Music
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Night On My Side
by Gemma Hayes
April 22, 2003
The debut album for Ireland's Gemma Hayes shows the twentysomething singer-songwriter attempting to synthesize her diverse influences, who range from My Bloody Valentine to Joni Mitchell. Dave Fridmann produces.
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The Complex
by Blue Man Group
April 22, 2003
The multimedia collective known as the Blue Man Group, who can be seen and heard in ongoing theatrical productions in several cities, in television commercials for Intel, and even on a previous instrumental album 'Audio,' have released here something akin to a real rock'n'roll album. Their assortment of invented instrumentation is now accompanied by more traditional instruments, and vocals are provided by an array of guests, including Dave Matthews, Spalding Gray and Tracy Bonham. Included also are covers of "White Rabbit" and "I Feel Love."
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Monday At The Hug & Pint
by Arab Strap
April 22, 2003
The dour Glasgow-based duo of Aidan Moffat and Malcom Middleton return for their fifth studio album, with guest contributions from members of Bright Eyes and Mogwai.
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All Around
by Oranges Band
April 22, 2003
The indie-rock combo led by Roman Kuebler (whose resume includes a stint as the touring bassist for Spoon) makes their full-length debut with this 12-track effort.
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High Dive
by Maria McKee
April 22, 2003
Following her tenure as singer for roots-rockers Lone Justice, Maria McKee issued a series of three solo releases in the mid 1990s, and then remained relatively quiet for seven years until 'High Dive,' her self-released return.
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Shine
by Daniel Lanois
April 22, 2003
'Shine' is the first solo album in more than a decade for Daniel Lanois, best known for his production work for artists such as U2, Peter Gabriel, Emmylou Harris, and Bob Dylan. Harris guests on vocals here, as does U2's Bono.
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American Life
by Madonna
April 22, 2003
Madonna's second collaboration with French electronic producer Mirwais includes the lead single title track as well as her recent James Bond theme, "Die Another Day."
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Baby I'm Bored
by Evan Dando
April 22, 2003
The singer/songwriter/guitarist returns to the studio for the first time since 1996, when he recorded his final album as leader of the Lemonheads. Here, he's joined by Jon Brion on four tracks, as well as members of Giant Sand, Calexico, and Spacehog.
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I'm Staying Out
by Caitlin Cary
April 22, 2003
This sophomore effort for the former Whiskeytown member was, like her acclaimed 2002 debut, produced by Chris Stamey. Mary Chapin Carpenter and Mitch Easter are among numerous guests on the album.
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45/45 [EP]
by Pole
April 22, 2003
Berlin's Stefan Betke (aka Pole) makes his debut for Mute with this 4-track disc, the first in a planned series of EPs.
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2
by All Girl Summer Fun Band
April 22, 2003
'2' is the aptly-named second album for the Portland-based indie-pop quartet.
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Day I Forgot
by Pete Yorn
April 15, 2003
The sophomore LP for the Los Angeles-based singer-songwriter is similar in sound to his 2001 debut 'Musicforthemorningafter.'
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The Intercontinentals
by Bill Frisell
April 15, 2003
On his latest release, Bill Frisell takes an international approach to American folk music, assembling a cosmopolitan group of musicians that includes Malian vocalist/percussionist Sidiki Camara, Brazilian guitarist Vinicius Cantuaria, and Greece's Christos Govetas.
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Thankful
by Kelly Clarkson
April 15, 2003
Yes, well, she does have a lot to be thankful for, doesn't she. This hit debut album is a direct result of the singer's victory on the first installment of Fox TV's "American Idol" talent competition in 2002. Judging from the album's credits, just about every musician and producer in the industry seemingly worked on the disc, although Clarkson did manage to co-write four out of the dozen songs.
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Lullaby For Liquid Pig
by Lisa Germano
April 15, 2003
After a five-year break from the music business, Lisa Germano returns with a new record deal and a new album, hoping to regain the cult following she developed through a series of critically-lauded releases for 4AD in the 1990s.
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Do Rabbits Wonder
by Whirlwind Heat
April 15, 2003
Championed (and signed) by the White Stripes' Jack White, this spare, Michigan-based keyboard-bass-drums trio has been labeled by Rolling Stone as this generation's Devo. White produced this debut LP, which was mixed by Mercury Rev's Dave Fridmann. And why the album title? According to the band's website, "We all love rabbits."
