Music
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Bright Yellow Bright Orange
by The Go-Betweens
February 18, 2003
After taking 12 years off prior to 2000's 'The Friends of Rachel Worth,' the legendary Australian indie-pop band is suddenly undergoing a bout of creativity as evidenced by yet another release this very same decade.
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10th
by Nobukazu Takemura
February 18, 2003
Kyoto, Japan's Nobukazu Takemura plays all of the instruments (and computers) on his latest release of playful, poppy electronica, which features vocals from a speech synthesizer.
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Sleep And Release
by Aereogramme
February 18, 2003
The Glaswegian guitar rockers emerge with their second full-length album, an even more intense affair than their 2001 debut 'Story In White.'
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The Datsuns
by The Datsuns
February 18, 2003
This is the debut full-length release for the New Zealand rockers, who have drawn comparisons to everyone from The Stooges and AC/DC to, of course, the White Stripes, and have been the subject of fawning articles in the UK music press (but then again, who hasn't) in recent months.
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Tulsa For One Second
by Pulseprogramming
February 18, 2003
The latest full-length from the Chicago-based multimedia collective is a big step forward for the group, adding more vocals and an emotive indie-pop feel to their experimental electronic sound. Recommended for fans of the latest releases by bands such as Dntel, Hood, and Boards of Canada.
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You Are Free
by Cat Power
February 18, 2003
Chan Marshall's first album of new material since 1998 was recorded in Los Angeles with Adam Kasper (Queens of the Stone Age, Foo Fighters, Pearl Jam), who in turn brought in friends such as Dave Grohl and Eddie Vedder.
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Three-Four
by Shipping News
February 18, 2003
This disc compiles tracks from three previously-released EPs by the indie rock trio, who originally got their start composing music for NPR's "This American Life." Also included are three brand-new tracks.
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Feast of Wire
by Calexico
February 18, 2003
The Tucson, Arizona-based duo of Joey Burns and John Convertino return with their fourth full-length album.
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Animositisomina
by Ministry
February 18, 2003
Al Jourgensen is back, and, apparently, angrier than ever. Included here on the industrial band's eighth album is a cover of Magazine's "The Light Pours Out of Me."
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She Has No Strings Apollo
by Dirty Three
February 18, 2003
The Australian instrumental trio, known for their dark, minimalist, atmospheric sound, includes Bad Seeds' violinist Warren Ellis, guitarist Mick Turner, and drummer Jim White.
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Anti-Pop Consortium Vs. Matthew Shipp
by Anti-Pop Consortium
February 18, 2003
Thirsty Ear's Blue Series continues with the unlikely pairing of avant-garde jazz pianist (and Blue Series curator) Matthew Shipp with the experimental New York hip-hop outfit Anti-Pop Consortium. This is also the very last album to be released by APC, who have officially disbanded.
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Give Up
by The Postal Service
February 18, 2003
One of the highlights of Dntel's 2001 debut album was "This Is the Dream of Evan & Chan," where Dntel electronica mastermind Jimmy Tamborello was joined by Death Cab For Cutie's Ben Gibbard on vocals. Satisfied by those results, the two continued to collaborate (by mail), eventually resulting in enough material for this full album that ventures more into synth-pop/new wave territory than their previous single.
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The Beauty Of The Rain
by Dar Williams
February 18, 2003
Folkie Dar Williams returns with her sixth album, which is perhaps her most diverse and fullest-sounding yet, enhanced by the presence of a host of contributors including Alison Krauss, John Medeski, Bela Fleck, and John Popper.
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Chocolate Factory
by R. Kelly
February 18, 2003
Beseiged by legal problems (he was arrested in Chicago on child pornography-related charges) and rampant bootlegging of an earlier effort ('Loveland') that forced him to abandon that project, Kelly finally returns with a follow-up to 2000's 'TP-2.Com.'
