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CRITIC SCORE DISTRIBUTION | ||
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Positive:
143
Mixed:
34
Negative:
4
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Critic Reviews
Season 2 Review:
Cautiousness, propriety, and dowdiness have never seemed more soothing. Elizabeth remains the commonsense counterpoint to the flibbertigibbets around her, but she is now comfortable in her authority. Each episode is not a lesson in personal abnegation; instead, the new season mixes episodes about contained political events--an encounter with the Kennedys, a crisis caused by a vocal critic, the Duke of Windsor’s Nazi affiliations--with the really good gossip
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Season 1 Review:
The Crown struggles at times, but there’s something within it — a slumbering beast, deep beneath its waves, just waiting to surface. You catch glimpses of it here and there--when Elizabeth betrays someone in the name of the crown, especially--and those glimpses are enough to animate this first season.
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Season 1 Review:
The Crown is sometimes too somber, and slow-moving to a fault (it intends to cover Elizabeth’s entire reign over six seasons). But if you’re looking for an immersive history lesson with all the royal trimmings (ermine and purple velvet among them), it’s an extremely engrossing watch.
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Season 5 Review:
The twin specters of grief and dread loom over the entire season. I felt my breath catch with emotion when I caught the first glimpse of Elizabeth Debicki as a still-hopeful, still-married Diana in the season five premiere. ... At times, I caught myself feeling empathy for the show’s progressively frustrated Prince Charles — or rather, the dramatized character that a brilliant Dominic West brought to life with surprising effect, even if he is far too handsome for the role.
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The PlaylistNov 6, 2022
Season 3 Review:
Elizabeth is no longer the most interesting figure in her own story. Colman is conspicuously absent through much of the season, which focuses more heavily on Phillip, Margaret and Charles, and her role in her family members' stories is nominal at best. Despite the marquee position of Colman in the opening credits, "Crown" doesn't feel like her show. ... The series remains fully capable of making the family a little less mysterious and a little more entertaining.
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Season 3 Review:
Stiff of spine and thin of voice, this Elizabeth (played by Oscar winner Olivia Colman) may make you long for the incandescent Claire Foy ... The history lessons check some necessary boxes — Churchill (John Lithgow) goes to his eternal reward in Episode 1 — but also resurrect delicious bits that may have been forgotten. ... With an ever-present cigarette holder and air of hangover chic, Margaret is a free spirit trapped by the rules of the palace, and her contrast with Elizabeth is something Morgan returns to again and again with striking results.
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Season 3 Review:
At its heart, The Crown is a catalogue of the myriad ways Elizabeth must deny her true self out of duty to her country. It’s a theme that’s at once tragic and predictable, which makes the emergence of Prince Charles and Princess Anne as more prominent players all the more welcome.
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IndieWireNov 4, 2019
Season 3 Review:
What is on the screen in “The Crown” is a gorgeous display of some of the age’s best actors performing at the peak of their craft. ... And yet, Colman is relegated to reacting more than acting because of how her role is written. ... [Queen Elizabeth is] a complex sovereign in a complex time, the defender of the faith. Morgan should show some more faith in her himself.
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Season 2 Review:
The season leans into the melodrama, filling every episode to the brim with plot and snappy dialogue, encouraging a binge-watch. And it may be even more tantalizing to viewers put in a royal mood by the recent announcement of Prince Harry's engagement to American actress Meghan Markle. It may be a fairy tale with the cracks showing, but it's still a fairy tale.
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Season 1 Review:
The Crown is gorgeously produced, impeccably cast and deals with a tantalizing period in British history. It is also grindingly slow, and occasionally feels like it's recycling material previously covered in other movies and miniseries...The good outweighs the disclaimers, in a project that oozes class from every pore.
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Season 6 Review:
While the first half of the season may make an excellent Diana miniseries, it’s not entirely clear that it works as a concluding installment of The Crown, a show that once had a much more sweeping scope and grander ambitions than what often comes across as simple stenography. (Or propaganda, depending on how you feel about the wildly friendly edit this season gives Charles, who is, after all, now King of England.)
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SlashfilmNov 16, 2023
Season 6 Review:
As it nears its endgame, the show has become more serialized, particularly with these four episodes that make up the first half of the final season, all of which run into each other. I'm not quite sure that's a good thing, as it robs the series of much of its previous strength. Still, there's enough high drama packed into these four episodes to satisfy those of us who have stuck with the show over all these years.
