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CRITIC SCORE DISTRIBUTION | ||
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Positive:
114
Mixed:
8
Negative:
3
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Critic Reviews
Season 3 Review:
The end result is still extremely entertaining, thanks to White again assembling a top-notch cast that includes Walton Goggins, Parker Posey, and Carrie Coon, among many others, and thanks to White’s knack for finding creative ways to depict the oblivious entitlement of the hotel’s obscenely wealthy guests. But there’s a clear formula by this point that takes away the thrill of discovery the series had when it debuted back in 2021.
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Season 2 Review:
For all the goings on, the first five episodes don’t exactly build up a narrative head of steam. It’s hard to tell where any of these stories are heading, or if they’re heading anywhere. That’s not a criticism, exactly; it’s easy enough to hang out here, with the actors and the scenery, and the series is not without a subtle sort of movement.
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Season 2 Review:
The White Lotus Season Two is definitely not boring. Once again, it boasts a great cast — Emmy-winning returnee Jennifer Coolidge is joined by the likes of Aubrey Plaza, Michael Imperioli, and F. Murray Abraham, among others — gorgeous scenery, and the acidic wit of writer-director Mike White. But there are times when it’s hard to disagree with Portia’s larger concern that this has all been done before, and better, the first time around.
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Season 1 Review:
Where The White Lotus ends up is, in some ways, the slyest joke of all. The Love Boat with class tensions, a smart summer soap, is fundamentally fatalist—and less riotously, a bit didactic. Still I wonder if The White Lotus’ indictment of class and race privilege doesn’t lose a bit of its bite from the company it keeps.
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Season 1 Review:
"The White Lotus" is a destination event, a safe, controlled daytrip into disquiet. Some will love the airy cringe that White purveys here, which intensifies as this series goes deeper into its run. Even if the agita gets to be too much to handle, you can still take relief knowing that like all good vacations, it comes to an end exactly how it should, and when it should.
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Season 1 Review:
There’s plenty here of White’s tart sensibility, queer boundary-pushing and serrated observations of how self-loathers tend to spread their wretchedness to those around them. The trollish timing of the show’s premise, that vacations are wasted on those who least need it, certainly deserves some grudging admiration. But a swerve late in the series disappointingly sails the story toward calmer waters. Once the turbulence is over, only froth remains.
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TV Guide MagazineJul 1, 2021
Season 1 Review:
A fitfully diverting and gorgeously filmed six-part limited series. [5- 18 Jul 2021, p.8]
Season 3 Review:
The season largely leaves the thoughts of these characters about their work and the people it serves unexplored. That disconnect is, perhaps, the point—a statement about the chasms that separate the classes, about the alienation of labor in what amounts to a micro-colony of the extremely affluent—but it leads the proceedings to feel incohesive. Instead, season three works best as a mood piece.
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