- Network: ABC
- Series Premiere Date: Mar 4, 1992
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The Young Indiana Jones Chronicles is so good I'm almost afraid to say how good it is. I've learned from sad experience that TV's good things are quite regularly the first to go. [1 Mar 1992, p.3]
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IF George Lucas and company can keep up this pace, The Young Indiana Jones Chronicles should be positively captivating. Lucas has managed to create the seemingly impossible: a new weekly series for television with very nearly the same improbable sense of spectacle and adventure as the breath-defying ''Indiana Jones'' movies on which he and director Steven Spielberg collaborated. [4 Mar 1992, p.9F]
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Young Indy is TV's answer to archaeology, a sweeping and ambitious depiction of the 20th Century. It has been shot around the world, against spectacular scenery, by noted international directors. And it is a triumph for executive producer George Lucas, who makes his passion for history absorbing through an outlandish premise. [4 Mar 1992, p.E1]
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Spectacular...You have never seen educational value so imaginatively and colorfully packaged. [4 Mar 1992, p.C1]
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It's as rich and sumptuous as maybe any series that TV has produced, on both sides of the cameras. [4 Mar 1992, p.C1]
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The creator of the Star Wars and Indiana Jones trilogies apparently spared no cost in producing Young Indiana, a weekly series for the small screen that feels more like one of his wide-screen opuses - glossy, state-of-the-art high adventure with epic overtones. [4 Mar 1992]
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Lucas has created an exhilarating history lesson - something you won't find anywhere else on the tube. In The Young Indiana Jones Chronicles, modern moviemaking know-how meets that wonderfully old-fashioned notion that nothing is more entertaining than the clash of ideas. [4 Mar 1992, p.39]
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Though boringly narrated by a 93-year-old Indy, the tales are the stuff of many a kid's adventure story - back when kids still read. [4 Mar 1992, p.1D]
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Each episode tries to shoehorn in bold a history and an ethics lesson with the period dress and picturesque ports of call. The result, though visually rich, is like a fuddy-duddy theme-park ride.