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Critic Reviews
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A well-crafted, consistently amusing, occasionally touching confection, as warm and welcoming as a cup of hot chocolate after a friendly family snowball fight in the backyard.
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It’s not always an optimum blend of merriment and miscreants. Still, The Moodys earns its candy cane stripes as a Christmas mini-series with bite.
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The cast gels nicely, and “The Moodys” was obviously shot in a real neighborhood (and not a studio back lot), which lends an air of reality to the situation, however contrived it might be. Those situations, though, are kept to a minimum, and this is one TV family in which you won’t mind investing six hours of your time.
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Occasionally funny but mostly sort of dull, “The Moodys” seems unlikely to become a Christmas classic.
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If the presentation feels like a bit of an experiment, the content -- adapted from an Australian show -- is too familiar to be much more than ho-ho-hum.
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Never quite as madcap as it wants to be. ... The nicest surprise is Denis Leary's low-key and slow-burn performance. [9-22 Dec 2019, p.13]
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The upside is “The Moodys” moves fast and goes down easy; the downside is there’s no reason to get invested in the family. Their stories don’t really make sense; even though each arc’s ending is predictable.
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The Moodys is the fresher Christmas event comedy, actually generating several decent laughs on the back of its very strong cast, but it's by small gradations and not Yuletime leaps.
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All six episodes function more like a strange experiment in accentuating a project’s flaws, despite a solid cast and writers who know how to work with said cast.
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Even darker holiday movies end in a place where one is glad one spent the time with the family in question. At the end of time spent with the Moodys, one’s simply ready to leave.