User Score
Universal acclaim- based on 400 Ratings
User score distribution:
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Positive: 335 out of 400
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Mixed: 41 out of 400
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Negative: 24 out of 400
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User Reviews
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Jun 18, 2011
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Jun 25, 2012
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May 28, 2011After watching almost the whole season, I feel a bit let down. This is a single murder case being dragged out too long. Some of the scenes were too hard to believe and they're overdoing the rain. Getting sloppy. Would have been better with fewer episodes. Harding is too much a caricature.
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Jun 21, 2011
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Jun 17, 2011Pales in comparison to the Danish original. The many red herrings seem contrived; the characters (with the notable exception of Joel Kinnaman's nuanced performance) are sadly two-dimensional; and the atmospherics (i.e. darkness, constant rain) are oppressive rather than mood-setting. I'm not convinced the show-runner has any idea where this is going.
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Feb 27, 2013
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Apr 10, 2011
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May 4, 2011Sorry to say i didnt find this show that great, not exactly aweful, just not my cup of tea i guess
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Jun 22, 2011
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Jun 22, 2011
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Apr 12, 2011
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Jun 22, 2011nice camera work and good acting. but compared to the original show, there are much more 'inconsistencies' and some rather weird and unbelievable story twists. it doesn't manage to build up the same atmosphere that one finds in the original show.
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Aug 10, 2011
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Nov 20, 2011
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Oct 9, 2012Although this show does a good job of exploring grief and addiction, the tone is too consistently dark. There are no light moments, there's no humour, no character quirks, nothing to help the audience actually root for the characters. Everyone is very serious and very boring. I enjoyed some of the plot and structure, but the show doesn't have enough range.
Awards & Rankings
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Sharply contrasting with the florid Borgias is AMC's emotionally spare and atmospherically dank series The Killing.
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In the suspenseful early hours of The Killing, Rosie's family goes about its bereavement in muted tones, and a subplot about a mayoral candidate drawn into the crime's eccentric orbit flashes with potential, and, primarily, our expectations for cop shows are teased, gratified, and artfully upended.
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The Killing is also the least prepossessing, an eerily quiet, yet compelling and complex, tale of the way the murder of a teenager affects the lives of many people.