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Black Eyes
by Black Eyes
April 15, 2003
This debut album for the Washington D.C. punk five-piece (with a rhythm section stocked with two drummers and two bassists) has drawn comparisons to Liars, Fugazi, and Q and Not U.
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Say You Will
by Fleetwood Mac
April 15, 2003
If you prefer your Fleetwood Mac songs written by Lindsey Buckingham, your 16-year wait is over. Joining Buckingham on this brand-new, 18-track album are Stevie Nicks, Mick Fleetwood and John McVie.
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Love & Distortion
by The Stratford 4
April 8, 2003
This is the sophomore release for San Francisco's atmospheric noise-pop band led by vocalist Chris Streng, whose previous band shared members with Black Rebel Motorcycle Club.
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Mouthfuls
by Fruit Bats
April 8, 2003
Yet another experimental indie band to arise out of the Chicago scene, the Fruit Bats are the brainchild of multi-instrumentalist and songwriter Eric Johnson, who has played with Ugly Casanova, I Rowboat, and Califone. On this second Fruit Bats LP, he is joined by Gillian Lisee and producer Brian Deck.
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The Senior
by Ginuwine
April 8, 2003
The fourth LP from Ginuwine includes contributions from Method Man, R.Kelly, Sole, Snoop Dogg, and--uh--Mike Tyson.
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Summer Of The Shark
by Portastatic
April 8, 2003
Portastatic is a side project for Superchunk's Mac McCaughan (who also is part owner of Merge Records). On this, his first Portastatic LP since 1997, he is joined by Sleater-Kinney's Janet Weiss as well as members of Sparklehorse and Lambchop.
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Faceless
by Godsmack
April 8, 2003
The Boston-based punk-metal outfit returns with a third studio LP, produced by David Botrill (Tool).
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World Without Tears
by Lucinda Williams
April 8, 2003
Recorded live in studio with her band and co-produced by Mark Howard, 'World Without Tears' marks the follow-up to Williams' acclaimed 2001 release 'Essence.'
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Anxiety Always
by Adult.
April 8, 2003
The Detroit-based electronica duo of Nicola Kuperus and Adam Lee Miller (who also run the Ersatz Audio label) have gained a great deal of acclaim for their early singles and work with other artists. Here, on their full-length debut, they offer 10 brand-new tracks. (Yes, the period at the end of their name is necessary.)
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thickfreakness
by The Black Keys
April 8, 2003
The Akron, Ohio guitar-drums blues duo (needless White Stripes comparison omitted) of Dan Auerbach and Patrick Carney recorded this sophomore effort in a single 14-hour session.
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Boomkatalog One
by Boomkat
April 8, 2003
The brother-sister duo of Kellin and Taryn Manning was signed to a major-label deal in part on the strength of Taryn's burgeoning acting career, which has seen her in roles on TV's "Boston Public" as well as "crazy/beautiful" and "8 Mile."
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C'Mon Lets Pretend
by Sahara Hotnights
April 8, 2003
This 1999 debut album for the all-girl Swedish garage band gets a belated U.S. release (complete with new packaging and bonus tracks) to capitalize on the recent success of their American breakthrough, 2002's 'Jennie Bomb.'
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Summer Sun
by Yo La Tengo
April 8, 2003
The days of hard-rocking Yo La Tengo appear to be over (at least on record), as the Hoboken, NJ trio continues along the atmospheric, lower-volume path begun on 'And Then Nothing Turned Itself Inside-Out.' Included among the 13 Roger Moutenot-produced tracks is a cover of Big Star's "Take Care" and the James McNew-sung "Tiny Birds."
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The Long Goodbye
by The Essex Green
April 8, 2003
The Brooklyn-based Elephant 6-style band (which shares some members with Ladybug Transistor) returns with a second LP.
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Draft 7.30
by Autechre
April 8, 2003
The experimental English electronic duo of Rob Brown and Sean Booth was able to find enough time while serving as curators of the 2003 UK version of All Tomorrow's Parties to record this, their seventh full-length as Autechre.
