The ninth full-length release for the British electronic duo features only Japanese rapper Nene and Norwegian singer-songwriter Aurora.

Q-Tip and Tim Burgess (The Charlatans) guest on the UK dance duo's fifth full-length.

The 10th full-length studio release from British electronic duo The Chemical Brothers features guest appearances by Beck and Halo Maud.

With its seventh studio album, the British dance duo continues to break down conventionality in electronic music, employing acid synths, break-beat rhythms, and genre-bending production that made it pioneers of the dance-music revolution.

The eight full-length release for the British electronic dance duo features guest appearances from Beck, Annie Clark, Cate Le Bon, Ali Love, and Q-Tip.

The second compilation album for the electronic duo includes a new track, 'Keep My Composure' which features Spank Rock.

The sixth album from the veteran electronica act includes guest appearances by Willy Mason, The Klaxons, Fatlip and Midlake.

The fourth full-length for production duo Tom Rowlands and Ed Simons features the singles "Star Guitar" and "It Began In Afrika." Guest vocalists include long-time Chemical Brothers staple Beth Orton and Richard Ashcroft.

The first new studio album in 14 years for the country trio formerly known as the Dixie Chicks was produced with Jack Antonoff.

The 50th anniversary for The Chieftains sees the Irish folk group working with Bon Iver, Carolina Chocolate Drops, The Civil Wars, The Decemberists, Imelda May, Lisa Hannigan, The Low Anthem, Carlos Nunez, Paolo Nutini, Pistol Annies, Punch Brothers, and The Secret Sisters on the T-Bone Burnett/Paddy Moloney-produced album.

The concept album about a group of Irish US soldiers who deserted to join the Mexican army during the Mexican-American War was an idea by The Chieftains' Paddy Moloney and co-producer Ry Cooder.

The debut release for the Dutch artist Cole Williams features guest appearances from Damon Albarn and DOOM.

The latest release for the Martin Phillipps indie pop band was produced by Greg Haver.

The seventh full-length studio release for the New Zealand band led by Martin Phillipps was produced by Tom Healy.

This is the live recording of a 2011 New Year's Eve private party performance from the New Zealand indie pop group led by Martin Phillips.

The first studio full-length release from the New Zealand indie pop band led by Martin Phillipps in nearly 20 years.

This is a compilation of sessions with BBC DJ John Peel between 1985 and 1988 from the New Zealand indie pop quintet.

The debut album for the music project led by the Black Crowes' Chris Robinson features tracks that are over seven minutes long.

The fourth full-length studio release for the blues rock band was self-produced and is its first with new drummer Tony Leone.

The fifth full-length studio release for the blues rock band features a guest appearance from Alam Khan (the son of Ali Akbar Khan).

The third full-length release for the blues rock band led by Black Crowes singer Chris Robinson was produced by Thom Monahan.

The sixth full-length release of the blues rock band led by the Black Crowes singer was recorded in less than two weeks in Stinson Beach.

'Experience' is certainly evident here as former dB's Chris Stamey and Gene Holder are joined by all three members of Yo La Tengo, Caitlin Cary and producer Mitch Easter for a trip through material by the likes of Television, Cream and the Yardbirds (as well as some originals).

The first full-length studio release in six years from Australian psych-rock group The Church was produced by its drummer, Tim Powles.

The popular Australian rock band releases its latest album on its own Unorthodox label.

This is the veteran Australian band's 17th album.

Over two years in the making, 'After Everything' is the twelfth album from the Australian band, still best known for their 1988 hit "Under The Milky Way."

The fourth full-length studio release for the British electronic/nu-jazz project led by Jason Swinscoe and Dom Smith features guest vocals from Grey Reverend, Roots Manuva, Moses Sumney, Tawiah, and Heidi Vogel.

