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Critic Reviews
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It's twice as gory, twice as creepy, and twice as much fun as anything else you've seen this summer.
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It’s a classic cat-and-mouse suspense story, with lots of procedural drama in the mix as well as some sly humor and psychosexual playfulness that is all over “Killing Eve.”
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The murder-for-love plotline may not hold water, but everyone involved is fun to watch.
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Grisly and gripping. [3 - 16 Aug 2020, p.5]
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The cast’s skilful performances compensated for a rather overwrought and occasionally clumsy script, a little too much in love with its own literary references and stagey speechifying.
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As far as genre efforts go, it’s a rather run-of-the-mill game of cat-and-mouse, although its engaging leads—and a few unexpected twists—go some way toward alleviating its familiar action and superficial engagement with its thematic concerns.
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Despite the best efforts of Corfield and Ola, as well as series director Carl Tibbetts' gorgeously haunted London, Baba and Freddy's neon-lit affair never quite gels, which makes the later episodes, in which their feelings for each other are harshly clarified, particularly numbing. Tibbetts reliably wrings suspense out of individual scenes, but after just a few episodes, the tension between wanting this harebrained Bonnie and Clyde to be caught and to be free had completely dissipated.
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“We Hunt Together” ends up feeling exactly like what it is: a placeholder, an imitator, and a rushed one at that.
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The format has potential for great drama, but in this case both sides are underdeveloped. ... The first episode of We Hunt Together is less intriguing than its staggered timeline suggests it will be. We’re not expecting things to get any better from there.