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Sunlight Makes Me Paranoid
by Elefant
April 8, 2003
Another of the new new wave of New York bands, Elefant is fronted by Diego Garcia, who despite being born in Detroit and raised in Argentina, sounds awfully British on this short, ten-track debut.
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Up In Flames
by Caribou
April 8, 2003
The second LP from Canadian electronic artist Dan Snaith is more song-oriented (and quite a bit more psychedelic) than efforts from similar artists, with Snaith even providing vocals on some tracks. [This release was originally credited under the name Manitoba before being re-released under the name Caribou after the name change]
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Fake Songs
by Liam Lynch
April 8, 2003
Best known as the co-creator of MTV's cult hit sock puppet show "Sifl and Olly," Liam Lynch has also studied music at Paul McCartney's academy and is a published writer. 'Fake Songs,' his first album, includes "United States of Whatever" (the most popular song from S&O and now a minor alternative radio hit) and such tracks as "Fake David Bowie Song," "Fake Pixies Song," and "Fake Depeche Mode Song."
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Rainy Day Music
by The Jayhawks
April 8, 2003
The seventh album for the Minnesota alt-country outfit features a smaller-than-usual lineup of songwriter/vocalist Gary Louris, bassist Marc Perlman and drummer Tim O'Reagan, joined by new guitarist Stephen McCarthy. Matthew Sweet and Jakob Dylan guest.
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Escapology
by Robbie Williams
April 1, 2003
UK pop star Robbie Williams follows the success of Sing When You're Winning with this, his fifth and most adult-sounding LP.
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The Secret Of Elena's Tomb [EP]
by ...And You Will Know Us by the Trail of Dead
April 1, 2003
Trail of Dead fans waiting for the band's follow-up to 2002's 'Source Tags & Codes' will have to make do, for now, with this 5-track EP (which also contains three videos).
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Sleeping With Ghosts
by Placebo
April 1, 2003
The UK glam-punk band returns with their fourth album.
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A Grown-Ass Man
by Dump
April 1, 2003
The sixth solo release for Yo La Tengo bassist James McNew finds him playing all of the instruments on 13 tracks that veer from style to style but share a certain lo-fi charm. There are ten originals and three covers, including the unlikely album-closing take on Thin Lizzy's "Cowboy Song."
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Keep On Your Mean Side
by The Kills
April 1, 2003
"Coincidentally" released on the same day as the fourth album by the White Stripes, to whom the Kills are frequently compared, 'Mean Side' is the debut full-length for the UK blues-rock duo of VV (aka Alison Mosshart) and Hotel, who are backed by a drum machine (a la the Raveonettes).
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Elephant
by The White Stripes
April 1, 2003
For their major label debut (and fourth LP overall), the Detroit-based duo of Jack and Meg White offer up 14 new tracks, all recorded in London and (fortunately) showing absolutely no trace of major label production values. Meg White takes a rare turn behind the microphone on a couple of tracks, as does guest Holly Golightly on the closing "It's True That We Love One Another."
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A.R.E. Weapons
by A.R.E. Weapons
April 1, 2003
This is the full-length debut for the somewhat intimidating New York trio, who are frequently compared to Suicide.
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The Remote Part
by Idlewild
March 25, 2003
The third album for the Scottish rockers is already a big hit with UK music fans, helped by the success of lead single "You Held the World in Your Arms."
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One Step Forward
by Les Nubians
March 25, 2003
The French R&B duo offer up a mix of French- and English-language tracks on this belated follow-up to their successful 1998 debut.
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Fear Yourself
by Daniel Johnston
March 25, 2003
The latest release from the prolific indie-rocker and artist was recorded with Sparklehorse's Mark Linkous.
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Silver Lake
by Vic Chesnutt
March 25, 2003
The unique singer-songwriter's 11th LP was produced by Mark Howard (Lucinda Williams).
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Are You Earthed?
by Appliance
March 25, 2003
The English post-rock trio's third album finds them moving even further away from their Krautrock roots.
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Rules Of Travel
by Rosanne Cash
March 25, 2003
Rebounding from a vocal chord injury that almost ended her singing career, Rosanne Cash returns with her first album in seven years. Guests include Sheryl Crow, Steve Earle, Teddy Thompson, and daddy Johnny Cash.
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Meteora
by Linkin Park
March 25, 2003
This long-awaited follow-up to 2000's 'Hybrid Theory' contains 12 new tracks co-produced by Don Gilmore.
