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Critic Reviews
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It's still not anywhere near the ballpark of the earlier AMC shows, and the plot itself remains incredibly frustrating, but there are other aspects that feel closer to the show Sud said she was making last year, rather than the one she actually made.
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Once viewers accept it for the mediocre melodrama it is, they'll be more satisfied, tuning in for the strong performances and high production values while rolling their eyes at the umpteenth red herring and illogical plot turn.
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The muddled and recurrently tedious Larsen case, littered with irrelevant conspiracy-theory subplots (what the hell is up with Holder's AA "sponsor"?) render The Killing a mystery show whose mysteries agitate and bore rather than mesmerize and astound.
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Despite very slight improvements, this series still seems deluded as to what it is and blind to what it could become.
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It's very well-done, but the opener doesn't resolve a viewer's doubts. [9 Apr 2012, p.42]
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If you're moving on with The Killing, you're either a sucker for punishment or a hopeless fan of Detective Sarah Linden (Mireille Enos) and her Scandinavian sweaters.
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It's not nearly as highbrow and well-constructed as it needs to be, and it's far too serious and plodding to be a zippy break from reality.
Awards & Rankings
User score distribution:
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Positive: 120 out of 140
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Mixed: 11 out of 140
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Negative: 9 out of 140
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Apr 2, 2012
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Jun 22, 2012
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Apr 24, 2012