- Network: HBO
- Series Premiere Date: May 21, 2017
Critic Reviews
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While the movie spends comparatively little time on the thousands of people Madoff defrauded (acknowledging them in a couple of brief but intense montages), it conveys the severity of his crimes in the devastation of his immediate family, showing how he did lasting damage to the people he loved most, and none of them ever understood why.
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Featuring an enigmatic lead performance by Robert De Niro. ... Wizard of Lies is a much odder thing, a character study without a conclusive answer to be revealed on its subject.
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This is all well and good, and might have made a good episode of Showtime's barbarous Wall Street drama Billions. But, having expressed every cogent thought in its head in the first 50 minutes, Wizard drags along for another tortuously repetitive hour and half, a long day's journey into utter banality.
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In the end, you are of course left with no sympathy for Bernie Madoff--that’s to be expected. But you also have no greater insight into who he is and why he did it.
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The film is a bit too long. Wizard of Lies has some worthwhile moments, but it never seems sure at what it’s trying to be.
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The Wizard of Lies is determined to play things straight and footnoted, which would be fine if viewers had tuned in for a documentary. When what we’re really here for is De Niro, Pfeiffer and some drama. Things don’t really get good until a flashback to a company dinner Madoff threw for his employees the summer before everything came tumbling down.
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The film jumps erratically across the years to show how Madoff’s arrest in 2008 for a $65 billion Ponzi scheme ruined his family, depicted here as much victims as those who trusted Madoff and lost their fortunes. Yet it’s as if you are watching the work of a first-time director who read about his craft off a flash card.
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Like a number of recent TV movies emanating from HBO, this film is dutiful without being essential.
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Despite the sad fates of members of the Madoff family, The Wizard of Lies fails to summon much pathos or deliver much insight into Wall Street's get-rich-at-any-cost ethos.
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The Wizard of Lies doesn't refute that armchair outrage, which probably isn't possible or desirable anyway, but it's so pointedly lacking in empathetic imagination that one wonders why Levinson made the film, which bears less of a resemblance to art than a book report.
Awards & Rankings
User score distribution:
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Positive: 23 out of 34
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Mixed: 8 out of 34
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Negative: 3 out of 34
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Aug 29, 2018
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Jun 5, 2017
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May 21, 2017