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CRITIC SCORE DISTRIBUTION | ||
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Positive:
63
Mixed:
16
Negative:
2
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Critic Reviews
Season 2 Review:
It’s hard to deny that The Leftovers can be both visually and emotionally arresting. It is also hard to deny that it is absolutely no fun to watch, a fact that doesn’t necessarily lead one to abandon it. The addition of a new family in Jarden/Miracle, the Murphys--headed by strong new cast members Kevin Carroll and recent Emmy-winner Regina King--is reason enough to tread lightly and see if Lindelof, et al, have worked out some of the kinks when it comes to pacing and payoff.
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Season 2 Review:
Not surprisingly, there are still worthy elements at work here, from the casting to the idea of a religious awakening and what amount to pilgrimages to Miracle in the wake of the departures. As with season one, however, the situations don’t progress in a cohesive manner, and the show feels equally disjointed in terms of style.
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Season 1 Review:
There's deliberate and there's plodding. This is plodding. Indeed, the jittery camera work and abrupt flashbacks almost take it from plodding to stumbling.... The acting styles differ greatly, yet none of the capable regulars hits a false note, whether playing subdued rage or over-the-top fervor.
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Season 1 Review:
We don’t get enough of a sense of the characters’ ordinary emotional lives, which means we can’t easily bond with them; we only see their feverish flares of anger and their smoldering discontent as the episodes run forward. If we could spend a few subtle minutes with a character such as Kevin, look into his eyes and feel his sorrow, the show would have a more honest emotional potency.
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RogerEbert.comJun 26, 2014
Season 1 Review:
Despite a big-name cast that includes Amy Brenneman and Liv Tyler, at times feels like less than the sum of its parts. At least initially, the series is driven largely by its tone (Max Richter’s score is especially helpful in that regard), and it’s bound to make people think, which is by itself something of an accomplishment.
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Season 1 Review:
Some of the bolder horror-movie devices admittedly hint at the development of a richer series.... But those thematics aren't allowed to consistently breathe, primarily because the characters too often function as obvious shorthand placeholders for viewer projection.
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