- Network: ABC
- Series Premiere Date: Feb 14, 2013
Watch Now
Where To Watch
Critic Reviews
- Critic score
- Publication
- By date
-
Zero Hour‘s first episode ends on one hell of a promising cliffhanger, including a shock that comes out of nowhere but still makes sense. If director Pierre Morel can ask for a few more takes (occasional scenes feel like actors are still rehearsing) and if the script turns as strange as that episode-ending shock suggests it might, Zero Hour may actually be more new than recycled.
-
It takes a while for Hank and his assistants Rachel (Addison Timlin) and Arron (Scott Michael Foster) to grasp all this, even with the unwanted help of FBI agent Beck Riley (Carmen Ejogo). Once they have, and we have, the setup is solid.
-
Some viewers will no doubt find this intriguing, while others will be quick to dismiss it as overwrought poppycock. Fortunately, the show has Anthony Edwards at its center, bringing a much-needed Hitchcockian Everyman quality to his role as Hank Galliston.
-
This is “The Da Vinci Code” crossed with “Indiana Jones” with dialogue courtesy of a Magic 8 Ball.
-
The first episode does explain the premise pretty clearly--if you pay close enough attention and aren't laughing too hard.
-
For these stories to work, we have to invest in the everyman hero caught in the center, and while Edwards may be convincing as the "everyman" part of the equation, the "hero" eludes him.
-
The problem is that Zero Hour is either unwilling or unable to be that crazy all the time.
-
Even within the fantasy context of the show, there are a few elements that don't ring completely true, but it's easy to overlook them, if only because you're not given much time to think about things before Scheuring hurls another engaging plot twist in your direction.
-
Just know going in that you'll be far better served by acknowledging the towering silliness of the plot, because it's just about impossible to take it seriously.
-
It does have a lot of characters and a hopelessly confusing plot.... But the show is not without its strengths, particularly the scenes in which the magazine editor (Anthony Edwards, ER) argues with young staffers disappointed by his refusal to run a story about werewolves running amok in Romania.
-
Zero Hour is entirely dispensable, its silliness matched by its comic-book solemnity.
-
Zero Hour wants to be as brilliant as "Lost" but, sorry to say, feels more akin to the misfire "FlashForward."
Awards & Rankings
User score distribution:
-
Positive: 29 out of 60
-
Mixed: 11 out of 60
-
Negative: 20 out of 60
-
Feb 15, 2013
-
Feb 14, 2013
-
Feb 19, 2013