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CRITIC SCORE DISTRIBUTION | ||
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Positive:
28
Mixed:
25
Negative:
2
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Critic Reviews
Radio TimesAug 8, 2024
Season 4 Review:
Most of the individual elements you want from The Umbrella Academy are still there, embedded somewhere in the six episodes - the family drama, the irreverent soundtrack, the brutal fight scenes, the shock twists, and, of course, the looming threat of the end of the world. But, as a whole, it feels muddled and incomplete, especially as we head towards the end.
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LooperAug 8, 2024
Season 4 Review:
After three amazing seasons, "The Umbrella Academy" has an enormous amount of goodwill from fans, but the show's final season is just too short to do them justice. That said, these characters are enormously fun to hang out with, and in the end, that's almost enough.
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iJun 16, 2022
Season 3 Review:
The Umbrella Academy is an impressionistic version of what a TV show should look like, all anthropomorphic monkeys in bike gangs and angry Amish mobs (both of which have little bearing on the narrative). But the characters are so charming and likeable, the aesthetic so beguiling, that it’s almost easy to forget that you have no idea what’s going on. Or at least no longer care.
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Season 2 Review:
The show occasionally finds a way to harness the powers of a solid cast and tremendously talented crew to deliver moments of almost shockingly good TV, but much more frequently falls victim to dull characterizations and repetitive stylistic choices. The latter tendencies render it interchangeable with super anti-hero team-ups like Doom Patrol, The Boys or Legends of Tomorrow.
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The TelegraphJan 3, 2020
Season 1 Review:
As a production, it is incredibly stylish. Clearly a fair bit of money has been spent here. And there are enough good ideas in its multifaceted story to please some fans of the comic book – and comics in general. But if it does return for a second run, it would be nice to see some more genuinely fresh ideas – without the over-reliance on tried, tested and tired tropes from years past.
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Season 1 Review:
Its attempts to capture the visual and narrative virtuosity of the comics are halfhearted, though, and we’re left with a polished but increasingly dull version of the same old story: saving the world as a byproduct of overcoming adolescent resentments and family dysfunction; teenage alienation as an apocalyptic force that has to be brought under control.
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Season 1 Review:
It’s not that the writing is awful; it just veers a little too wildly between being needlessly vague and frustratingly ham-fisted. ... The Hargreeves family, though, is where the show shines its brightest. ... It’s not lacking plot, but in the end it’s just far too anxious about doling out answers to focus on the elements that could’ve made it great.
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Season 4 Review:
The first stretch of season 4 is not only great. It delivers some of the best episodes in the entire show. That only makes it more painful when the show returns to its old vices, splitting the party too thin and juggling too many side stories simultaneously. .... Calling The Umbrella Academy finale sloppy would be a compliment. While the season’s final events would be controversial in themselves, their lack of coherence adds insult to injury.
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IndieWireJul 31, 2020
Season 2 Review:
For a show with an occasionally impressive exterior (the interplay between Klaus and Ben gets an impressive-looking added wrinkle), the emotional heartbeat underneath is largely absent. Part of that comes from being stretched thin enough that characters without a well-established core are often left flailing, but it’s mostly due to the show’s continued affinity for the reset button.
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Season 1 Review:
Too much of the series, though, suffers from the same grey emotional palate and cement pacing that have afflicted every other Netflix superhero show. ... Ellen Page is utterly wasted until the season’s last two episodes, by which point Umbrella Academy has squandered most of the goodwill its occasional bursts of stylistic inspiration have generated.
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Season 3 Review:
The show descends from its second-season cliffhanger into an ever-more-convoluted world of shifting timelines, battling super-teams and existential dangers, presented with plenty of goofy humor and irreverence but as the strange new elements pile up, increasingly aimed at what feels like a hardy band of loyalists with the patience to keep pace.
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Season 4 Review:
Cutting Season 4 down to six episodes should have resulted in much tighter plotting, Netflix bloat be damned, yet some aspects of this final chapter still feel rather drawn out, which all leads to an abrupt end that goes for the heartstrings but tugged on my patience instead.
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The PlaylistJun 21, 2022
Season 3 Review:
For a show featuring an openly trans hero, a drunk who communicates with the dead, a time-traveling senior citizen in the body of a 15-year-old, a half-man/half-ape with a heart of gold, and various other colorful characters, this is a show scared to really break new ground and relies on the illusion of change.
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ColliderAug 8, 2024
Season 4 Review:
Season 4 offers so little in the form of closure, and instead of bringing the characters together, it scatters them apart into odd pairings, forgets about the events of the past, and feels painfully disjointed, relying on the talent of the actors and the chemistry they have together to keep it going.
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The GuardianJul 31, 2020
Season 2 Review:
It may come on like Avengers: Age of Ultron, all fatuous fisticuffs and inscrutable nonsense, plus a nice line in mock-heroic subversion of the Marvel/DC franchise à la The Tick, but The Umbrella Academy’s real appeal is like that of The Royal Tennenbaums, The Sopranos or Tracy from Coronation Street.
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Season 2 Review:
The Umbrella Academy does have some senses of style and humor, which help distract from the yawning chasm of nonsense lurking in its core. But nearly every aspect of the show would be stronger if any of its logical boundaries had any weight at all, if there were any consistency to the realm of what is and is not possible in its world.
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RogerEbert.comFeb 14, 2019
Season 1 Review:
There’s not much else going on here, beyond some admirable if too strenuous attempts by the actors to breathe life into the show. It is packed with talent, but except for Gallagher’s time-traveling Max Fischer vibe, somehow none of it quite shines as it has every right to--save for the mid-20th-century-inflected production design and art direction (credited to a team of four), and Jeff Russo’s old-fashioned score.
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Season 1 Review:
It’s soundtracked by “ironic” peppy pop music, the clearest sign a show is more interested in maintaining a pose than in showing us something we haven’t seen before. ... After a while, endless stylization for its own sake comes to feel cluttered and, worst of all, dull.
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