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Ready For Love
by John Hammond
February 11, 2003
John Hammond follows his successful album of Tom Waits covers, Wicked Grin, with his first-ever original material. Well, ok, so he only wrote one song on this new album, but it is his first. Complimenting that track are selections written by the likes of Tom Waits, George Jones, Jagger/Richards and David Hidalgo (who also appears on the album).
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How I Learned To Write Backwards
by The Aislers Set
February 11, 2003
The Bay Area indie-pop band returns with their third album (and first in three years).
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Unrest
by Erlend Øye
February 11, 2003
The solo debut for the Kings of Convenience guitarist (who also provided vocals on the recent Röyksopp album) features 10 tracks recorded in 10 cities with 10 different producers, including Schneider TM, Soviet, Prefuse 73, and Metro Area's Morgan Geist.
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Nocturama
by Nick Cave & the Bad Seeds
February 11, 2003
Nick Cave & co. return for a follow up to 2001's 'No More Shall We Part.'
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Hearts Of Oak
by Ted Leo & The Pharmacists
February 11, 2003
Ted Leo, formerly of Chisel, returns with his fourth album of punk-influenced singer-songwriter indie-folk rock.
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Next Big Thing
by Vince Gill
February 11, 2003
Country superstar Vince Gill returns with 17 self-produced tracks. Emmylou Harris, Amy Grant, and Michael MacDonald lend their voices.
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Global
by Paul van Dyk
February 11, 2003
This greatest hits/mix disc by the German DJ/producer includes two previously unreleased tracks. The accompanying DVD, culled from over 40 hours of footage, is part travelogue and part behind-the-scenes documentary of Van Dyk in action.
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These Are The Vistas
by The Bad Plus
February 11, 2003
This is not your ordinary jazz trio. For their major-label debut, The Bad Plus work with alt-rock producer Tchad Blake, and include covers of Nirvana's "Smells Like Teen Spirit," Blondie's "Heart of Glass," and Aphex Twin's "Flim" among their seven original tracks.
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100th Window
by Massive Attack
February 11, 2003
The first of two planned 2003 releases for the far-from-prolific Bristol-based electronica collective sees the group pared down to one original member: Robert "3-D" del Naja (although Grant "Daddy G." Marshall intends to return to the group for the next disc). Horace Andy returns to provide vocals on several tracks, and Sinead O'Connor also guests on two songs.
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Life On Other Planets
by Supergrass
February 11, 2003
The fun-loving Britpop outfit, popular in the U.K. but unsuccessful to date in the U.S., returns with its fourth LP.
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Get Rich Or Die Tryin'
by 50 Cent
February 6, 2003
If you're even reading this, you most likely already know the life story of Queens' Curtis Jackson (aka 50 Cent), whose first attempt at rap stardom in the mid 1990s ended in a brutal attack that almost cost him his life. In recent years, however, 50 Cent was lucky enough to hook up with Eminem (who signed him) and producer Dr. Dre, which resulted in a track on the 8 Mile soundtrack and now this, his much-anticipated first full-length release.
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The Bar At The End Of The World
by Lupine Howl
February 4, 2003
This is the second LP for the band that was once Spiritualized--that is, before Jason Pierce fired them and hired a new Spiritualized.
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Boomslang
by Johnny Marr & The Healers
February 4, 2003
The Smiths' guitarist takes a turn at the microphone for the first time, handling vocal duties for his new band, The Healers. The lineup also includes Zak Starkey (son of Ringo Starr) on drums and Kula Shaker bassist Alonza Bevan.
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So Much Staying Alive & Lovelessness
by Joan of Arc
February 4, 2003
Mixing post-rock and emo with punk edigness and experimentalism, Chicago's Joan of Arc features members of the Owls and Cap'n Jazz, including Owls vocalist Tim Kinsella. On this fourth album, they are also joined by members of Califone, Isotope 217, and Ugly Casanova, among others.
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Let Go
by Nada Surf
February 4, 2003
One-hit wonders, you say? Well, the New York trio did score an MTV hit with "Popular," from their 1996 debut album, but it is a more mature and less commercial Nada Surf that returns now with a third LP, their first for indie label Barsuk.
