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Positive:
64
Mixed:
23
Negative:
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Critic Reviews
Aug 1, 2014
Season 4 Review:
Even in its tense, involving conclusion, the final season of The Killing conjures nothing so much as a more compact recitation of its mundane pessimism, still incapable of shaking the humdrum drama and redundant thrills that forced the series to find a new home in the first place.
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May 31, 2013
Season 3 Review:
As was the case with the first two seasons of The Killing, this new one takes its sweet, sweet time getting going, and as it slowly gains momentum, it carries itself as if it's the greatest series in the history of American television, single-handedly reinventing the police procedural for the 21st century.
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May 31, 2013
Season 3 Review:
The creators take a fresh start, but cling to the sepulchral atmospherics that too often take the place of narrative. The series is still suspenseful, but the dread that once again follows Sarah through damp forests, deserted tenements and shadowy, rain-washed streets diminishes with overuse.
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Mar 30, 2012
Season 2 Review:
It's very well-done, but the opener doesn't resolve a viewer's doubts. [9 Apr 2012, p.42]
Aug 1, 2014
Season 4 Review:
Fans of this hit-or-miss crime serial--and of Linden and Holder, in particular--may want to stream these final episodes just to see what kind of miserable state the show leaves poor Linden in, but The Killing long ago ceased to be required viewing for cultural currency.
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May 31, 2013
Season 3 Review:
While it’s great fun to have Holder back--you could make a TV show out of him just walking and talking and it would be fantastic, because Kinnaman is so compelling--the Seattle street urchins at the core of the murder mystery are almost unbearable to watch. The acting, writing and scenarios for the latter are all mediocre.
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May 28, 2013
Season 3 Review:
Beyond the central duo’s initially sparsely connected threads and the splendid addition of Peter Sarsgaard as Ray Seward, a hollow-eyed Death Row inmate, much of the narrative meanders--so slow, bleak and dreary, it’s difficult to muster much interest as to when (inevitably) it’s all going to begin to intersect.
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