The fourth full-length release for the North Carolina garage rock band led by Dan McGee features a guest appearance from Superchunk's Mac McCaughan.

The fifth full-length release for the garage punk band features guest appearances from Matthew Hoopengardner of the Golden Boys, Jana Misener, Seth Moody, Jack Oblivian, Patrick Stickles of Titus Andronicus, John Whittemore, and Krista Wroten-Combest of the Memphis Dawls.

The debut full-length release for the Norwegian indie rock trio of Mads Baklien, Stian Brennskag, and Christian Løvhaug was produced by Tord Øverland Knudsen of The Wombats and Team Me's Marius Drogsås Hagen.

The 2-disc set is the rock band's third actual album.

The debut full-length album for The Distillers' Brody Dalle-led band was produced by fellow band member Alain Johannes.

The second full-length release for the Glasgow-based indie rock band is the first with Rachel Taylor, who took over for the departing Cal Donnelly.

The debut full-length release for the Scottish indie pop band was produced by Edwyn Collins.

The latest album for the indie-rock band that began with the name Free Beer.

Pavement's Scott Kannberg returns to music as Spiral Stairs after a five-year hiatus.

Pavement member Scott Kannberg returns with his third solo album as Spiral Stairs.

The fist solo release from Pavement guitarist Scott Kannberg in eight years features guest vocals from The National's Matt Berninger and Broken Social Scene's Kevin Drew.

The latest full-length release from Philadelphia trio Spirit Of The Beehive features a guest appearance by MSPAINT.

The fourth full-length release for the Philadelphia trio of Zack Schwartz, Rivka Ravede and Corey Wichlin was self-produced and recorded.

This is the debut full-length release for the Vancouver alt-metal quartet that includes ex-members of Iwrestledabearonce Courtney LaPlante and Michael Stringer as well as Bill Crook and Zev Rose.

The second full-length release for Canadian heavy metal quartet Spiritbox was co-produced by Dan Braunstein and Mike Stringer.

The debut full-length release from San Francisco punk band Spiritual Cramp was mixed by Carlos de la Garza (who also did additional production).

The seventh album for the space rock band was produced by frontman Jason Pierce.

The eighth full-length release is the first in six years for Jason Pierce may be his last as Spiritualized.

The ninth full-length studio release for J Spaceman's space rock band Spiritualized was recorded at 11 different studios.

Jason Pierce nearly died of pneumonia halfway through writing the group's sixth album.

Over two years in the making, 'Let It Come Down' is the UK band's first album of new material in four years. It utilizes over 100 musicians (including an orchestra and choral singers), although the music was entirely written and arranged by guitarist Jason Pierce.

A quick follow-up by Spiritualized standards, 'Amazing Grace' finds Jason Pierce with a new record label (his own Spaceman Records imprint) and a more immediate, less orchestral sound than on 2001's 'Let It Come Down.'

The second full-length release for the London-based indie rock band was recorded in Brooklyn with Nicolas Vernhes.

The debut full-length release for the alt-rock band formed in England by Australian Sasha Carlson was produced by band member Toto Vivian.

This is the debut album for the punk band led by Jussi Lehtisalo of Circle includes Aaron Turner of Isis, Jukka Kroger, and Samae Koskinen.

The second album from South African artist Spoek Mathambo includes hip-hop, R&B, native African, electronic, and rock elements on the debut with the Sub Pop label.

This is the debut full-length album for the British indie five-piece band.

The second full-length studio release for the Australian band led by Marcus Gordon was produced by Tony Buchen.

The 10th full-length studio release for the Austin indie rock band Spoon was produced with Mark Rankin.

The 13-track best-of compilation for the indie rock band features one new song.

The ninth full-length release for indie rock band was co-produced with Dave Fridmann.

The eighth studio full-length release for the indie rock band is its first with new member Alex Fischel and was produced by Joe Chicarelli and Dave Fridmann.

The Austin, Tex. indie rockers return with their fourth album, following 2001's critically acclaimed 'Girls Can Tell.'

The Austin band's follow-up to 'Series of Sneaks' was a critical favorite in 2001, appearing on seemingly every year-end Top 10 list (and with good reason).

Mike McCarthy returns as producer for the Britt Daniel-led band's varied follow-up to their acclaimed 2002 outing 'Kill The Moonlight.' Spoon fans will not be disappointed.

The seventh full-length album self-produced by the band strips the music down to nothing more than guitar, bass, precussion, and Britt Daniel's voice.

The Austin band serves up their latest album hoping fans go ga ga over it.

The second full-length release for the Ohio indie rock quintet was produced by Kyle Gilbride.

The second full-length release for British alternative rock band Sports Team was produced by Burke Reid.

The third full-length release from British indie rock band Sports Team was recorded in Bergen.

The debut full-length release for the the British indie rock band led by by Alex Rice was produced by Burke Reid.