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Master And Everyone
by Bonnie "Prince" Billy
January 28, 2003
Don't know Bonnie "Prince" Billy? You may know him better by his given name, Will Oldham, who recorded under his name as well as Palace Music throughout the 1990s. This is his third album under the Billy moniker, and features contributions from members of Lambchop.
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Loose Fur
by Loose Fur
January 28, 2003
This six-track disc is a collaboration between Wilco frontman Jeff Tweedy, drummer Glenn Kotche, and Jim O'Rourke (known for both his acclaimed recent solo albums and work with Wilco and Sonic Youth).
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Other People's Songs
by Erasure
January 28, 2003
What could possibly be more relevant in 2003 than an 80s band covering their favorite hits of the 60s, 70s, and 80s? Tracks here include Peter Gabriel's "Solsbury Hill," Buddy Holly's "Everday," and The Buggles' "Video Killed the Radio Star."
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Mary Star of the Sea
by Zwan
January 28, 2003
The new group led by Billy Corgan of The Smashing Pumpkins features a lineup including fellow Pumpkin Jimmy Chamberlin on drums and guitarists Matt Sweeney (Chavez, Skunk) and David Pajo (Slint, Tortoise).
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Sunshine Hit Me
by The Bees [Band of Bees]
January 28, 2003
Frequently compared to the Beta Band, this equally eclectic Isle of Wight-based duo of Paul Butler and Aaron Fletcher literally recorded this debut album in their shed.
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The Fine Art of Self-Destruction
by Jesse Malin
January 28, 2003
Frontman of New York-based glam-rockers D Generation throughtout the 1990s, singer-songwriter Jesse Malin enlisted pal Ryan Adams to produce and play on this solo debut, which quickly garnered plaudits from the UK music press upon its fall 2002 release.
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Televise
by Calla
January 28, 2003
This is the third LP for the New York-based noise-rock trio, known for their intense live shows.
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The Raven
by Lou Reed
January 28, 2003
Available in two different versions, the latest from Lou Reed is based on the writings of Edgar Allen Poe. The 2-CD set includes tracks with readings of Poe by various actors (such as Willem Dafoe, Steve Buscemi and Amanda Plummer), backed by Reed, while the single-disc set pulls only the more song-oriented pieces from the longer version. Hal Willner produces.
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Equilibrium
by Matthew Shipp
January 21, 2003
The latest installment in Thirsty Ear's Blue Series (which mixes cutting-edge jazz with elements of electronica and hip-hop), 'Equilibrium' showcases the talents of avant-garde pianist Matthew Shipp.
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Long Knives Drawn
by Rainer Maria
January 21, 2003
This is the fourth album for the Wisconsin-based indie/emo trio.
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One Bedroom
by The Sea and Cake
January 21, 2003
The Chicago-based post-rockers return with their sixth album, their once frenetic pace of releasing albums slowed over recent years due to numerous side projects (solo albums for vocalist Sam Prekop and guitarist Archer Prewitt, and work in Tortoise, among other things, for drummer John McEntire). Included here is the band's cover of David Bowie's "Sound and Vision."
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Airs Above Your Station
by Kinski
January 21, 2003
The Seattle-based experimental space-rock outfit returns with their sophomore LP, following their 2001 debut 'Be Gentle With the Warm Turtle.'
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Holopaw
by Holopaw
January 21, 2003
This Gainesville, Fla.-based five-piece band, which mixes indie rock and alt-country with a bit of electronica, features John Orth, who also appeared on the 2002 release by the Modest Mouse side project Ugly Casanova. Brian Deck produces.
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Lovebox
by Groove Armada
January 21, 2003
The London-based duo of Tom Findlay and Andy Cato return with their fourth LP, named after one of their club nights.