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6Twenty
by The D4
March 25, 2003
The New Zealand retro-rockers scored a major-label deal in the U.S. on the strength of this 2002 debut album, which received an American re-release in March 2003.
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Us
by Mull Historical Society
March 18, 2003
This is the second album for the quriky Scottish indie-pop duo of Colin MacIntyre and Alan Malloy.
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Bad Timing
by Grand Mal
March 18, 2003
The classic rock-influenced New York City group led by singer/songwriter Bill Whitten returns with its third album, produced by Mercury Rev's Dave Fridmann.
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I'm Just A Girl
by Deana Carter
March 18, 2003
After a five-year break from recording (save for a Christmas album), Deana Carter returns with album of polished country-pop tunes.
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The Listener
by Howe Gelb
March 18, 2003
Giant Sand's Howe Gelb returns with his second solo album for Thrill Jockey. Recorded half in Denmark and half in his native Arizona, 'The Listener' features appearances by members of Calexico and Handsome Family.
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Burn Piano Island, Burn
by The Blood Brothers
March 18, 2003
Known for their loud, angry, and extreme take on metal (well, even more so than your average metal band), The Blood Brothers return with their third album in as many years.
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Buzzcocks [2003]
by Buzzcocks
March 18, 2003
Does the world really need another Buzzcocks album? Well, this new LP from Pete Shelley and Steve Diggle (which includes two tracks co-written by fellow original Buzzcock Howard Devoto), the band's fourth since re-forming in 1989, may be their best in many years.
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Antenna
by Cave In
March 18, 2003
This major-label debut for the Massachusetts alt-metal band finds the group willing to experiment with and open up its sound, adding more adventurous elements into the mix.
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Strangest Things
by Longwave
March 18, 2003
'Strangest Things' is the second album, and first for a major label, for Longwave, who got their big break opening for fellow New Yorkers the Strokes (although their sound veers much closer to that of 80s-influenced Interpol than the neo-garage of the Strokes). Dave Fridmann produces.
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Where Shall You Take Me
by Damien Jurado
March 18, 2003
The fifth full-length for the Seattle-based singer-songwriter returns with ten new mostly-acoustic tales about America's heartland, including live favorite "Texas to Ohio."
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Up The Bracket
by The Libertines
March 18, 2003
This debut disc from the hyped London garage band (deemed the UK's version of The Strokes by British music mags) was produced by The Clash's Mick Jones.
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Quicksand / Cradlesnakes
by Califone
March 18, 2003
Featuring basically the same lineup as the defunct Chicago band Red Red Meat, Califone makes their Thrill Jockey debut with this mix of country, blues, folk, and electronic elements.
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Back Again!
by Mr. Cheeks
March 18, 2003
The former member of the New York hip-hop outfit the Lost Boyz returns with his second solo disc.
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Pig Lib
by Stephen Malkmus
March 18, 2003
The second solo release for the former Pavement leader (although it is credited to "Stephen Malkmus & The Jicks"), 'Pig Lib' features 11 new tracks.
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Transfiguration Of Vincent
by M. Ward
March 18, 2003
A former member of the San Luis Obispo, Calif. trio Rodriguez, singer-songwriter M. Ward gained a bit of a following while supporting Bright Eyes on tour in 2002, and has drawn comparisons to Giant Sand, Tom Waits, and Grandaddy. This is his third solo release.
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Ether Song
by Turin Brakes
March 11, 2003
The English band's second LP was recorded in Los Angeles with engineer Tony Hoffer (Beck, Air).
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Slow Motion Daydream
by Everclear
March 11, 2003
Art Alexakis & Co. finally return with a successor to 2000's 'Songs From An American Movie' pair of albums... but is anyone still listening?
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Evolve
by Ani DiFranco
March 11, 2003
Still going strong 15 years and 13 albums into her career (and that's not including live recordings or other compilations), Ani DiFranco returns with 12 new tracks backed by a five-piece band.
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Tomorrow Right Now
by Beans
March 11, 2003
This debut release from Anti-Pop Consortium rapper Beans continues the experimental, genre-defying approach to hip-hop of that now-defunct group, mixing intelligent lyrics with cutting-edge production.
