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CRITIC SCORE DISTRIBUTION | ||
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Positive:
4
Mixed:
9
Negative:
0
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Critic Reviews
The GuardianMay 31, 2024
Season 1 Review:
The latest spin-off’s success will depend entirely on how truly invested the fandom is in Rick and Michonne’s relationship. Nothing new is being offered, in fact the new iteration seems to have gone to some trouble to keep the kind of overarching storylines and not quite credible threats to the couple’s existence and happiness that weighed down earlier attempts.
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The Daily BeastFeb 26, 2024
Season 1 Review:
The story takes a while to wind up, and by the time it does, we’re already more than halfway through the show. It’s hard to imagine how this series will wrap up in a way that feels as epic as its action-packed opening. That said, by Episode Four, we’re really cooking again, as stars and executive producers Andrew Lincoln and Danai Gurira rediscover the fire that made their characters—and the “Richonne” ship—so compelling.
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Feb 23, 2024
Season 1 Review:
Originally announced as movies that would feature Andrew Lincoln and Danai Gurira, “The Walking Dead: The Ones Who Live” became a series instead, and as conceived and constructed, the least impressive of the zombie drama’s recent spinoffs. While Lincoln’s involvement as the original star looks like a coup, that’s poor compensation for questionable decisions regarding how to showcase him.
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Feb 14, 2024
Season 1 Review:
For fans who are still deeply invested in Rick and Michonne’s story, the series is likely to deliver the closure they’ve been craving, but this describes a fraction of an audience that is already itself a fraction of the fan base this show had at its peak. After the successful storytelling and well-established worlds of “Dead City” and “Daryl Dixon”, it feels even less necessary.
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ColliderFeb 14, 2024
Season 1 Review:
Whenever The Ones Who Live seems to be finally getting to the heart of this new chapter of an expansive story, the world comes rushing back in. There could be something poetic about this if handled more deftly, but the show chooses to make explosive sacrifices to spectacle without any indication of what will play out.
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RogerEbert.comFeb 14, 2024
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