Critic Reviews
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The challenge for The Hunt for Raoul Moat as a piece of television is telling that story without making Moat the anti-establishment hero he so wanted to be. It isn’t easy, either, because a manhunt is gripping theatre. The Hunt for Raoul Moat’s triumph is that it gets the balance right.
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The Hunt for Raoul Moat turned out not to be a voyeuristic rehash but a thoughtful, sensible telling of the monstrous 2010 rampage of this misogynistic, pudding-faced bully. It reminded us of the people who really matter: his victims.
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The Hunt for Raoul Moat was gruesomely transfixing, with a pressure-cooker tension that ratcheted steadily upwards from the moment Moat stepped out of jail. Sam and Chris were sensitively drawn as thoughtful and kind people.
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The drama is a tense and faithful re-enactment of what happened, and why.
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The Hunt For Raoul Moat is a pretty by-the-numbers limited series about a real-life manhunt. However, the performances are compelling enough, and the runtime short enough, to keep viewers engaged.
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