led Zeppelin), and Jack White (The White Stripes). It reveals how each developed his unique sound and style of playing favorite instruments, guitars both found and invented. Concentrating on the artist’s musical rebellion, traveling with him to influential locations, provoking rare discussion as to how and why he writes and plays, this film lets you witness intimate moments and hear new music from each artist. The movie revolves around a day when Jimmy Page, Jack White, and The Edge first met and sat down together to share their stories, teach and play. (Sony Classics)

The Way We Get By is a deeply moving film about life and how to live it. Beginning as a seemingly idiosyncratic story about troop greeters - a group of senior citizens who gather daily at a small airport to thank American soldiers departing and returning from Iraq, the film quickly turns into a moving, unsettling and compassionate story about aging, loneliness, war and mortality. Seeking out the telling detail rather than offering sweeping generalizations, the film carefully builds stories of heartbreak and redemption, reminding us how our culture casts our elders, and too often our soldiers, aside. More important, regardless of your politics, "The Way We Get By" celebrates three unsung heroes who share their love with strangers who need and deserve it. (International Film Circuit)

A visually stunning, vastly entertaining and awe-inspiring look-back to the dawn and development of the modern environmental movement—from its post-war rustlings in the 1950s to the first wildly successful 1970 Earth Day celebration and the subsequent firestorm of political action. (Zeitgeist Films)

Second Skin takes an intimate look at three sets of computer gamers whose lives have been transformed by online virtual worlds. An emerging genre of computer software called Massively Multiplayer Online games, or MMOs, allows millions of users to interact simultaneously in virtual spaces. Of the 50 million players worldwide, 50 percent consider themselves addicted. From individuals struggling with addiction to couples who have fallen in love without meeting; from disabled players whose lives have been given new purpose to gold farmers, entrepreneurs and widows, Second Skin opens viewers’ eyes to a phenomenon that may permanently change the way human beings interact. (Pure West Films)

Gotta Dance chronicles the debut of the New Jersey Nets, first-ever, senior hip-hop dance team, 12 women and 1 man, all dance team newbies, from auditions through to center court stardom. As smooth dance moves are perfected and performed in front of thousands, aging myths and misperceptions are pulverized. (Mitropoulos Films)

In this pulse-pounding eco-thriller, a crack team of divers, activists and special effects experts infiltrate a secret cove in Japan to expose one of history's most shocking and unimaginable crimes against nature. Winner of the Audience Award at this year's Sundance Film Festival, 'The Cove' is sure to be one of the most talked about films of the summer. (Roadside Attractions)

Not Quite Hollywood is the wild, wonderful, untold story of “Ozploitation” films. It irreverently documents an era when Australian cinema got its gear off and showed the world a full-frontal explosion of sex, violence, horror and foot-to-the-floor action. Free-wheeling sex romps! Blood-soaked terror tales! High-octane action extravaganzas! They’re the main ingredients of NOT QUITE HOLLYWOOD, the first detailed examination and celebration of Australian genre cinema of the 70s and 80s. In 1971, with the introduction of the R-certificate, Australia’s censorship regime went from repressive to progressive virtually overnight. This cultural explosion gave birth to art house classics, such as PICNIC AT HANGING ROCK and MY BRILLIANT CAREER, but also spawned a group of demon-children: maverick filmmakers who braved assault from all quarters to bring films like ALVIN PURPLE, THE MAN FROM HONG KONG, PATRICK, TURKEY SHOOT and MAD MAX to the big screen. As explicit, violent and energetic as their northern cousins, Aussie genre movies presented a unique take on established conventions. In England, Italy and the grind houses and drive-ins of America, audiences applauded Australian homegrown marauding “rev heads” with brutish cars, spunky well-stacked heroines and stunts - unparalleled in their quality and extreme danger. Full of outrageous anecdotes, a large cast of local and International names and a genuine, infectious love of Australian movies, Not Quite Hollywood is a fast-moving journey through an unjustly forgotten cinematic era. (Magnolia)