The O.C.

The series reflects the youth and intelligence of its writer and succeeds by quickly getting viewers past what would seem an insurmountable obstacle -- caring about what happens to rich white kids in Orange County.

It flickers with longing and resentment, vulnerability and rejection, temptation and moral erosion. It is totally absorbing television. [5 Aug 2003, p.1E]

The O.C. looks to have enough heart, talent and wit to generate a few seasons' worth of luxurious suds.

Purists may be irritated by the pilfering of James Dean's classic film "Rebel Without a Cause," including, in the show's second episode, an entire plot line in which Ryan (Benjamin McKenzie) runs away and plays house with Marissa and another young friend in the unfinished model house of a new development. Yet the empty swimming pool, used by the boys as a skateboarding rink, is a rather amusing homage to that 1955 movie by Nicholas Ray.

Somewhere in all the high-stakes soapiness ... and often deft and subtle drama, there is a pretty wicked satire of baby-boomer values.

The O.C. may be a lousy title but it's cast, written and directed well. Early indications are that the show is smartly going after two generations of viewers - not just the 20-somethings Fox is famous for, but also their parents. [5 Aug 2003, p.8]

McKenzie is a revelation and, backed by an able cast, he is what salvages this music-infused, glossy soap from slick filmmakers Doug Liman and McG. [5 Aug 2003, p.39]

Brody's portrayal of the wise but nerdy Seth energizes The O.C. He's comical without being cartoonish, and the humorous touches he brings to the story help to lighten up a show that at times feels overly heavy. Here's hoping the script writers don't leave his character in the dust in favor of chasing more glamorous story lines. [5 Aug 2003, p.D01]