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CRITIC SCORE DISTRIBUTION | ||
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Positive:
22
Mixed:
11
Negative:
2
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Critic Reviews
Oct 18, 2023
Season 3 Review:
Mileage may vary on whether or not it’s the best season of Upload, but it’s definitely the biggest, and you still get the feeling there are more stories to be told. It’s hard to predict how it’s all going to end, to be fair, but maybe that’s the point. Just strap in, buckle up, and go along for its uniquely off-center and wonderful ride.
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Oct 24, 2023
Season 3 Review:
We root for the couple, hoping that they will remain a couple and that their mission against the broad villains will succeed. But the whole time I was missing the more amusing world of Lakeville and its strange rules and limitations, a world that, as we get deeper into AI, is of particular interest.
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May 7, 2020
Season 1 Review:
None of the comedy is all that great, though. That’s at least a little to do with the performers, especially Amell, who’s serviceable as Nathan but not bringing anything to this project that’s not already on the page. ... It’s too relentlessly sad for the humor to work, and none of the humor is quite as sharp as Ingrid’s dangerous shoulder blades.
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May 1, 2020
Season 1 Review:
The arc of the season requires viewers to become invested in the budding romance between Nathan and his on-the-clock caretaker, and it’s difficult to work up any enthusiasm for fanning the sparks. Where the show excels is in playing out its premise at length, and in depth.
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The GuardianMay 12, 2020
Season 1 Review:
The intricately realized setting needs a story, however, at which point this fertile if familiar premise begins to suffer. ... He’s got some substantive ideas about inequality, technology and how one feeds the other; they only need time to be developed. The 10 episodes, some longer than 30 minutes and some shorter, hustle us through a linear plot pieced together from used-up components.
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Apr 24, 2020
Season 1 Review:
What glimpses we get of “Upload’s” electronic heaven seem at least beholden to a sensibility, however nasty; more often, we’re stuck with Nathan, a less-than-compelling Virgil leading us through a journey past life that’s, by now, become familiar enough to read as cliché.
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