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O'Dowd and Garai are fascinating as they make their characters grow in opposite directions--he more steely, she more compassionate--over the course of the show.
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It's also a pungent, harrowing and thoroughly captivating entertainment, a welcome reminder of the power of the classic miniseries, which the networks have shunned for far too long.
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There are a few revelations in this rich adaptation, concisely written for the screen by Lucinda Coxon.
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Britain's BBC2 and screenwriter Lucinda Coxon have captured the feverish tone and most fascinating storylines of Faber's book in a miniseries making its U.S. debut.
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Set in 1870s London, the tightly focused story of manipulative men, trapped women, an inappropriate, even abusive doctor, plus diary entries containing dreams of escape adds up to an inviting, rather highbrow wallow.
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What truly makes the miniseries, though, are the performances in general and that of Garai in particular. The entire story and theme turn not only on contrasts but also on character evolution, which demands precision and nuance from the cast.
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