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Diamonds On The Inside
by Ben Harper
March 11, 2003
Southern California native Harper has gained a cult following for his jam-band-like approach to roots rock. This is his fifth studio LP.
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Level II
by Blackstreet
March 11, 2003
The newly-reformed Teddy Riley creation returns with its fourth album.
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A Little Deeper
by Ms. Dynamite
March 11, 2003
A former member of UK hip-hop outfit So Solid Crew, Ms. Dynamite (aka Niomi McLean-Daley) earned Britain's Mercury Music Prize for this debut effort.
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Skimskitta
by Mira Calix
March 11, 2003
Perhaps finding "Chantal Passamonte" too dull a name for an experimental electronica artist signed to Warp Records, the former Warp publicist adopted the Mira Calix moniker prior to her 2000 debut. This is her second full-length release.
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Supper
by Smog
March 11, 2003
The eleventh album from Bill Callahan and (Smog) features new vocalist Sarabeth Tucek.
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Log 22
by Bettie Serveert
March 11, 2003
The Amsterdam-based rockers who gave us college-radio hit albums 'Palomine' and 'Lamprey' return with their fifth LP.
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Dust
by Muggs
March 11, 2003
The first true solo album for the Cypress Hill DJ includes vocal appearances by Amy Trujillo, Everlast, Josh Todd (Buckcherry), and Greg Dulli (Afghan Wigs).
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Sing The Sorrow
by AFI
March 11, 2003
This is the major-label debut for the Bay Area punk rockers (whose initials stand for "A Fire Inside"), who got their start in Ukiah, Calif. in 1991. Garbage's Butch Vig produces.
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Chinatown
by The Be Good Tanyas
March 11, 2003
This is the second album for the alt-folk trio from Vancouver, Canada.
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Oskar Tennis Champion
by Momus
March 11, 2003
Scotland-born Nick Currie recorded this latest collection of strange pop tunes in his new home of Tokyo, then handed them off to John Talaga (Super Madrigal Brothers) for remixing.
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The Ugly Organ
by Cursive
March 4, 2003
A bit of a concept album (set as a play about sex and relationships), 'The Ugly Organ' is the Nebraska band's fourth LP, following 2000's acclaimed 'Domestica.'
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So Long, Astoria
by The Ataris
March 4, 2003
Named after the setting of the 1985 film "The Goonies," 'So Long Astoria' is the major-label debut (and fourth studio LP) for the power-pop five-piece. Included here is a cover of Don Henley's "Boys of Summer."
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Wonderful Rainbow
by Lightning Bolt
March 4, 2003
No, it's not *that* kind of drum'n'bass album. Instead, Rhode Island's Lightning Bolt literally consists of just two instrumentalists on drum and bass, and together the pair generate an experimental sonic fury on this, their second full-length.
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More Parts Per Million
by The Thermals
March 4, 2003
Portland, Oregon's The Thermals recorded this "no-fi" (otherwise known as "very, very, very lo-fi") debut album direct to four-track at the house of founding member Hutch Harris.
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The Power To Believe
by King Crimson
March 4, 2003
The veteran prog-rock outfit led by guitarist Robert Fripp returns with their first full album of new material in thee years.
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La Bella Mafia
by Lil' Kim
March 4, 2003
The third solo album from the former Junior M.A.F.I.A. member utilizes production and vocal contributions from Swizz Beatz, Missy Elliott, Timbaland and Method Man.
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Street Dreams
by Fabolous
March 4, 2003
The sophomore release for the Brooklyn rapper features appearances by the ubiquitous Missy Elliott, Ashanti, M.O.P., Mary J. Blige and Snoop Dogg.
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Magnolia Electric Co.
by Songs: Ohia
March 4, 2003
Jason Molina rocks out a bit more on this latest offering, which finds the singer-songwriter backed by the same musicians on the 'Mi Sei Apparaso Come Un Fantasma' live album. Steve Albini produces, and to quote the official press release, "This is the first Songs: Ohia record with more than one song that could be played at a strip joint or monster truck show."
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The New Folk Implosion
by The Folk Implosion
March 4, 2003
Lou Barlow (Sebadoh) is still the heart of The Folk Implosion, but on the lo-fi band's fourth full-length release, his supporting cast has changed. Gone is co-founder and writing partner John Davis; in his place are Sebadoh drummer Russ Pollard and Alaska guitarist Imaad Wassif.
