User Score
Generally favorable reviews- based on 156 Ratings
User score distribution:
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Positive: 119 out of 156
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Mixed: 15 out of 156
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Negative: 22 out of 156
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User Reviews
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Jun 26, 2014An attractive production peopled with poorly written, unpleasant and illogical characters--really just caricatures. There is not a single person portrayed that I want to spend time getting to know better.
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Jul 23, 2014
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Jul 15, 2014Silly. That's the best way I can summarize this. The (very artistic) trailers seemed promising and got me interested, but the first episode - especially the second half of it – left me really disappointed. The feel from the trailers was nowhere to be found and without giving spoilers, I felt the story/characters did not make any sense and didn't feel believable at all.
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Jul 15, 2014Beware of Tyrant! The most horrible thing about this show is how offensive it is to Middle Easterns and women. It's just too inappropriate to be entertaining or taken seriously. The plot is lifeless and so is the dialogue and characters. Tryant doesn't deserve a second season or a chance to be viewed by millions of Americans.
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Jul 11, 2014I'm a huge fan of FX shows, but Tyrant is terrible. Only got as far as the first episode, but couldn't possibly watch any more. Characters are cliched stereotypes, narrative is uninformed and lacks any subtlety. If you're going to delve into the complex world of Middle East politics, or simply explore the workings autocratic regimes, put some thought into it.
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Jun 27, 2014
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Jun 28, 2014How could the Dr.'s family be so ignorant about the middle east? Do they not watch the news or read a paper, or for heaven's sake get their news on line. I won't be watching!
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Apr 2, 2015
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Aug 11, 2014
Awards & Rankings
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It’s brutal, violent and graphic. And it’s a story we’ve seen before.
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The case [ordon and Raff] make on Tyrant isn't particularly convincing, or even all that entertaining. The details are too generic. The conflicts are too simplistic. Abbudin is too unreal.
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The new FX drama from "Homeland" and "24" executive producer Howard Gordon balances family with politics in a show that constantly questions what the right choice is when torn between the two, but oftentimes finds itself bogged down in soap opera-style drama that distracts from the greater, more ambitious story that it's trying to tell.