- Network: BBC America
- Series Premiere Date: Jun 23, 2016
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Critic Reviews
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Switching from subdued to rageful, actor Jodie Comer convinces you both Ivy's fears and her feral side.
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The pacing, the writing, the directing all contribute to making Thirteen seem unusually fresh within the framework of a familiar story, but there's no getting around the fact that Comer, as Ivy, absolutely seizes the opportunity here to be daring.
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For a crime story it is unusually gentle and generous toward its characters; it is not cynical or despairing--indeed, it is in the end a love story, or rather, several interlocking love stories set in contrast to the pathological mockery of one.
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Ms. Comer delivers a compelling portrayal as Ivy, who, even in the grip of terror, projects an air of dangerousness. She’s fragile, but has also developed a core of steel—her experience has made her tough, as she shows throughout the five episodes of this thriller entirely worthy of the name.
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Fans of British drama will appreciate the detail and nuance with which creator and writer Marnie Dickens explores the subject and characters. And don't relax too much into the apparent familiarity. Thirteen takes white-knuckle turns that elevate it from the expected.
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Comer’s performance--as a 26-year-old stunted as a 13-year-old--is beautiful. She can be endearing, mystifying and aggravating, sometimes in the same moment. She’ll keep you coming back to a mystery that grows darker with every revelation.
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The performances of the entire cast of Thirteen, and by Comer in particular, counterbalance many but not all of the weak spots in the over-plotted script.
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Thirteen is an occasionally horrifying, mostly captivating look at how a woman tries to grow up after not having the chance to. [24 Jun 2016, p.53]
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Effective as a thriller until its predictably over-the-top climax, Thirteen is even better as a character study of an emotionally fragile, needy and enigmatic young woman trying to regain her sense of self as she tests all of the relationships in her new world. [20-26 Jun 2016, p.17]
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An intriguing miniseries could be made about Stockholm syndrome, but this isn’t it. Instead, it’s just a pale, murky example of how an artistic surface can’t gloss over an unconvincing foundation of plot and characters underneath.
Awards & Rankings
User score distribution:
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Positive: 12 out of 19
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Mixed: 2 out of 19
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Negative: 5 out of 19
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Sep 7, 2016
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Aug 2, 2016
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Jul 4, 2016