User Score
Generally favorable reviews- based on 56 Ratings
User score distribution:
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Positive: 42 out of 56
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Mixed: 4 out of 56
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Negative: 10 out of 56
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User Reviews
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- Most helpful
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Jul 16, 2022
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Jul 16, 2022This show is shaping up to be the greatest show in the history of television.
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Jul 16, 2022Weird. Profound. Wonderful. I have watched it 5x in 20 hours. I cannot get enough of it. Nathan is a GD genius.
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Jul 16, 2022That first episode is insane! Loved it.... Fired up to see where it goes from here.
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Jul 17, 2022this first episode starts kinda slow but beside that 9.9. THIS is post-modern comedy. It is time to transcend chappelle and john stewart humor.
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Jul 18, 2022
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Jul 16, 2022Nathan shows again his genius in this particular show ! The follow-up of Nathan For You (more precisely it latest mood episode) bring humor, drama and stress situation to another level. Please watch it.
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Jul 19, 2022I was doubtful as the trailer was a bit confusing, but my family watched this last night and it was just incredible. Unique plot, sympathetic characters and unlike anything you have seen on TV before. After watching it I immediately set the DVR to record every episode. Highly recommend.
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Sep 20, 2022Meta on meta plus meta. Nathan Fielder is a genius. I love his work. You must watch this and enjoy it. I love you.
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Jul 19, 2022This is it folks, peak cringe. It's glorious
First episode was good, concept is amazing. -
Dec 15, 2022Episode one of this show is hands down the funniest thing I've seen on TV in years. I was dying laughing the whole time. The other episodes are still good, but some aren't great. The first episode just sets the bar a bit too high for the rest. Still enjoyed the whole thing and highly recommend!
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Jan 23, 2023This whole show is a bunch of "what the **** moments that make you question your sanity.
Awards & Rankings
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In voice-over, Nathan expresses an odd bewilderment about his power to “create feelings for other people’s rehearsals” but not for himself. It’s a bewilderment that reflects the intellectual and emotional blankness at the center of “The Rehearsal.” ... His cleverness masks the hollowness of his schemes. No digression, no incidentals, no loose ends can intrude on Fielder’s taut, compact, self-contained sketches. He looks the Look at the people he films, but doesn’t seem to see them.
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Through it all, you’re not entirely sure of what you’re seeing, but what you’re seeing is so oddly addictive, you can’t help but continue looking.
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It is meant to disorient the viewer, and it works. ... Most important, it feels true. It is true enough that as the rehearsals play out, as more and more twists and M.C. Escher–esque turns are introduced into the rehearsal process, your body registers them as true and responds accordingly. You cannot help but want to cringe because it’s so byzantine and so simultaneously emotionally naked. Like it or not, that sensation of bodily distress is the feeling of Fielder’s rehearsals succeeding.