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Season 5 Review:
The Crown has always been both a pleasure to watch, thanks to its lush production design and soapy undertones, and a more mixed success from an artistic standpoint. Season 5 is the same, but for different reasons. While the acting is no longer stellar across the board, and a vividly evoked Queen Elizabeth no longer dominates the story, the narrative itself becomes richer than ever.
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The Daily BeastNov 11, 2020
Season 4 Review:
Elizabeth and Diana's stories are parallel, though distinct, narrative threads that are duly and richly explored in the 10 episodes. In practice, they exacerbate what’s always been a nagging problem with the series’ hopscotching through history, a distracting incoherence. ... It’s not a catastrophic misstep. ... When it comes to the Diana plot, one of the sharpest moves the show makes is to drive home just how young she was when she entered the melee. ... Anderson’s disappearance into the role is so all-encompassing it’s nearly a distraction—which is mostly praise.
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Season 3 Review:
Colman intuits that Elizabeth, at the height of her powers and in the middle of a calm stretch, is content. The performance is both believable and emotionally astute: Elizabeth would be settled and comfortable. But this, along with the equilibrium in her marriage, snuffs out some of the little tension there used to be. ... That the show remains appealing through this relatively slow going is largely thanks to the more high-strung characters surrounding Elizabeth.
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Season 3 Review:
At this phase of the story, Elizabeth is more uptight and controlling than ever, especially now that some of her children are old enough to cause her problems in the way only her sister once did. But the job and the many ugly things she has to do in it weigh on her more than ever, which Colman portrays beautifully. It’s not a thrilling time for Elizabeth, or The Crown, but it’s a complicated transition handled quite deftly.
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Season 3 Review:
In terms of performances, The Crown 2.0, which arrives on Nov. 17, marks an improvement over its fine predecessor. The versatile Colman makes a more complex Elizabeth, one who isn’t brittle so much as ill at ease in her own exalted skin. ... The same aura of mystery that Elizabeth defends in the documentary episode also limits the mostly reverent Morgan’s insight into his characters, to the extent that their conflicts get repetitive.
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Season 2 Review:
Despite the roiling tensions of the imminent ’60s and the various revolutions it holds, the Royal Family’s domestic politics are still what The Crown does best. And for every moment that falls apart under the weight of leaden metaphors, there are still several that shine. Royals may not be just like you or me, but they are, The Crown insists, prone to indulging the same trifling nonsense as the rest of us.
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The PlaylistNov 16, 2023
Season 6 Review:
The four episodes don’t drag, and knowing what will happen builds dread before giving way to sorrow. In its final stretch, it tips further into overly symbolic dialogue, but thanks to Debicki’s stirring performance, “The Crown” still reigns when depicting this sprawling family soap opera.
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ColliderNov 5, 2022
Season 5 Review:
Season 5 boasts yet another cast change-up, with varying levels of success — some actors are clearly trying to immerse themselves into the real-life people they've been tasked with playing, while others toss out the occasional word in the royals' received pronunciation accent and strive for little beyond that.
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IndieWireNov 21, 2017
Season 2 Review:
Some viewers may look for exactly this in their television: a beautiful recreation of historical events, connected by safe assumptions about the people who lived through them. But television is capable of so much more, and whether you like The Crown or not, its medium evokes stronger, richer feelings elsewhere.
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Season 3 Review:
The series itself struggled between finding its own balance — with some episodes striking resonant chords ("Bubbikins," "Margretology") and others falling painfully flat ("Coup," "Moondust"). But as Elizabeth herself states during one of her meetings with PM Wilson, sometimes it's better to simply look the other way, to wait for this to pass. Season 3 is a time of transition — for the royal family, for the United Kingdom, for The Crown itself.
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Season 6 Review:
If Season 5 was a bit boring and uneventful, Season 6 attempts to give every moment the taut tension of a violin string. Sometimes it makes for powerful television, but at other times it's exhausting, particularly in the third episode, which chronicles the night Diana and Dodi died.
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Season 3 Review:
Season three of The Crown lacks the urgency that previously made the Netflix series so engaging. This is partly due to the more subdued relationships between the older members of the House of Windsor, now settled into their various roles as sovereign, husband, sister, and wife.
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