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The Flash is comic-book heroism perfectly scaled for TV. [20 Sept 1990, p.1D]
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The Flash is one of the most pleasant surprises of the fall season. It's one of CBS' best new shows, and it is spectacular- looking. [20 Sept 1990, p.G1]
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Despite the origins, the situations and dialogue are less infantile than a lot of shows that aren't based on comic strips, and the hero is given enough complexity that adults can conceivably be as engaged in his shenanigans as kids. [20 Sept 1990, p.D1]
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The Flash has a wry, self-mocking sense of humor, too. "I think you've been reading too many comic books," Barry says at one point. [20 Sept 1990, p.E1]
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The title role is filled quite solidly by John Wesley Shipp, who has won Emmy Awards for his work in the daytime soaps ''As the World Turns'' and ''Santa Barbara.''
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There's a sophistication at play in this show. The acting (Shipp has won two Emmys for his work in daytime soaps) is refreshingly unmannered. The supporting cast is solid, and the sets, costumes and soundtrack all work to create a distinctive TV world. [20 Sept 1990, p.15]
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The dialogue in this show is banal, but for some reason utterly charming whenever it's coming out of the mouth of costar Amanda Pays.
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The Flash has neither the humor of "Dick Tracy" nor, even though much of its action occurs at night, the brooding darkness of "Batman." Despite great swells of action music, moreover, it lacks a true comic book sensibility that would dramatically set it apart from the rest of prime time.
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Despite a reportedly huge budget, the special effects look tacky and the writing has no wit. The Flash is nothing more than the reincarnation of "The Incredible Hulk." [20 Sept 1990, p.81]
User score distribution:
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Positive: 23 out of 36
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Mixed: 6 out of 36
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Negative: 7 out of 36
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Jul 19, 2015
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Oct 25, 2015
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Feb 19, 2015