Critic Reviews
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While the new series isn't Angels in America, neither is it entirely without merit. It, too, is capably acted and competently shot, and its main conceit—that proceeds from the global drug trade serve as liquid capital for global villains—strikes you as less far-fetched than it might have three or four years ago.
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While Traffic: The Miniseries is definitely not in a league with its predecessors, there are still a number of things to like. [26 Jan 2004]
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When it works, the series effectively portrays the sorrowful human toll the underground trade takes on men and women, parents and children caught up in the struggle either by choice or unseen forces. ... But the weaknesses of this Traffic mirror Soderbergh's stumbles, which is its tendency to brain viewers with the same clumsy force as a Partnership for a Drug-Free America commercial. [24 Jan 2004]
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