Season #: 2, 1
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Critic Reviews
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It is gruesome and violent and scatalogical, but then it is funny and pointed and wry, and then it defers to a tender look, or an affectionate touch, and shows its heart. Lesser shows would give you whiplash, but the tone here is uniquely its own, and just perfectly, recognisably, The End of the F***ing World.
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It’s true to the spirit of season one, which made the two messed-up central characters Alex Lawther’s James and Jessica Barden’s Alyssa sympathetic against all odds. It has the same gonzo tone and darkly funny writing. And it has a decent plotline that’s linked to the action of season one in a not-forced way.
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Once again, it’s a story about the light that slips through the cracks in broken hearts; this time, the light may not be quite as dazzling, but it’s absolutely still worth capturing.
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The good news is that season two of The End of the F***ing World stays true to the vibe of the first season, has a decently good but not great story and manages, by the end of the final episode (of eight in total), to have righted most of the wrongs that came before it.
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Overall, fans of The End of the F***ing World's first season should be pleased with what they find in Season 2. Though there are new faces and places involved, it's still got that same dreary dryness and wild unpredictability in play. While the second season doesn't exactly feel necessary, it's still fun to take another aimless ride with the show's resident weirdos and see where we end up.
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The new batch of episodes, which Covell has indicated will be the last, is essentially all resolution, a season-long working out of the original story’s loose ends, and while it’s as assured in its execution, it’s ordinary by comparison.
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It’s watchable but unnecessary.
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Season 2 is an empty shell of an epilogue that still usurps what it should be propping up.
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When the season ends, you’re left with a strong sense of, “Is that all there is?” There’s no new perspective or deeper point made by season two that wasn’t already conveyed more effectively by season one.
Awards & Rankings
User score distribution:
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Positive: 47 out of 71
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Mixed: 18 out of 71
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Negative: 6 out of 71
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Nov 8, 2019The clearest example of when you ran out of narrative ideas but wanted to extend things to exploit a little more a success you weren't expecting.
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Dec 12, 2020
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Jul 24, 2020