This is the second release for the British six-piece shoegaze band.

The third full-length release for the Pennsylvania pop-punk was produced by Mike Bardzik.

The second full-length release for the British indie rock band was self-produced.

This is the debut full-length release for the British indie rock band led by Tarek Musa.

This is the debut full-length release for the Australian trio that includes The Drones/Tropical Fuck Storm's Gareth Liddiard, The Necks' Chris Abrahams and Dirty Three/Xylouris White's Jim White.

The debut full-length release for Greta Morgan was co-produced with Richard Swift.

The second full-length release from Irish post-punk band Sprints was produced by Gilla Band's Daniel Fox.

The debut full-length release from Dublin post-punk band Sprints was produced by Gilla Band's Daniel Fox.

The latest full-length release from British electronic producer Squarepusher was originally planned to be played with an orchestra, but an injury and the COVID-19 pandemic led to Tom Jenkinson's recoding it by himself.

This concept mini-album consists of nine tracks performed by a mysterious quartet named Shobaleader One.

The live album features a recording of Squarepusher's September 2007 performance in Paris' Cite de la Musique, where he used only a bass and a small amp.

The 12th album for Tom Jenkinson was recorded over seven months.

The five track EP for the electronic producer came about after he was approached by Kenjiro Matsuo to write music to be performed by actual Japanese robots.

Tom Jenkinson's latest full-length attempts to incorporate more of his live sound into the overall feel.

Tom Jenkinson's latest album as Squarepusher returns to electronica with a release created with a visual component for his live shows.

The British producer recorded the album mostly on the road in single takes with no edits.

This is Tom Jenkinson's first new album in two years, and the English electronica artist's tenth disc overall.

Why yes, yes we do. His real name is Tom Jenkinson, he dabbles in experimental electronica (a la Aphex Twin, who signed him to his first record deal), and this is his sixth album. Included among the seven new tracks here (totaling just 35 minutes) is an unexpected cover of Joy Division's "Love Will Tear Us Apart."

This is the fifth full-length release from Tom Jenkinson (aka Squarepusher). "My Red Hot Car" is the lead single.

The first new solo full-length studio release in five years for the British electronic artist features vintage analogue equipment.

The British post-punk band's latest album title gives away the game it asks people to play with the collection of 14 rerecorded hits.

The first studio release of new tracks since Chris Difford and Glenn Tilbrook reunited in 2007 features some songs recorded for the BBC series based on Danny Baker's life.

Squeeze's first full-length release in nine years features songs Chris Difford and Glenn Tilbrook wrote when they were teens in the 1970s about a fictional nightclub.

The 15th full-length release for the British pop band wa produced by John Cale.

The debut full-length release for the British post-punk band was produced by Dan Carey and features a guest appearance from Martha Skye Murphy.

The third full-length release from British post punk-band Squid was produced by Marta Salogni and Grace Banks and features contributions from Pozi's Rosa Brook, Clarissa Connelly, Zands Duggan, Tony Njoku and the Ruisi Quartet.

The second full-length release from British post-punk band Squid was produced by Dan Carey.

The third full-length release from Chicago indie singer-songwriter Squirrel Flower was produced with Alex Farrar.

The latest full-length release for the indie folk/rock artist from Boston features contributions from Brooke Bentham, Jemima Coulter, Katy J Pearson, Tenci’s Jess Shoman, Tomberlin, her father and her two brothers, Nate and Jameson Williams.

The debut full-length release for the Boston singer-songwriter Ella Williams was recorded in New York City with producer Gabe Wax.

The debut full-length non-soundtrack release from Jim Jarmusch and Carter Logan as Sqürl features contributions from Anika, Charlotte Gainsbourg, and Marc Ribot.

Sufjan Stevens, rapper Serengeti, and Son Lux collaborated on this four-track EP.

The third full-length release for French artist Ludovic Navarre features Malian instrumentation and influences of jazz.

The second full-length release for indie pop artist Andrew Choi was a 70th birthday gift to his father, who immigrated from Korea.

The second full-length release for the Brooklyn pop band led by Jean-Philip Grobler was produced by Chris Zane.

The second full-length release for the Alabama soul group led by Paul Janeway was produced by Paul Butler.

The debut full-length release for the Alabama soul band led by Paul Janeway was produced by Ben Tanner of Alabama Shakes.

The fifth full-length studio release from soul band St. Paul & The Broken Bones was recorded at Memphis' Sam Phillips Recording Studio with producer by Matt Ross-Spang.

The latest full-length release from Alabama soul group St. Paul & The Broken Bones was produced by Eg White.

The fourth full-length release for Alabama soul group St. Paul & the Broken Bones was recorded in Birmingham and was produced by Matt Ross-Spang.

The third full-length release for the Alabama band led by Paul Janeway was produced and arranged by Jack Splash.

Annie Clark's second album was produced with John Congleton.