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The Grotto
by Kristin Hersh
March 4, 2003
Hersh's sixth solo album finds the Throwing Muses founder working with Howe Gelb (Giant Sand).
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Come Here When You Sleepwalk
by Clue To Kalo
March 4, 2003
The debut album from Adelaide, Australia's Mark Mitchell (who records as Clue To Kalo) is a mix of indie rock and electronica, drawing comparisons to everyone from Badly Drawn Boy to Dntel.
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Throwing Muses [2003]
by Throwing Muses
March 4, 2003
Back together for the first time since their 1996 breakup, the college radio faves offer up 12 new tracks on this self-titled release. The lineup here includes original co-founder Kristen Hersh, drummer David Narcizo and bassist Bernard Georges, with fellow co-founder (and Hersh's half sister) Tanya Donelly on hand as well to contribute backing vocals.
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The Coral
by The Coral
March 4, 2003
This debut effort from Liverpool's The Coral is an inventive mix of numerous musical styles.
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White Noise
by Alpinestars
February 25, 2003
This second album for the Manchester (by way of Germay) electronica/Krautrock duo features guest vocals from Brian Molko (Placebo).
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Down With Wilco
by The Minus 5
February 25, 2003
On this long-delayed release, the Minus 5's Scott McCaughey, Ken Stringfellow (the Posies) and Peter Buck (R.E.M.) team up with all four members of Wilco for 13 original tracks.
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Neon Golden
by The Notwist
February 25, 2003
This breaktrhough sixth album for the German band combines a variety of disparate elements, most notably moody indie rock and glitchy electronica (think Hood's Cold House), to great effect.
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Philadelphia Freeway
by Freeway
February 25, 2003
First appearing on Jay-Z?s The Dynasty, rapper Freeway finally arrives with his full-length debut, which features appearances by Jay-Z, Snoop Dogg, Faith Evans, Nelly, and Mariah Carey.
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Lost Planets & Phantom Voices
by Tobin Sprout
February 25, 2003
The former member of Guided By Voices returns with a solo album (his fourth), recorded in his Michigan home.
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#1
by Fischerspooner
February 25, 2003
This debut disc for the New York duo of Warren Fischer and Casey Spooner was originally released in 2001 on Germany's International Deejay Gigolos label and immediately generated such buzz (partly due to the album's infectious 'electroclash' sound, and partly due to the pair's notoriety in the fashion scene) that English label Ministry Of Sound snapped up the album (and the duo) for a reported £2 million.
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The Music
by The Music
February 25, 2003
They may not be easy to look up in search engines, but this very-much-rock quartet from Leeds, England could be found in all the UK music magazines, thanks to a much sought-after EP and this debut album.
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Human Conditions
by Richard Ashcroft
February 25, 2003
This is the second solo outing for the former Verve frontman.
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Beauty Party
by The Majesticons
February 25, 2003
'Beauty Party' represents experimental hip-hop artist Mike Ladd's second album in a planned trilogy, the first being 2000's 'Gun Hill Road' by The Infesticons. Unlike its predecessor, the Majesticons disc ventures into commercial rap territory (albeit with a satirical bent), attempting to skewer contemporary hiphop by beating it at its own game.
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Essential Links
May 2026 Releases
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Week of May 3, 2026
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Week of May 10, 2026










![45/45 [EP]](https://static.metacritic.com/images/products/music/5/a52e0aa133ccc5539b2bc04ebbcdee64-98.jpg)


























![The Secret Of Elena's Tomb [EP]](https://static.metacritic.com/images/products/music/9/69fdd9ffc94a935e641b97d134bbee86-98.jpg)


















![Buzzcocks [2003]](https://static.metacritic.com/images/products/music/8/be54f5037e34d80bc500c0786e7b0de0-98.jpg)

































![Throwing Muses [2003]](https://static.metacritic.com/images/products/music/9/4324b7e16bf6a664cfea10ce3b34f136-98.jpg)