Grey Reverend, Dorian Concept, Tom Chant, and Austin Peralta contribute tracks to The Cinematic Orchestra's concept album of music inspired by avant-garde short films including: Peter Tscherkassky's Outer Space (2000) and Dream Work (2002), James Whitney's Lapis (1966), Mannus Franken's and Joris Ivens' Dutch documentary, Regen (1929), Standish Lawder's Necrology (1971), Rene Clair's Entr'acte (1924), and the documentary Manhatta (1921).

Jason Swinscoe's first Cinematic Orchestra disc in five years is indeed a soundtrack... to an imaginary film.

The properly-hatted New York City four-piece make their debut with this ambitious CD.

The second release for the duo Joy Williams and John Paul White followed an announced hiatus in November 2012 due to "internal discord and irreconcilable differences of ambition."

The full-length debut from Joy Williams and John Paul White – featured on an episode of Grey’s Anatomy – is a collection of lyrically deep songs of love and the human condition, using the simplicity of multiple instruments and soulful vocals.

The 9-disc box set collects together five remastered studio albums; three discs of demos, b-sides, outtakes, rare tracks, and unreleased tracks; a DVD containing live performances, interviews, and music videos; reprints of fanzines, stickers, badges, dogtags, and a poster in a boom box-shaped set.

The landmark double album from Mick Jones, Joe Strummer & co. returns in a greatly expanded format, with a second disc ("The Vanilla Tapes") containing previously unreleased demos which are either primitive versions of songs from the album, or in a few cases, songs that don't show up on any Clash recording. Also included is a DVD with three videos and a Don Letts-directed documentary.

The official release of The Clash's second performance at Shea Stadium in 1982.

The experimental jazz quintet led by Grammy-nominated John Hollenbeck invites Gary Versace for its fifth album.

The second full-length release for the experimental psychedelic rock duo of Les Claypool and Sean Lennon was self-produced.

The full-length debut from the collaboration between Primus bassist Les Claypool and Sean Lennon was written over two weeks at Claypool's house in Northern California.

The legendary (and influential, at least among the indie rock set) New Zealand band The Clean returns with its first album in five years (and only the fourth of their 22-year career). Yo La Tengo's Georgia Hubley and Ira Kaplan guest on two tracks.

This is a four-vinyl set reissue of the compilation of 46-tracks from the New Zealand indie rock band led by Hamish and David Kilgour.

This is the latest release for the New Zealand rock band.

The Clientele’s 2009 album Bonfires on the Heath was one of the best, most hauntingly beautiful records of the band’s impressive career. So strong that it spawned an equally wonderful EP made up of songs recorded at the Bonfires sessions that were deemed suitable for the album itself. Hard to believe that they couldn’t find room for the title track "Minotaur" as its fragile melody and sweetly swaying dynamics would have fit in perfectly. The same with the bouncing and sweet "Paul Verlaine"; it would have been one of the more memorable tracks there. That these songs were indeed left off only points out how good Bonfires was, and how easily the Clientele concoct note-perfect autumnal pop. Add in a moodily drifting cover of The West Coast Pop Art Experiment's creepy ballad from the late 60s,“As the World Rises and Falls,” a couple of tracks that hit the usual Clientele sweet spot between heartbreak and tender melancholy, and a long spoken word ramble from leader Alasdair MacLean, and you have a record that rises above stopgap or left-overs status. Minotaur is as essential as anything else the band has released and whether as part of Bonfires or on its own, the record stands as a welcome addition to their legacy as one of the great indie pop bands of their era. ~ Tim Sendra

Recorded in Nashville, the UK band's third studio album is slightly peppier and happier than past efforts (for The Clientele, anyway).

This is the first new release of music in seven years for the British indie rock/pop band.

Brian O'Shaughnessy produced the atmospheric UK band's second studio album.

The latest full-length release from British indie-pop band The Clientele was recorded in London from 2019-2022, in part because of the COVID-19 pandemic.

The London-based band follow their singles collection ('Suburban Light') with this, their first true studio LP, which continues their hazy, 60s-influenced sound developed in those earlier songs.

