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Will Antoine achieve his musical dream? How long can Ladonna hold onto her business when her husband and sons (and now mother) live long distance in Baton Rouge? Theirs are among the myriad stories swirling in the funky gumbo of this one-of-a-kind drama.
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You won't find a better rendering of time and place anywhere else on the sprawling TV landscape. This is still the real deal, through and through.
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It was last year, and remains so this year--one of TV's very best.
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Ambitious? As always. And if the first few episodes are any indication, tighter, even more evocative and as lush and lovingly constructed as possible when conveying the plight of the forgotten.
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Simon's Treme is an equally astute portrait of "an urban people" still struggling to come back from a brink.
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With none of the conventional plot techniques TV viewers are accustomed to, it is a collection of rich moments and poignant characters that loosely adds up to something quite powerful.
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It remains, stubbornly and triumphantly, what it was: an unhurried exploration of the aftermath of a city's catastrophe, told through the experiences of those who didn't have the luxury of shutting off CNN when they'd had enough. And all set to some extraordinary music.
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In season two, the strengths of Treme remain strengths, while some of the show's weaknesses have been much improved.
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It takes awhile to adjust to the dissonance, but the muted naturalism of the superb cast draws us in. [9 May 2011, p.40]
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Treme gives you the best, then, of dramas and documentaries: a moving snapshot of a city, and its flesh-and-blood people, in transition.
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From scene to scene, Treme is novelistic in the best sense--a long, complex, involving story that takes a while to settle into, but that you can't put down and don't want to end.
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Those who love it aren't likely to get that itch scratched anywhere else. Like jazz, though, that's a relatively narrow audience, one that Simon--perhaps even more so than in "The Wire" and "Generation Kill"--has chosen, for better and worse, to uncompromisingly serve.
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The second season, beginning in 2006, about a year after the last, will probably not change minds among lovers or haters. There's somewhat more capital-D drama to the early episodes.
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Some aspects of this show work better than others, but, in its generally excellent second season, the drama has cohered into a compelling, if sprawling, portrait of the Crescent City.
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It's often difficult for them to shed the topical baggage they are made to carry and simply be themselves. Still, if you stick with them, you'll see Treme becoming a well-paced work of fiction rather than see Treme spending too much effort speaking truth to an indifferent power.
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It's wonderful HBO is willing to subsidize so many artists, but Treme feels more like a tax write-off than an actual series.
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There are scenes in the first five episodes of the new season that are as compelling as anything television has to offer. But the viewer has to wade through material that fails more often than not to deliver on its promise.
Awards & Rankings
User score distribution:
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Positive: 40 out of 54
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Mixed: 8 out of 54
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Negative: 6 out of 54
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Apr 26, 2011
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Apr 28, 2011
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Aug 9, 2011