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CRITIC SCORE DISTRIBUTION | ||
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Positive:
12
Mixed:
3
Negative:
1
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Critic Reviews
Apr 26, 2019
Season 1 Review:
At times The Red Line is cluttered and clunky. Still, there’s so much good stuff to focus on that the flaws can be overlooked. Wyle is amazing in the role. He brings depth and nuance to a man who is in deep, deep grief, while also fighting for justice for his husband.
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Apr 29, 2019
Season 1 Review:
Despite the frequent indulgence of made-for-broadcast dramatic swells--the premise of the show leads characters to just happen to cross paths with one another at defining, transformative moments--“The Red Line” displays much more empathy and intelligence than design. Its handling of the racial and political elements of the story are particularly skilled.
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Apr 26, 2019
Season 1 Review:
Turns out The Wire meets This Is Us is a rather satisfying sweet spot. The series taps into it in the final few minutes of the pilot, which airs Sunday night, then starts digging for gold in the second and third episodes, and finds it sooner than you might’ve thought. And the central performances are so strong that you might sign on for the duration.
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Apr 24, 2019
Season 1 Review:
Co-produced by TV maestro Greg Berlanti and director Ava DuVernay, the story combines the pair’s strengths: The plainspokenness of Berlanti’s work and the nuance of DuVernay’s meld into a story whose strength comes in part from the audience it may potentially reach.
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Apr 13, 2019
Season 1 Review:
[The Red Line] raises ambitious questions over its eight episodes. ... But the show juggles these complex themes with a surplus of stories. [19/26 Apr 2019, p.88]
RogerEbert.comApr 25, 2019
Season 1 Review:
It’s not subtle, but it is smart. It’s openly emotional, but rarely manipulative. It, too, wears its heart on its sleeve, a quality that enables it to get the best of its occasional heavy-handed dialogue, needlessly twisty plotting, and a tendency to overcrowd and repeat itself.
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Apr 25, 2019
Season 1 Review:
At times, “The Red Line” exhibits some of the care and thoughtful structure that viewers so loved in John Ridley’s riveting and topical ABC series “American Crime” or in Veena Sud’s single season of Netflix’s superb “Seven Seconds.” At other times it lapses into some network habits, sacrificing its rawness for a more polished, procedural approach. ... There are, however, some knockout performances that make the series worth seeing through to the end--especially from Wyle.
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Apr 24, 2019
Season 1 Review:
At times overly earnest, “The Red Line,” written by Chicago playwrights Caitlin Parrish and Erica Weiss and executive produced by Ava DuVernay (“Selma”) and Greg Berlanti (“The Flash”), is imperfect, but its existence demonstrates broadcasters haven’t completely thrown in the towel on quality drama and for that viewers can be grateful.
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Uncle BarkyApr 26, 2019
Season 1 Review:
Wyle’s lead performance is solid, although more than a little weepy. ... Red Line is a revelation, though, in terms of introducing Aliyah Royale to a national audience. Her portrayal of Jira is terrifically compelling and natural. ... Red Line force-feeds more than it should. It has some messages of true value while also failing to resonate to the degree it could have and should have.
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Apr 24, 2019
Season 1 Review:
That "The Red Line" often does as well as it does is a tribute to the cast and the overall production. But apple polish is still apple polish. ... There's a real world out there with real-world shootings of unarmed black men by the police, with horrific consequences, and a vast gulf of mistrust that separates whole communities from law enforcement. No CBS miniseries, however worthy the intentions, could probably get its head around that reality. "The Red Line" certainly tries, but falls short.
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