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Looks At The Bird
by Brokeback
January 21, 2003
Brokeback is a side project for Eleventh Dream Day/Tortoise bassist Douglas McCombs (joined semi-permanently by second bassist Noel Kupersmith), supplemented here on this third album by Laetitia Sadier and the late Mary Hansen from Stereolab.
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Hate
by The Delgados
January 21, 2003
The Glasgow, Scotland-based band follow 2000's stunning 'The Great Eastern' with this, their fourth (and almost equally stunning) LP. Dave Fridmann (Mercury Rev) returns as producer.
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Red Devil Dawn
by Crooked Fingers
January 21, 2003
Crooked Fingers is a side project for Archers of Loaf frontman Eric Bachmann. This third album follows in the dark, drunken-blues/Americana tradition of the first two, which drew Bachmann comparisons to Tom Waits and Leonard Cohen, among others.
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Mount Eerie
by The Microphones
January 21, 2003
The Microphones is an alias for Washington state-based Phil Elvrum, who returns here with a five-part concept album named after a mountain in his home state. The album is also being released in two limited edition alternate versions, one an a capella version called "Singing from 'Mt. Eerie,'" and one a drums-only version (!) called, naturally, "Drumming from 'Mt. Eerie.'"
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Selling Live Water
by Sole
January 21, 2003
This is the latest challenging release for Sole, one of the founders of the anticon collective of underground hip-hop artists.
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Illumination
by Paul Weller
January 14, 2003
The former Style Council and Jam frontman returns with a solo album, and finds Weller producing and playing most of the instruments himself, with the help of a few celebrity guests such as Noel Gallagher, Kelly Jones and Aziz Ibrahim.
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Can You See The Music
by DJ Me DJ You
January 14, 2003
The Los Angeles-based multimedia/production duo of Ross Harris and Craig Borrell, who have worked with artists such as Beck and the Dust Brothers and recorded two previous albums for Emperor Norton, return with their third LP.
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God's Son
by Nas
December 17, 2002
Jay-Z's mortal enemy returns with his third (!) release of 2002, which includes collaborations with Alicia Keys and 2Pac (yes, that 2Pac, who, as you may recall, died several years ago).
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Electric Circus
by Common
December 10, 2002
On his fifth album, the underground rapper ventures more into the rock, soul, and jazz territory of his influences, with production help from the Soulaquarians. An eclectic array of guests includes Prince, Erykah Badu, Jill Scott, Bilal, Mary J. Blige, and Stereolab's Laetitia Sadier.
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Just Whitney
by Whitney Houston
December 10, 2002
Stung by a drug arrest and nasty rumors over the last few years, the diva finally emerges with her first album of new material in four years.
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Charmbracelet
by Mariah Carey
December 3, 2002
After proving that all that Glitters is not gold, can the best-selling female artist of the 1990s manage a hit in the 21st century?
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You Win Again Gravity
by Vitesse
December 3, 2002
This is the third album for the New York-based duo of Joshua Klein and Hewson Chen, who are frequently compared to (and sound like) Stephin Merritt bands (Magnetic Fields, Future Bible Heroes) and 80s outfits such as OMD. Included here is a cover of Husker Du's "Green Eyes."
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It Ain't Safe No More
by Busta Rhymes
November 26, 2002
Busta is back with 19 new tracks, including collaborations with Mariah Carey, Carl Thomas and The Neptunes.
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Redemption's Son
by Joseph Arthur
November 26, 2002
The only "rock" act signed to Peter Gabriel's Real World label, Akron, Ohio native Joseph Arthur returns with his third album.
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Does This Look Infected?
by Sum 41
November 26, 2002
The Toronto, Canada punk outfit returns with a follow-up to their successful 2001 debut, 'All Killer No Filler.'
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Steal This Album
by System Of A Down
November 26, 2002
Not the true follow-up to 'Toxicity' that fans were hoping for, 'Steal This Album' instead consists of outtakes from that 2001 album, originally leaked on the Internet in rough versions and now polished up for release on CD.
