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CRITIC SCORE DISTRIBUTION | ||
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Positive:
29
Mixed:
5
Negative:
0
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Critic Reviews
Season 1 Review:
Mike Flanagan returns to form in The Fall of the House of Usher, delivering a deliciously macabre and contemporary reimagining of the works of Edgar Allan Poe. Classic tales marry with modern commentary in a limited series that delivers at every turn. You’ll scream, you’ll cry, and once it’s over you might just start it all over from the beginning again.
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ColliderSep 22, 2023
Season 1 Review:
Despite its somewhat bloated plot at times, The Fall of the House of Usher is suitably creepy, with Flanagan once again showing off his chops as a horror storyteller and ultimately hinging the story on strong, complex emotions that do more than just get your heart pounding.
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Season 1 Review:
A good adaptation is faithful to the essence of the original material. A great adaptation manages to be faithful while using the original to build something new. In Netflix’s The Fall of the House of Usher, the preservation of mood pays proper homage to the author’s words. The show’s social commentary, in turn, allows a retelling of an old story to resonate powerfully in our current moment.
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The Daily BeastOct 26, 2023
Season 1 Review:
But with his latest Netflix limited series, The Fall of the House of Usher (streaming Oct. 13), Flanagan has outdone himself at almost every turn. The teleplays are tighter, his directorial eye is sharper, and the entire eight-episode affair is more expansive and exciting than anything Flanagan has taken on in years.
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Season 1 Review:
Flanagan’s ability to weave this story is helped by the fact that he has regulars like Greenwood, Gugino, Thomas and others in prominent roles, and pros like McDonnell and Lumbly joining his family of players. They know what’s required in a show like this and they make the most of what Flanagan gives them.
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Season 1 Review:
The framework of the Usher legacy is most poignant when Flanagan shines a light on the twins’ ambitions, even as teens and young adults, as well as their unbridled loyalty to one another. A stunning use of Poe’s work as the Cliffs Notes to his own majestic, intricate brand of storytelling.
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Season 1 Review:
It's clever and gripping even if the course it will follow is made clear by its second episode: Each kid gets an episode in the spotlight before meeting a violent end. But even if it takes on a slasher-like predictability by pushing characters toward inventive kills, one by one, Usher also grows darker and more somber as it progresses.
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RogerEbert.comOct 12, 2023
Season 1 Review:
It’s a great ensemble, brought together by the boundless potential of what a creative personality like Mike Flanagan could do with Edgar Allen Poe. That some of that potential feels too unbridled and shapeless is something that Poe didn’t often allow his characters: forgivable.
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Season 1 Review:
A series that goes over the top at times and stops the momentum dead in its tracks on a handful of occasions with preachy social/political monologues — but this also is a great-looking slice of horror entertainment with brilliant performances from an extended ensemble that includes a number of Flanagan regulars, including Henry Thomas, T’Nia Miller, Rahul Kohli, Samantha Sloyan and Kate Siegel.
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Season 1 Review:
“Usher” saves almost all its big revelations, emotionality and its most biting humor for its last episode — which explains all that’s come before as the pieces fall into place as surely as the house of Usher must also fall, given the show’s title. It’s a satisfying ending, even if the series as a whole doesn’t quite live up to Flanagan’s previous, better efforts.
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Season 1 Review:
As a whole, The Fall of the House of Usher is monumentally ambitious and a resounding success by and large. Opinion may vary on whether or not it really is Flanagan’s episodic magnum opus, but one thing that can’t be denied by the time the credits come up on the eighth and final entry is that Netflix’s loss is about to become Prime Video’s gain.
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Season 1 Review:
A bluntly entertaining exercise. It’s easily the most specifically topical of Flanagan’s Netflix minis, fueled by an often palpable anger. But that anger frequently gets in the way of the thematic richness that gave The Haunting of Hill House, The Haunting of Bly Manor and Midnight Mass their mournful charge. For eight hours, instead of rooting for people, you’re rooting for payback, leading to a satisfying, but surface-level experience.
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Season 1 Review:
Flanagan (who directed half the episodes, with Michael Fimognari handling the rest) has more resources at his disposal, and rewards Netflix with another watchable title just in time for Halloween – if not, Fortunato’s corporate sins notwithstanding, one that’s not as addictive as it could or should be.
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TV Guide MagazineOct 13, 2023
Season 1 Review:
A predictable if creepy death march. .... Still, with bodies in the wall and in the basement, with ticking heart sounds and a fiendishly resilient black cat conjuring Poe's most haunting inventions, you'll be hooked to the last scream. [16 Oct - 5 Nov 2023, p.9]
Radio TimesSep 22, 2023
Season 1 Review:
Maybe for mega-fans of Poe, there will be more to embrace here, and they will come away loving every second of The Fall of the House of Usher. I myself came away feeling it was very much a mixed bag - impressive for its ambition, its performances, its horror and its staging, but trying to do both too much and not enough within its inflated runtime.
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Season 1 Review:
The Fall of the House of Usher, frustratingly, once more shackles him to source material that’s simply incompatible with his own gifts. .... Flanagan has taken works that are fundamentally about the horror of loneliness and turned them into occasions for florid family melodrama.
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