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Critic Reviews
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Graphically sexy and scary, and often wildly funny, True Blood, from Six Feet Under’s Alan Ball, turns Charlaine Harris’ rollicking mystery novels into a broadly entertaining, deliciously twisted slice of modern Southern Gothic.
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After watching five episodes, I can say True Blood stands out as one of the strongest new series in an uncertain fall.
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Part mystery, part fantasy, part comedy, and all wildly imaginative exaggeration, Blood proves that there's still vibrant life--or death--left in the "star-crossed lovers" paradigm.
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Bloody, sexy and violent, the show is also both occasionally funny and frightening.
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True Blood isn't meant to be an exercise in good taste. Just a romp and a wallow--and a bloody good one.
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True Blood is a sexy affair that sets up an entirely believable world where humans and vampires co-exist. It's a soap, to be sure, but a soap with an eye for social commentary.
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True Blood is an unlikely but irresistible mixture of pungent political satire, observant pop sociology and lurid drive-in thrills.
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True Blood, Academy Award-winner Alan Ball's steamy, sassy, sometimes nasty, but always thoroughly engaging, new HBO drama.
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It's easy to like True Blood, because Ball's episodic smarts are primal, not at a remove, and he approaches supernaturalism by emphasizing the natural over the super.
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Although generally witty, always absorbing, and invariably violent, True Blood isn’t really a big surprise until its fifth hour.
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Both Paquin and Moyer do well here. And True Blood is fleshed out with other interesting characters getting to spout well-written lines. But at times the whole thing seems silly.
Awards & Rankings
User score distribution:
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Positive: 593 out of 705
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Mixed: 44 out of 705
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Negative: 68 out of 705
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RionaD.Oct 3, 2008
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AntonioM.Sep 13, 2008
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ML.Aug 20, 2009