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Tim McGraw & The Dancehall Doctors
by Tim McGraw
November 26, 2002
Married to Faith Hill and the son of former relief pitcher Tug McGraw, Tim McGraw returns with an album recorded with his road band, the Dancehall Doctors. Included here is a cover of Elton John's "Tiny Dancer."
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Evil Heat
by Primal Scream
November 26, 2002
Bobby Gillespie and co. follow 2000's widely acclaimed 'XTRMNTR' with a similar blend of Stooges-style rock and electronica, thanks to the production work of semi-official Primal Scream member Kevin Shields (formerly of My Bloody Valentine) and Andy Weatherall. Tracks include first single "Miss Lucifer," "City," a remake of a Gillespie-sung track on David Holmes' most recent album, and "Some Velvet Morning," sung as a duet with supermodel Kate Moss.
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Paid Tha Cost To Be Da Boss
by Snoop Dogg
November 26, 2002
Snoop's sixth LP features production work from The Neptunes and DJ Premier (among others), with guest appearances by Redman, Nate Dogg, Warren G, Jay-Z, and Ludacris.
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Phrenology
by The Roots
November 26, 2002
The groundbreaking Philadelphia rap outfit returns with 13 new tracks and guest contributions from Jill Scott, Nelly Furtado, Talib Kweli and Musiq.
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Twoism [EP]
by Boards of Canada
November 26, 2002
Boards of Canada's very first release--once limited to just 100 self-released vinyl copies in 1995--has finally been reissued on CD. (So if you've been holding on to your 12-inch to sell on eBay, tough luck.)
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More Than You Think You Are
by Matchbox Twenty
November 19, 2002
Still lowercase, the alt-rock band led by Rob Thomas (who is perhaps more famous for "Smooth" on Santana's 1999 album) returns with their third album, the first on which the band shared songwriting duties as a unit.
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This Is Me... Then
by Jennifer Lopez
November 19, 2002
Actress/singer J.Lo returns with 12 new tracks, including "Jenny from the Block," featuring guest appearances from Jadakiss and Styles. Lopez is also planning her first-ever tour in support of the album in 2003.
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Audioslave
by Audioslave
November 19, 2002
After frontman Zack de la Rocha left Rage Against the Machine in 2000, the remaining members of that Los Angeles band enlisted former Soundgarden leader Chris Cornell, and together they formed Audioslave. This is their debut release.
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The Last Temptation
by Ja Rule
November 19, 2002
The hugely successful rapper returns with another Irv Gotti-produced effort, with guest appearances from Ashanti, Nas and Bobby Brown.
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Brainwashed
by George Harrison
November 19, 2002
The late Beatle's final studio album was produced by Jeff Lynne with Harrison's son, Dhani.
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Last Night
by His Name Is Alive
November 19, 2002
Combining blues, R&B, jazz and funk influences, this latest offering from the ever-changing 4AD group headed by Warren Defever, like its predessor (2001's 'Someday My Blues Will Cover The Earth'), features the vocals of Lovetta Pippen. Included among the originals here are covers of The Equals' "Teardrops," Ida's "Maybe," and Jimi Hendrix's "Train."
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More Than A Woman
by Toni Braxton
November 19, 2002
The R&B singer returns with a follow-up to 2000's 'The Heat' which sees her moving in more of a hip-hop direction, with production help from hitmakers Rodney Jerkins, Babyface, Irv Gotti and the Neptunes.
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Writers Without Homes
by Piano Magic
November 19, 2002
The London-based collective is joined this time out by the likes of Simon Raymonde (Cocteau Twins), John Grant (The Czars) and Paul Anderson (Tram).
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Travelogue
by Joni Mitchell
November 19, 2002
Backed by the London Symphony Orchestra, Joni Mitchell revisits songs from throughout her 35-year career on this two-disc set.
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Whip It On
by The Raveonettes
November 19, 2002
A male-female duo a la the White Stripes, Denmark's The Raveonettes make their debut with this brief disc of 8 neo-garage tunes.
