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Seemingly determined to both avoid the kind of rubbernecking that caused it and do justice to its enormous impact, creator Peter Morgan stretches the princess’ brief dalliance with Dodi, and the Crown’s harumphing response to same, across three slow, sparse, portentous episodes. Yet when it’s not simply boring, the season can be weirdly audacious, milking the mystery of Diana’s last days—as well as, unfortunately, her imagined afterlife—for manufactured poignancy.
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Ghost Diana is all of a piece with what is now simply a crass, by-numbers piece of film-making, with a script that barely aspires to craft, let alone art, any more.