A 20-track compilation of B-sides, studio outtakes, and radio performances from the Mercury Music Prize-winning band.

Seemingly unwilling to stick to a successful formula, Radiohead follow their breakthrough album 'OK Computer' with this much more experimental work (recorded during sessions that also spawned the later-released 'Amnesiac' album), which ventures even further away from conventional song structure and embraces electronica more fully (even sounding at times like Aphex Twin).

Bowie's 1968-1972 BBC radio sessions are compiled onto two discs. Most editions of this album come with a limited edition third disc that consists of a concert recorded in 2000, featuring songs from the '70's, '80's, and '90's.

The debut full-length album from Damon Gough (who records under the Badly Drawn Boy name) earned Britain's Mercury Prize for Best Album in 2000.

The New York rapper rose to the top of the charts with this sophomore effort, produced by Irv Gotti.

A double-disc live mix set from the German DJ, ranging from trance to house.

The second full solo album from the Dire Straits frontman features guest appearances from James Taylor and Van Morrison.

A four-disc box set consisting of 100 studio outtakes from throughout GBV's history.

The first new release in 12 years from the influential Australian band features founding members Robert Forster and Grant McLennan with backing from members of Sleater-Kinney.

The follow-up to Madonna's hit 'Ray of Light' was produced by 'Light's producer William Orbit and French electronica artist Mirwais.

The soundtrack to Lars Von Trier's "Dancer In The Dark" consists of seven tracks from Bjork, who also starred in the film. Includes "I've Seen It All," a duet with Radiohead's Thom Yorke.

Similar in sound to 1995's adventurous 'Wrecking Ball,' this album of original Harris tunes features guest appearances from Bruce Springsteen, Dave Matthews and Jill Cunniff (Luscious Jackson), among others.

An eight-track solo compilation from Saint Etienne vocalist Sarah Cracknell.

Mainly consists of Spanish-language versions of the songs from her hit debut album.

Much like her 1991 release 'Pop Pop,' this album showcases Jones' vocal talents as she reinterprets an eclectic variety of songs (by everyone from The Beatles and Marvin Gaye to Steely Dan and Gershwin) in her own unique style.

The soundtrack to the Cameron Crowe comedy features music from the 1970's, including tracks from Simon & Garfunkel, The Who, The Allman Brothers Band, Elton John, and David Bowie (a cover of Velvet Underground's "I'm Waiting For The Man"), and one original track, from the movie's fictitious Stillwater.

This is the final release for At The Drive-In, who later split to form groups Sparta and The Mars Volta.

The second proper album from the Canadian instrumentalists consists of four independent works(each 18-22 minutes long).... yes, that's 2 songs per CD.

The third release from the project that now features New Order's Bernard Sumner and former Smiths guitarist Johnny Marr.

The debut album from The Januaries is heavily influenced by 1960's pop.

The Magnetic Fields' Stephin Merritt returns with a second disc under The 6ths nameplate (following 1995's Wasps' Nests). Like its predecessor, this album features original Merritt compositions sung by guest vocalists, including Gary Numan, Sarah Cracknell, Marc Almond, Bob Mould, and Sally Timms.

Former Galaxie 500 members Damon Krukowski and Naomi Yang unite with Japanese outfit Ghost for an album of dreamy, contemplative folk-rock.

Former 808 State-er Gerald Simpson returns with a follow-up to 1995's Black Secret Technology.

The debut album from the singer-songwriter best known for her work on Air's 'Moon Safari' (where she co-wrote and provided vocals for "All I Need" and "You Make It Easy").

The long-awaited follow-up to the band's 1995 eponymous debut features a guest contribution from The Fall's Mark E. Smith and a cover of Trio's 'Da Da Da.'

The second solo release from the former Fugee features guest appearances by Mary J. Blige, Youssou N'Dour, and Kenny Rogers (yes, that Kenny Rogers).

The second full-length from the Peter Hook-led band features a Bernard Sumner-esque lead vocalist and a sound that could be mistaken for New Order in places.

The second solo effort from Blur guitarist Graham Coxon, following 1998's 'The Sky Is Too High.'

Former Blaster Dave Alvin offers an album of traditional American music (each song having passed into the public domain).

Features the UK chart-topper "Don't Give Up," with vocals from Bryan Adams.

The rap outfit's first album since 1996's 'Stakes Is High' is the first in a planned trilogy.

This 16-track best-of collection includes most of the original gangster's hits, including "I'm Your Pusher," "O.G.," and "Colors," as well as the previously unreleased "Money, Power, Women." However, the disc omits his work with Body Count.

The third album from the Portland, Ore. indie-rock band failed to elevate their standing in their home country, although they continue to sell well (and receive favorable press) in Europe.

Former British club DJ David Holmes has been building a name for himself as a composer of soundtracks both real (Steven Soderbergh's "Out of Sight") and imaginary (the previous Holmes albums 'Let's Get Killed' and 'This Film's Crap, Let's Slash The Seats). 'Bow Down' continues that tradition by forming the soundtrack to an as-yet-unproduced screenplay, although it is clearly more song-oriented than its predecessors. Jon Spencer, Bobby Gillespie (Primal Scream), and Martina Topley-Bird (best known for her work on Tricky's albums) are among the guest vocalists.

A five-track EP from the band featuring Christopher Ewen and the Magnetic Fields' Stephin Merritt and Claudia Gonson. Like all previous FBH releases, it features a mix of the song "Hopeless."

This live recording features 10 tracks, mainly consisting of material from the band's first two albums.

The debut solo release from The Verve frontman Richard Ashcroft.

The second LP from former Stone Roses frontman Ian Brown.