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Machine Says Yes
by FC/Kahuna
November 19, 2002
Forget the Chemical Brothers; British producer/DJs Dan and John Kahuna really are brothers, and this, their debut LP, plays like a tour of electronica, venturing from electro to disco to acid to downtempo.
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Quality
by Talib Kweli
November 19, 2002
Working with a variety of producers, the acclaimed New York rapper returns with his second album. Mos Def, Bilal and members of the Roots are among the guests.
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Slicker Than Your Average
by Craig David
November 19, 2002
The 21-year old DJ turned-international R&B superstar from England returns with his second LP.
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Up!
by Shania Twain
November 19, 2002
Not wanting to offend any potential listeners, the country superstar finally follows up the hit 'Come On Over' with two versions of her new album (both included in this two-CD set): a red disc of pop versions of her 19 new songs, and a green disc of those same 19 songs performed in a country music style. (A third, blue, disc of those songs performed in a world music style is targeted at international consumers.)
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S.T.R.E.E.T. D.A.D.
by Out Hud
November 19, 2002
Founded in 1996 in San Francisco, this now New York-based instrumental outfit (which shares some members with the band !!!) has previously drawn a bit of acclaim for their vinyl-only releases. This six-track effort represents their first CD release, which showcases their dancier, dubbier, funkier brand of post-rock.
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Under Construction
by Missy Elliott
November 12, 2002
Missy Elliott reunites once again with super-producer Timbaland on this, her fourth studio album. The lead single is "Work It," a huge success even before the album's release. Guests on the disc include Jay-Z, Ludacris, Beyonce Knowles, TLC and Method Man.
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3D
by TLC
November 12, 2002
The two surviving members of the popular R&B trio completed this long-delayed fourth album after the early 2002 death of cofounder Lisa "Left Eye" Lopes.
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Loose Screw
by The Pretenders
November 12, 2002
The band's first album of new songs since 1999's Viva el Amor contains 12 mostly reggae-tinged tracks.
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Start Breaking My Heart
by Caribou
November 12, 2002
Manitoba consists entirely of Toronto's Dan Snaith (yes, we are aware that Toronto isn't actually in Manitoba), and this is his debut album. [This release was originally credited under the name Manitoba before being re-released under the name Caribou after the name change]
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Chat & Business
by Ikara Colt
November 12, 2002
Another member of the new generation of neo-art-punkers (think Interpol or Liars, perhaps), this Los Angeles-based British four-piece makes its debut with 'Chat & Business,' which comes with a complimentary set of stickers with which to decorate the album cover.
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The Blueprint 2: The Gift & the Curse
by Jay-Z
November 12, 2002
A sequel to his critically-acclaimed 2001 album 'The Blueprint,' Jay-Z's new two-disc set is all over the map in the course of 110 minutes and 25 tracks. The roster of producers and guests includes (but is by no means limited to): The Neptunes, Lenny Kravitz, Big Boi, Dr. Dre, Timbaland, Heavy D, Rakim, Beyonce Knowles, Faith Evans, Notorious B.I.G. and Scarface.
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Riot Act
by Pearl Jam
November 12, 2002
Still going strong, the Seattle grunge band returns with its seventh studio album.
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The Phoenix Album
by The Warlocks
November 12, 2002
Don't confuse The Warlocks of the 1960s (who later became the Grateful Dead) with the new band of the same name, who only sound like they come from the 1960s. This Los Angeles-based group favor lengthy, droning songs, evoking groups such as the Velvet Underground and Jesus & Mary Chain.
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Testify
by Phil Collins
November 12, 2002
Phil Collins returns with his first album of new material in six years, but will anyone care other than the guys on South Park?
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We Are Science
by Dot Allison
November 5, 2002
Former One Dove vocalist Dot Allison returns with her second solo release, following 1999's 'Afterglow.' Here, she works with members of Two Lone Swordsmen, Mercury Rev, and Death In Vegas.