The British indie rock band releases its fifth full-length studio album.

The deluxe edition of the best of compilation for the British indie pop band features singles from its five full-length albums, a standalone single from 2014, and a previously-unreleased live session.

The latest release for the bluegrass band led by Sid Griffin and Neil Robert Herd was produced by John Wood.

The second album for the Atlanta-based female rock band.

The sixth full-length studio release for the Atlanta punk rock trio was produced by Nic Jodoin.

The fourth full-length release for the all-female punk rock band is its first without keyboardist Candice Jones.

The fifth full-length release for the Atlanta punk trio was produced by Nic Jodoin.

The second album for the all-women rock band from Atlanta was produced by Ed Rawls.

The third release for the metalcore band led by Garret Rapp is the first with new rhythm guitarist, Aaron Saunders (replacing original band member John Bross) and was produced by Josh Schroeder.

The fourth full-length release for the Illinois metalcore band led by Garret Rapp was produced by Mike Green.

The now New York-based psych-rock five-piece worked with producer Bill Racine on this fourth album.

The second full-length release for the London-based jazz trio of Max Hallett, Shabaka Hutchings and Dan Leavers features a guest appearance from Kate Tempest.

The second full-length release in 2019 for the British jazz trio was recorded at the same sessions as Trust In The Lifeforce Of The Deep Mystery and features a guest appearance from poet Joshua Idehen.

The London-based trio recorded improvisations over four days for its third full-length release.

The latest release for the Mississippi gospel trio of Ester Mae Wilbourn, Angela Taylor, and her sister Della Daniels features backing from the Glorifiers Band.

The first full-length album for the British punk rock quartet was produced by John "Speedo" Reis.

The second full-length release for the soul-punk British four-piece led by Al Kershaw was recorded in Georgia with producer Mark Neil.

After three years, the Stockholm-based band is back with its fourth album of pure dance pop.

Mike Mogis produced this second set from the Swedish act.

The Swedish group (originally formed 9 years ago as an all-girl trio, but now featuring 8 full-time members) make their international debut with an album that manages to combine elements of classic Motown, Mazzy Star and the Velvet Underground.

The Ontario, Canada band makes its Sub Pop (and U.S.) debut with this, their second LP, which mixes alternative rock with punk and soul.

The fourth album for the Canadian indie rock band is its first full-length album on the Arts & Crafts label.

The Canadian rockers follow 'Shine A Light' with this 10-track set.

The duo of Chuck Inglish and Mikey Rocks, aka Sir Michael Rocks, releases its long-awaited album that was more than two years in the making.

The second EP for the Chicago-based rap duo was produced by Evan Ingersoll.

This is the second album for the Reading, England rock band.

Although the indie rock band has been on hiatus since 2010, the latest release from the British quintet is an album of unreleased tracks recorded in 2006 on an 8-track recorder.

The 24-track release from the British indie rock band features Ian and James Skelly's grandfather Ian Murray as narrator.

This limited edtion 11-song low-fi mini-album was recorded with producer Ian Broudie over the course of a week.

An imagined soundtrack for an Italian spaghetti western film is the concept behind one of two simultaneous releases from British rock band The Coral.

The Coral's surprise release was recorded on a Tascam 388 tape machine and was available on vinyl only at some independent record stores in the UK on 8 May 2026 before a wide release was announced.

The first full-length release in six years for the British rock band features Paul Molloy on guitar (filling in for Lee Southall) was produced with Richard Turvey.

The ninth full-length studio release for the British indie rock band was produced with Rich Turvey.

This debut effort from Liverpool's The Coral is an inventive mix of numerous musical styles.

Portishead's Geoff Barrow and Adrian Utley produced this fourth LP for the UK retro-rockers.

One of the more attention-grabbing British bands to emerge in the last few years--their fun, genre-jumping debut album landed them a Mercury Music Prize nomination--The Coral returns with a more coherent, '60s-influenced sophomore LP.