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CRITIC SCORE DISTRIBUTION | ||
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Positive:
18
Mixed:
3
Negative:
0
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Critic Reviews
The GuardianDec 3, 2019
Season 2 Review:
It is gruesome and violent and scatalogical, but then it is funny and pointed and wry, and then it defers to a tender look, or an affectionate touch, and shows its heart. Lesser shows would give you whiplash, but the tone here is uniquely its own, and just perfectly, recognisably, The End of the F***ing World.
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Season 1 Review:
It’s funny, and it’s sweet; it’s violent, and it’s romantic. Its leads are both reprehensible and totally sympathetic; both scared kids and responsible adults. It seems the mark of an honest production that the characters are arrestingly recognizable--and revealed so thoroughly to the audience that judging them feels impossible. By the end I was unsure if I wanted them rounded up by the authorities or free to go out in a blaze of glory; the only thing I was sure of was I wished there were more episodes.
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Season 1 Review:
The eight-part series, which arrives in a semi-surprise drop on Netflix Friday after debuting on the U.K.’s Channel 4, is a surprising tour de force, mashing up the pitch-black humor of British alternative comedies with the visual punch of an auteur-driven indie film. It’s also mercifully short. Individual episodes top out at around 20 minutes, making the series eminently bingeable, and giving it a taut, concise structure that more new shows could stand to mimic.
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Season 2 Review:
It’s true to the spirit of season one, which made the two messed-up central characters Alex Lawther’s James and Jessica Barden’s Alyssa sympathetic against all odds. It has the same gonzo tone and darkly funny writing. And it has a decent plotline that’s linked to the action of season one in a not-forced way.
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Season 2 Review:
The good news is that season two of The End of the F***ing World stays true to the vibe of the first season, has a decently good but not great story and manages, by the end of the final episode (of eight in total), to have righted most of the wrongs that came before it.
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Season 1 Review:
World has some terrific set pieces, such as the duo’s sloppy robbery of a gas station, and some dull patches, such as a meeting with Alyssa’s father late in the series that almost drags the story to a halt. But overall, James and Alyssa are ultimately two people we care about, and Lawther and Barden give exceptional, subtle performances.
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Season 1 Review:
Written by Charlie Covell and directed by Jonathan Entwistle, The End of the F***ing World takes more unexpected narrative turns as it goes on, and that makes it worth watching, assuming you can muscle your way through the accompanying gloom and occasional gore. Both Lawther and Barden have a capacity to go from deadpan to deeply agitated in an instant, and those shifts become more compelling the more you watch.
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TV Guide MagazineJan 4, 2018
Season 1 Review:
These eight riveting short episodes are out of this world, a binge made in adolescent hell. [8-21 Jan 2018, p.13]
UPROXXJan 4, 2018
Season 1 Review:
Within the first five minutes, we get flashbacks to a nine-year-old James sticking his hand in a deep fryer just to feel something, and abundant evidence that he kills small animals. The show actually gets much darker from there.
But also, somehow, much more lovable.
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Season 1 Review:
World's stylistic editing and internal narration gives it a cool, zippy vibe, and the fast pace propels it forward. Its smart structure, with genuine surprises and cliffhangers, makes it an addictive binge-watch, and the episodes' 18- to 22-minute running time makes it a particularly easy one.
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Season 2 Review:
Overall, fans of The End of the F***ing World's first season should be pleased with what they find in Season 2. Though there are new faces and places involved, it's still got that same dreary dryness and wild unpredictability in play. While the second season doesn't exactly feel necessary, it's still fun to take another aimless ride with the show's resident weirdos and see where we end up.
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