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Justified
by Justin Timberlake
November 5, 2002
Aw... little Justin's all grows up. First Mickey Mouse Club, then 'NSync, and now this, his solo debut. Can he be a success on his own? Well, having Timbaland and The Neptunes along as his producers certainly won't hurt.
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American IV: The Man Comes Around
by Johnny Cash
November 5, 2002
Johnny Cash, still going strong at age 70, returns for a fourth album with producer Rick Rubin. Like the previous three pairings, this disc mixes Cash originals with unlikely covers, which this time out include Depeche Mode's "Personal Jesus," Nine Inch Nails' "Hurt," and Simon & Garfunkel's "Bridge Over Troubled Water." Fiona Apple, Nick Cave, and Don Henley are among the guests.
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Machine [EP]
by Yeah Yeah Yeahs
November 5, 2002
This three-track single (optimistically dubbed an "EP"), the band's second overall release, contains songs that allegedly will not appear on their upcoming full-length debut.
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Red Letter Days
by The Wallflowers
November 5, 2002
The fourth album from Jakob Dylan & Co. includes lead single "When You're on Top" and a bonus cover of Elvis Costello's "(What's So Funny 'bout) Peace, Love & Understanding." Long-time guitarist Michael Ward has left the group, leaving room for Pearl Jam's Mike McCready to provide some of the lead guitar on the album.
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A New Day At Midnight
by David Gray
November 5, 2002
The English singer-songwriter finally returns with a follow-up to his 1999 breakthrough hit 'White Ladder.'
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Touching Down
by Roni Size
November 5, 2002
Breaking away from the Reprazent collective he headed, Bristol, England junglist Roni Size returns with his first true solo album, with no collaborators (or vocalists, for that matter) in sight on these 16 drum'n'bass tracks.
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You Can Feel Me
by Har Mar Superstar
November 5, 2002
Picture a white man singing R&B. Picture a white man singing R&B while stripping down to his underwear. Picture an average-looking, slightly pudgy white man singing R&B while stripping down to his underwear. That's Har Mar Superstar, and this is his second album.
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Have You Fed the Fish?
by Badly Drawn Boy
November 5, 2002
After wowing music critics and winning Britain's Mercury Music Prize for his 2000 debut album, 'The Hour of Bewilderbeast,' Damon Gough (who is the one and only member of Badly Drawn Boy) took a bit of time off, recording only the soundtrack for 'About A Boy' in the interim. He now returns with a proper follow-up, preceded by single "You Were Right."
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Yanqui U.X.O.
by Godspeed You! Black Emperor
November 4, 2002
Slightly (and confusingly) changing their name to Godspeed You! Black Emperor for this outing, the Canadian instrumental band recorded these 5 tracks (clocking in at 75 minutes) with Steve Albini as a follow-up to their extremely well-received 2000 effort 'Lift Yr Skinny Fists Like Antennas To Heaven.'
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()
by Sigur Rós
October 29, 2002
The very, very distinctive Icelandic band generated an enormous amount of positive press (and deservingly so) for their previous effort, 'Ágætis Byrjun,' which led to a major-label deal and this album, which, like each of its eight tracks, does not have a real title.
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American Supreme
by Suicide
October 29, 2002
Legendary 1970s NYC electro-punk duo Suicide, hugely influential on the synth-pop, industrial, and electroclash movements to come in later decades, return with their first new album in ten years.
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Essential Links
May 2026 Releases
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Week of May 3, 2026
































































![Twoism [EP]](https://static.metacritic.com/images/products/music/3/88ee28a99d134459efa97ead76ef9d69-98.jpg)



























![Machine [EP]](https://static.metacritic.com/images/products/music/2/6084517492e17c9724242f382ca6d50a-98.jpg)







